Search results for "Nam So-yeon"

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

A talk that reaches the actor through deep, steady breathing, like a detox. The actors Lee Hwa-jung meets in her film journalism.
▶ The meeting with actor Lee Yeon continues from Part 1. ​〈Juvenile Judgment〉 is a different situation, but it’s a portrayal of the dark side of teenage youths. I can imagine that darkness running counter to Lee Yeon’s brightness must have felt overwhelming.
[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
200-plus Countries Pre-Sales “Hope” Behind-the-Scenes Stills Unveiled From Cannes

200-plus Countries Pre-Sales “Hope” Behind-the-Scenes Stills Unveiled From Cannes

In the competition section at the Cannes Film Festival, 〈​Hope​〉—a Korean film making its first foray in four years—will meet audiences in theaters this summer.
The behind-the-scenes stills unveiled this time capture the special ensemble of the stars of 〈​Hope​〉—Director Na Hong-jin, along with Hwang Jung-min, Jo In-sung, Jung Ho-yeon, Michael Fassbender, Alicia Vikander and Taylor Russell—who took part in the Cannes Film Festival.
[Holiday Box Office] Jun Ji-hyun X Yeon Sang-ho’s ‘Swarm’ Surpasses 2 Million Admissions…Beats the Pace of ‘The King and the Man’

[Holiday Box Office] Jun Ji-hyun X Yeon Sang-ho’s ‘Swarm’ Surpasses 2 Million Admissions…Beats the Pace of ‘The King and the Man’

Within 5 days of release, during the Buddha’s Birthday holiday, the theaters are dominated at a sprint; tickets for the action-stuffed ‘Wild Thing’ starring Kang Dong-won are in 2nd place as it charges hard
The evolution of a K-zombie thriller that takes over theaters, ‘Swarm’ sparks box-office surgeSouth Korea’s screens have been fully taken over. During the Buddha’s Birthday holiday, the film that instantly reshaped the theater landscape was Director Yeon Sang-ho’s ambitious work ‘Swarm’.
On Their Fourth Team-Up, the Many Faces of Koo Kyo-hwan Through Yeon Sang-ho’s Lens

On Their Fourth Team-Up, the Many Faces of Koo Kyo-hwan Through Yeon Sang-ho’s Lens

It started with Yeon Sang-ho. Koo Kyo-hwan was already a star of the independent film scene, an idol of sorts for outsiders. But if you trace the origins of how he came to appear in so many commercial projects, you arrive at Yeon’s 〈Peninsula〉.
'Fifty Percent' lands a hit with comic action as Shin Ha-kyun, Oh Jung-se, Heo Sung-tae draw 4.4% in first episode

'Fifty Percent' lands a hit with comic action as Shin Ha-kyun, Oh Jung-se, Heo Sung-tae draw 4.4% in first episode

The three men with a web of connections stemming from a drug case from 10 years ago carry out life undercover, drawing 4.4% viewership
'Fifty Percent', it explodes from the first broadcast… 'Shin Ha-kyun'·'Oh Jung-se'·'Heo Sung-tae' deliver overwhelming synergyThe intense ensemble performance of actor 'Shin Ha-kyun', 'Oh Jung-se', and 'Heo Sung-tae' completely seized the living-room audience.
[News from Cannes] George Clooney to Co-Star With Netflix… Kim Ki-yoon, a French-Attorney-turned-Actor, Chases His Dream

[News from Cannes] George Clooney to Co-Star With Netflix… Kim Ki-yoon, a French-Attorney-turned-Actor, Chases His Dream

A Korean-French actor, Kim Ki-yoon, entered Cannes with Netflix’s “Surviving as a Celebrity Manager.” From an elite lawyer to a former… and his fan devotion to director Bong Joon-ho
From an elite lawyer to Cannes’ red carpet: Korean-French actor ‘Kim Ki-yoon’’s bold career moveA lawyer at a major law firm, who had taken the country’s top elite track in France, has made his way—confidently—into the 79th ‘Cannes International Film Festival’, a global celebration for filmmakers.
[Kim Ji-yeon's Jewelry Box] You Already Knew Lee Hyo-je! 'If Wishes Could Kill' Lee Hyo-je

[Kim Ji-yeon's Jewelry Box] You Already Knew Lee Hyo-je! 'If Wishes Could Kill' Lee Hyo-je

I am curious about people. Even if someone is already a noticed actor, today may be the least famous they'll ever be. 'Kim Ji-yeon's Jewelry Box' introduces actors who are reaching new highs by the day. Treat these 'soaring stocks' as 'buy-the-dip' opportunities.
The first time I saw Lee Hyo-je, or rather the first time I 'mistook' that I had seen him, was at a small theater. Earlier this year, Lee Hyo-je took the stage as the character Gi Ho-tae in the youth troupe Bu-eong Waltz's play 〈Escape from Reality〉.
[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

That “long, long night” with a felt temperature of minus 20°C became, somehow, the “brightest night.” “This cute and spicy struggle—that’s the core of Namtaeryeong!”
​▶ 〈Namtaeryeong〉 The interview with Director Hyunji Kim continues from Part 1. ​I think you must have been thinking hard about the title. I also feel that the title 〈Namtaeryeong〉 has a tone that isn’t so different from 〈Adult Gimjangha〉.