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[First Ratings] Yoo Yeon-seok and Seo Hyun-jin’s ‘Liar’ Opens on a Disappointing 1.9%… A Day of Conflicting Truths

[First Ratings] Yoo Yeon-seok and Seo Hyun-jin’s ‘Liar’ Opens on a Disappointing 1.9%… A Day of Conflicting Truths

Episode 1 posts a 1.9% rating, according to Nielsen Korea on Oct. 31; the psychological thriller reunites the ‘Dr. Romantic’ co-stars after 10 years
A bold transformation for the ‘Dr. Romantic’ couple, in a fierce psychological battle over conflicting truths MBC’s new Friday-Saturday drama ‘Liar,’ starring Yoo Yeon-seok and Seo Hyun-jin, got off to a somewhat disappointing start with a rating in the 1% range. Nielsen Korea reported on Oct.
How Did a Three-Hour Documentary Top the North American Box Office? Meet “You Can See Everything”

How Did a Three-Hour Documentary Top the North American Box Office? Meet “You Can See Everything”

There is no word yet of a release in South Korea, but one documentary’s success in North America has captured the attention of Korean cinephiles. It’s a documentary that runs three hours, yet its poster or trailer is enough to make it unforgettable. The film is 〈You Can See Everything〉.
A Job Interview Becomes a Real-Life ‘Squid Game’ in the Cutthroat Chaos of ‘Final Interview’

A Job Interview Becomes a Real-Life ‘Squid Game’ in the Cutthroat Chaos of ‘Final Interview’

Getting hired has never been this hard. Six applicants have beaten 5,000-to-1 odds to reach the final interview at global IT company Spiralinks. After spending a month preparing for a group discussion, they hoped they would all get offers.
Academy Museum Presents Park Hae-il Retrospective, Screening 8 Films From His 20-Year Career, Including ‘Decision to Leave’

Academy Museum Presents Park Hae-il Retrospective, Screening 8 Films From His 20-Year Career, Including ‘Decision to Leave’

Series runs in Los Angeles through Nov. 14, following tributes to Song Kang-ho and Youn Yuh-jung
‘A master of subtle, versatile performances’ meets U. S. audiences The Academy Museum of Motion Pictures is presenting a special screening series spotlighting acclaimed Korean actor Park Hae-il. The Los Angeles museum officially announced that the program will run from Oct. 29 through Nov.
Singer-songwriter Shim Hyun-bo releases fifth studio album, ‘What We Called Love,’ after 11-year wait

Singer-songwriter Shim Hyun-bo releases fifth studio album, ‘What We Called Love,’ after 11-year wait

The 10-track album features the double lead singles ‘Don’t Be So Kind’ and ‘What We Called Love,’ with collaborations from top musicians across generations
Shim Hyun-bo surprise-released his fifth studio album, What We Called Love, on the 30th. The release marks his first full-length album in 11 years, since 2015’s Warm, and has drawn attention across the Korean music industry.
[New Film] ‘Halo,’ First Korean Film to Win at Tokyo Film Festival, Opens Nov. 11 — A 27-Year-Old’s Dream

[New Film] ‘Halo,’ First Korean Film to Win at Tokyo Film Festival, Opens Nov. 11 — A 27-Year-Old’s Dream

Director Noh Young-wan’s feature debut swept the awards in the festival’s Asian Future section
Artistic ambition blooms amid a precarious daily life and the gulf between dreams and reality ‘Halo,’ the feature debut of director Noh Young-wan, which takes an in-depth look at the harsh life of a young man making ends meet through delivery work, arrives in theaters on the 11th of next month.
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

After transitioning, Alice was finally able to choose the life she wanted. Eddie says transition is still ongoing. The film depicts not a moment of change, but a process of continually facing oneself.
※ This interview with director Kim Il-rhan about 〈Eddie Alice: Take〉 continues from the first article. ​ By drawing close to the two people named in the title, Eddie and Alice, the film also seems to invite viewers to compare their choices.
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

After transitioning, Alice has only just been able to choose the life she wants. Eddie says her transition is still ongoing. The film portrays not a momentary change, but an ongoing process of facing oneself.
A women’s bathhouse. Perhaps it’s a familiar, ordinary place for most women. The camera is set up, the lights come on, and filming begins. Water—whether sweat or tears, it’s hard to tell—runs down the face of a woman in the bath.
Cool-Headed Son Suk-ku and Fiery Eita Nagayama: ‘The Blue Road’ Character Stills Revealed!

Cool-Headed Son Suk-ku and Fiery Eita Nagayama: ‘The Blue Road’ Character Stills Revealed!

The Netflix series ‘The Blue Road’ follows two detectives investigating gruesome murders that span borders, featuring contorted corpses and mysterious messages.
The story of two detectives pursuing gruesome murders that span borders, featuring contorted corpses and mysterious messages, 〈The Blue Road〉 has raised anticipation even further with the release of character stills featuring ‘Kim Seok’ (Son Suk-ku) and ‘Inose’ .
Kim Min-ha, Lee Hee-jun, Director Kim Da-min and Executive Producer Han Jun-hee Celebrate ‘Dead-End Job’ Press Conference

Kim Min-ha, Lee Hee-jun, Director Kim Da-min and Executive Producer Han Jun-hee Celebrate ‘Dead-End Job’ Press Conference

Set at a bizarre employment agency that offers only “perfect part-time jobs” paying up to 50 times the usual hourly rate, the series follows Hyuk-jun, a young man sent to nightmarish workplaces.
Dead-End Job, a livelihood horror series set at a bizarre employment agency that offers only “perfect part-time jobs” paying up to 50 times the usual hourly rate, follows Hyuk-jun, a young man sent to nightmarish workplaces. The series held a successful press conference on Wednesday the 28th.