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Review: ‘Hope’ Is Stunning by Design — for Better and Worse

Review: ‘Hope’ Is Stunning by Design — for Better and Worse

Few Korean films this year have arrived with expectations as high as 〈Hope〉. The film 〈Hope〉 has, true to its name, been framed as a much‑needed sign of hope for the Korean film industry and carries enormous expectations. Each of those factors has helped make the film a major draw.
| Seongchan Eol
Indieground Special Screening: “Cine Academy: An Introduction to Short Films” to Run On and Off Line!

Indieground Special Screening: “Cine Academy: An Introduction to Short Films” to Run On and Off Line!

The program features two themes—an “Introduction” section, and a “Deep Dive” section that lets audiences enjoy the expanded possibilities of original viewpoints and formats—showing a total of eight short films.
This special screening was planned to lower the barrier to going to the theater and to introduce Korean short films more broadly, while also giving audiences a chance to discover their own cinematic tastes through distinctive works.
| Joo Seong-cheol
‘AI Performer’ Takes the Lead Role… Controversial AI Tilly Norwood Makes World’s First Feature-Length Debut With ‘Misaligned’

‘AI Performer’ Takes the Lead Role… Controversial AI Tilly Norwood Makes World’s First Feature-Length Debut With ‘Misaligned’

A leading casting for the first feature film of a virtual performer AI media studio Particle 6 starts production with a hybrid production model “Taking human actors’ jobs” follows last year’s reports of Hollywood agency contract talks—and more backlash is expected
Amid fierce opposition from Hollywood performers’ union (SAG-AFTRA) and creators, the world’s first AI actor at the center of the controversy, Tilly Norwood , is finally cast as the solo lead in a feature film—signaling what could be the most unconventional screen debut in Hollywood history.
| Yangsimoh
'Look Back' novel author, Hirokazu Kore-eda helms live-action adaptation debuting in October

'Look Back' novel author, Hirokazu Kore-eda helms live-action adaptation debuting in October

The animation that thrilled audiences around the world with 20.4 billion yen in box office now carries that emotion to live action. A coming-of-age film that has drawn attention as celebrated filmmaker Hirokazu Kore-eda himself writes and directs.
A pen line of loss and growth, blooming beyond the master’s viewfinderA living legend in Japan’s film industry, 'Hirokazu Kore-eda' takes the reins of the live-action adaptation of 'Look Back', a global phenomenon.
| James choi
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.
| Kim Ji-yeon
[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

A professor consumed by jealousy and resentment. Choi Hyun-wook, 40 years her junior, earns lavish praise as the master pursues authenticity over box-office results through his acting philosophy
The weight of a tongue that brings disaster, from “Oldboy” to “The Last Line Boy”The Netflix original series “The Last Line Boy”, starring actor Choi Min-sik, brings back the lingering impact of “Oldboy,” a landmark work in the history of Korean cinema.
| James choi
[Photo &] Fan Bingbing and Isabelle Huppert Shine… BIFAN’s Glitzy Opening Marks Its 30th Anniversary

[Photo &] Fan Bingbing and Isabelle Huppert Shine… BIFAN’s Glitzy Opening Marks Its 30th Anniversary

'Humanoid Robots and the Coexistence of Humans' is the theme, with 321 genre films from 50 countries running through Dec. 12… From Jet Li’s new work to first-time reveals by major filmmakers, the lineup is packed
A genre-film hub that screens the future, completing 30 years of legacyThe Bucheon International Fantastic Film Festival , which has led the cutting edge of the world’s genre film scene beyond Asia, opened on the 2nd with an overwhelming scale as it charted its 30th course.
| James choi
The legend of “Lethal Weapon,” Danny Glover, discloses he’s battling Alzheimer’s… “My heart still hasn’t fully accepted it”

The legend of “Lethal Weapon,” Danny Glover, discloses he’s battling Alzheimer’s… “My heart still hasn’t fully accepted it”

A veteran detective from the “Lethal Weapon” film series, the master won love around the world—In an interview on July 1 (local time), he said he was diagnosed three years ago and that symptoms have recently been progressing; “I don’t think this is the end of my life, life goes on”… A wave of support follows the courageous disclosure with backing from his family
In the action buddy movie ‘Lethal Weapon’ series, actor and human rights advocate Danny Glover, who captivated fans worldwide as veteran detective ‘Roger Murtaugh,’ Gibson’s partner, is drawing deep resonance inside and outside the film industry after bravely admitting that he is battling...
| Yangsimoh
Amazon Shelves “OpenAI” Exposé Film That the “Parasite” Distributor Takes Up

Amazon Shelves “OpenAI” Exposé Film That the “Parasite” Distributor Takes Up

Targeting Sam Altman and Elon Musk, the film “Artificial,” which Amazon and Netflix passed on, lands with Neon in a swift deal.
The pressure of massive technology capital could not stifle the work’s accusations against power. The film ‘Artificial ’, which dissects the true face of the U. S. artificial intelligence empire ‘OpenAI’, finally makes it to the big screen after pushing past Big Tech’s blunt refusal.
| James choi
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol