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[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
Zendaya Spotted in Paris Streets in ‘Spider-Man: Brand New Day’ T-Shirt as “Spider-Man 4” Title Leak?

Zendaya Spotted in Paris Streets in ‘Spider-Man: Brand New Day’ T-Shirt as “Spider-Man 4” Title Leak?

A mysterious “Spider-Man” logo shirt appears as she visits Paris for a fashion-week appearance The subtitle on her chest reads ‘Brand New Day’—the namesake title of a legendary Marvel Comics original A hint toward a next movie with Tom Holland? Or just vintage fashion? Fans’ dopamine and speculation explode
Zendaya (29), a fashion icon and the leading lady of the Spider-Man series, sparked a frenzy across the global film industry and Marvel fans after stepping into view in a single T-shirt while walking in the streets of Paris, France.
| Yangsimoh
[Interview] Jin Sun-kyu, Part 2: 'I'll keep doing action as long as my body holds up, and I want to keep making bright projects my children can watch'

[Interview] Jin Sun-kyu, Part 2: 'I'll keep doing action as long as my body holds up, and I want to keep making bright projects my children can watch'

※〈Husbands〉 actor Jin Sun-kyu interview continues from Part 1. Netflix film 〈Husbands〉 brings together a seven-member cast led by Jin Sun-kyu and Gong Myung, alongside Kim Ji-seok, Yoon Kyung-ho, Kang Han-na, Lee Da-hee and Jeon So-min. What did you expect as that lineup came together.
| Kim Ji-yeon
[BIFAN 2026] Enjoying Bucheon 30 Years in 100 Times ② Bucheon Is AI! AI Content Summit & Beyond Reality

[BIFAN 2026] Enjoying Bucheon 30 Years in 100 Times ② Bucheon Is AI! AI Content Summit & Beyond Reality

AI films are Bucheon’s main focus. For the 30th Bucheon International Fantastic Film Festival (executive committee chair Shin Cheol, hereinafter BIFAN), “Bucheon AI Contents Summit” (Bucheon AI Contents Summit) will be introduced for the first time this July, positioning itself as a venue for...
| Joo Seong-cheol
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.
| Joo Seong-cheol
Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

In 〈True Education〉, Bong Geun-dae emerges as an unlikely standout — a socially awkward genius whose growth gives the series some of its emotional balance. A genius who finished KAIST two years early yet often comes across as awkward and withdrawn, he provides a counterbalance among the series'...
| Chua-young
Interview: Jin Gi-ju says corporal punishment is 'a very dangerous act.'

Interview: Jin Gi-ju says corporal punishment is 'a very dangerous act.'

▶ 〈Teach You a Lesson〉 Jin Gi-ju interview continues from Part 1. What were your real school days like. They were just ordinary. I would cram for tests, I really wanted to hang out every day but studied because I had to, and I loved club activities. Did a teacher ever actually hit you.
| Chua-young
Beyond OTT and Into Theaters: Independent Film Long-Run Project “Slow Cinema” Launches

Beyond OTT and Into Theaters: Independent Film Long-Run Project “Slow Cinema” Launches

Instead of streaming straight to OTT, it holds onto theater screenings through year-end—kicking off the “Slow Cinema” movement built to share breath with audiences
In an era dominated by exclusive screen access, independent films have launched an all-out counterattack for survival. A nationwide audience coalition project aimed at reclaiming what theaters are for and protecting the value of long-run screenings, the “Slow Cinema” movement, has opened its...
| James choi
Hong Kong Retro Movie Tour ① John Woo’s “A Better Tomorrow” and a History Lesson at Mei Ho House, San Shui Po

Hong Kong Retro Movie Tour ① John Woo’s “A Better Tomorrow” and a History Lesson at Mei Ho House, San Shui Po

Built in 1953 after the “Sekkipmei Fire,” the sprawling public housing complex known as “Mei Ho House” became the stage for 〈A Better Tomorrow〉.
Cineplay and House Travel teamed up for a Hong Kong movie tour, their fifth trip. The core theme of this tour was the meeting of Hong Kong’s past and present through film. From John Woo’s 〈A Better Tomorrow〉 (1990), set in 1960s Hong Kong and starring Tony Leung Chiu-wai, to 〈The King of Comedy〉...
| Joo Seong-cheol
RIIZE, TREASURE, Lee Young-ji all on board…BOF opens in Busan on the 27th, building on BTS momentum

RIIZE, TREASURE, Lee Young-ji all on board…BOF opens in Busan on the 27th, building on BTS momentum

Asia’s largest music festival BOF runs on the 27th. A star-studded K-pop lineup from RIIZE and more, plus free park concerts by Lee Mu-jin and ZION.T
'The empire of silent sound, universal solidarity of Asia igniting in Busan'A festival is, by nature, a primal refuge where people seek release, and a vast screen onto which the desires of the era are projected.
| James choi