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[Chu A-young's Music Box] How Don Hertzfeldt's 'It's Such a Beautiful Day' and Smetana's 'Vltava' Capture Life's Beauty

[Chu A-young's Music Box] How Don Hertzfeldt's 'It's Such a Beautiful Day' and Smetana's 'Vltava' Capture Life's Beauty

I am drawn to music in films. Music often conveys a character's intimate emotions in ways images and dialogue cannot, and it can open a window onto a creator's hidden intent. For me, understanding a film's music has been one way into the film itself.
[Photos &] Seo In-guk on why he really chose three consecutive office dramas: “Not even a bit like me”

[Photos &] Seo In-guk on why he really chose three consecutive office dramas: “Not even a bit like me”

Praise for his role as Kang Si-woo in tvN’s “Work Tomorrow!”… Behind the ending ad-lib and his laid-back mindset after 15 years since debut
Actor Seo In-guk proved his seasoned depth from his 15th year since debut by fully bringing to life the workaholic Gang Si-woo in tvN “Work Tomorrow. ”, which recently wrapped, a character that stands in stark contrast to his true self.
[Photo &] Four Years After ‘Spider-Man 4’ Ties Into Hulk and the Punisher—A Hero Everyone Forgot: ‘Self-Reliance’

[Photo &] Four Years After ‘Spider-Man 4’ Ties Into Hulk and the Punisher—A Hero Everyone Forgot: ‘Self-Reliance’

The first screening of ScreenX on four screens expanded all the way to the ceiling… Peter Parker’s coming-of-identity confusion
A hero kept strictly isolated, a new awakening reached after four years Peter Parker, the Spider-Man figure erased completely from everyone’s memories (Tom Holland), has returned after four years of silence. ‘Spider-Man: Brand New Day’ (hereafter ‘Spider-Man 4’), which has already surpassed 830,000...
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
[Photo&] Yoon Kyung-ho Cries at 23% Ratings Breakthrough for ‘Kim Bujang’… a Netflix No. 1 Upset

[Photo&] Yoon Kyung-ho Cries at 23% Ratings Breakthrough for ‘Kim Bujang’… a Netflix No. 1 Upset

Netflix tops the non-English category for the third straight week, driving a hit after 20 years of obscurity
Yoon Kyung-ho (46), a “top-tier star” who has swallowed both Korea’s home entertainment market and global OTT at the same time, finally poured out hot tears. With SBS Friday-Saturday drama ‘Kim Bujang’ ending on an astonishing “23% ratings”, he also did not forget the pain of being unknown for 20...
SM Holds a 10km Running Event Where Artists and Fans Run Together—First Held on Oct. 3

SM Holds a 10km Running Event Where Artists and Fans Run Together—First Held on Oct. 3

The 10km course runs through Incheon’s Wangs‌an Marina Port, followed by a special stage by affiliated artists after the race ends.
A first-of-its-kind experiment in the entertainment industry: a 10km running track shared by artists and fans South Korea’s leading K-pop agency ‘SM Entertainment’ is launching an unusual offline project that lets its affiliated artists and fan fandom breathe together beyond physical limits. On Oct.
[Photo]& Kwak Dong-yeon Spent Just 3 Hours on Special Makeup for Netflix’ “Kingdom of the Crown Prince” … “Poison Shot” Ad-Lib Before Enlistment

[Photo]& Kwak Dong-yeon Spent Just 3 Hours on Special Makeup for Netflix’ “Kingdom of the Crown Prince” … “Poison Shot” Ad-Lib Before Enlistment

He is set to enter the active-duty Army on Sept. 25 next month. He handled wire-action for five months as a prince possessed by an evil spirit. “The military gap is an intermission for my acting career”
In the Netflix occult historical drama "Kingdom of the Crown Prince", actor "Kwak Dong-yeon", who seized global viewers’ attention with an overwhelming portrayal of an evil spirit, poured himself into a final burst of effort before enlisting.
“Hometown” Expands Its Reach to Osaka, Japan—Special Screening on the 28th

“Hometown” Expands Its Reach to Osaka, Japan—Special Screening on the 28th

To mark the 10th anniversary, the expanded version adds stories from Asian women, with a domestic release set for next month on the 26th
‘Hometown’ Marks 10 Years With Three Straight Screenings in Osaka… Hidden Pain Finally Comes to Light An expanded version with testimonies from Asian victims is confirmed for a domestic release on the 26th of next month Testimonies From Forgotten Women Reemerge at the Heart of the Archipelago The...
First Reactions: Cineplay Reporters and Film Journalists Rate 〈The Odyssey〉

First Reactions: Cineplay Reporters and Film Journalists Rate 〈The Odyssey〉

[First Reactions] Christopher Nolan's new film 〈The Odyssey〉 opens on August 5. The film is an epic about Odysseus, the hero who led the Trojan War to victory, and his battle against the gods' wrath as he tries to return home.
Tsai Ming-liang’s “Love in a Time of Madness” Returns in 4K… Venice’s Top Award Legend Re-Releases Next Month

Tsai Ming-liang’s “Love in a Time of Madness” Returns in 4K… Venice’s Top Award Legend Re-Releases Next Month

The Taiwan New Wave signature film opens in 4K remastering on July 12 next month, with renewed attention on its artistic achievements, including a three-award sweep at the Golden Horse Awards
A Taiwan New Wave masterpiece that shines with Venice’s top prize returns next month on July 12 in 4K A legendary masterpiece that reshaped the trajectory of Taiwanese cinema comes back to the screen in stunning resolution.