Search results for "Lee Ha-eun"

'Goblin' · 'Reply 1988' Marks 10 Years… Life Dramas Return in the Form of Variety Shows

'Goblin' · 'Reply 1988' Marks 10 Years… Life Dramas Return in the Form of Variety Shows

From Gong Yoo and Kim Go-eun to Park Bo-gum, the spin-off variety shows bank on a loyal fandom—and still carry the generational pull that endures 10 years later.
“Dad!” As Ahn Jae-hong calls out to actor Kim Seong-kyun, the familiar greeting from back then echoes: “I’m really, truly so glad—so glad!” When the scene shifts, Gong Yoo and Kim Go-eun recreate that signature moment when they turned the living-room drama into a sea of tears—then toss out a cheeky...
Analog Scent in the AI Era… Park Hak-gi Launches a Talk Concert, “Filling in the Blanks,” With Audience Members

Analog Scent in the AI Era… Park Hak-gi Launches a Talk Concert, “Filling in the Blanks,” With Audience Members

First Episode on YouTube on July 7… A Relay of Support From Star Social Media First guest is Yurisangja (Jang Park Seung-hwa & Lee Se-jun), delivering the emotional pull and connection of a small-venue concert that brings back the memories of the ’80s and ’90s
Amid an onslaught of digital, ‘solid comfort’ delivered by analogIn today’s era, when artificial intelligence and advanced digital technology have encroached on everyday life, a distinctive YouTube content series that brings back the warm sensibilities of the 1980s and 1990s is finding its way to...
[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

I am curious about people. Even actors already in the spotlight can be at their least visible moment right now. "Kim Ji-yeon's Jewel Box" introduces performers who are hitting new highs day by day. Buy the dip on tomorrow's breakout stars.
I would go so far as to say she has renewed a career-defining role — specifically Seon Min-hee in 〈Notes from the Last Row〉. For an actor in her 21st year since debut, this represents a new peak. Viewers and theatergoers who have followed Han Ji-eun for years already consider her well known, yet...
They Chose YouTube Instead of Theaters… Shin Jae-hoon’s New Work “I’m Your Man” Released Unusually Early

They Chose YouTube Instead of Theaters… Shin Jae-hoon’s New Work “I’m Your Man” Released Unusually Early

Confronting the real-world walls of indie film releases… a comedy starring Lee Ji-hoon and Moon Hee-kyung, with an uncommonly free release of a preview cut
A daring move that picks ‘YouTube’ over the screen… the bitter struggle of an indie film that challenged the logic of capitalAn unusual stir is sweeping through the Korean film industry. Director Shin Jae-hoon, who directed ‘Chiwabŏpkwŏn’ and ‘Mangnaein: Eolgul Eopsneun Salinjadeul’, has unveiled...
Na Young-seok & the “Earth Entertainment Room” crew gather…Spin-off “Space Tteok Shop” premieres on the 31st

Na Young-seok & the “Earth Entertainment Room” crew gather…Spin-off “Space Tteok Shop” premieres on the 31st

A penalty-variety show born after a failed escape-room challenge on “Jirakshil 2” From Lee Eun-ji to Ahn Yu-jin, meet the four who will bungle their way through “Space Tteok Shop” part-time work—set to air on the 31st
An expansion of a universe that shakes up the variety show landscape—extraordinary labor born from a penaltyIn South Korea’s TV variety world, the Midas hand, “Na Young-seok PD”, has announced yet another evolution for the mega-hit IP “Bbang Bbang Earth Entertainment Room”.
‘Kim Bu-jang’ full-AI video, 100% produced on ‘AICRON,’ a platform planned by Korea’s VFX experts

‘Kim Bu-jang’ full-AI video, 100% produced on ‘AICRON,’ a platform planned by Korea’s VFX experts

A roughly three-minute sequence showing the past of Kim Bu-jang (So Ji-seop), the protagonist and a former special agent, was entirely produced with AI.
SBS Friday-Saturday drama ‘Kim Bu-jang’ (written by Nam Dae-jung, directed by Lee Seung-young and Lee So-eun, planned by Studio S, produced by Studio S, and Fantagio) is drawing another wave of attention after adopting bold AI technology, as it has broken through 21.
Kim Hye-soo, Kim Ji-hoon Unveiled as Influencer Couple in 《Adultery Isn't the Problem Now》

Kim Hye-soo, Kim Ji-hoon Unveiled as Influencer Couple in 《Adultery Isn't the Problem Now》

Production includes 《Squid Game》 director Hwang Dong-hyuk and producer Kim Ji-yeon
Coupang Play released character stills of Kim Hye-soo and Kim Ji-hoon on July 7 ahead of the July 31 premiere of its original series 《Adultery Isn't the Problem Now》, directed by Lee Chang-hee and written by Jung Eun-kyung and Park Su-rin.
Breakthrough Vertical Format…Lee Joon-ik’s First Short Is ‘Father’s Home-Cooked Meal’ Unveiled by BIFAN

Breakthrough Vertical Format…Lee Joon-ik’s First Short Is ‘Father’s Home-Cooked Meal’ Unveiled by BIFAN

BIFAN is captivated by Lee Joon-ik’s vertical short-form work—a family drama starring Jung Jin-young and Lee Jeong-eun that aims to upend genre limits and is set for a theater release this Chuseok.
A master filmmaker “Lee Joon-ik” flipped screen conventions on their head. “Father’s Home-Cooked Meal”, first unveiled at the 30th “Bucheon International Fantastic Film Festival” , delivers an unprecedented visual jolt in the striking format of a “vertical short-form drama”, and sets out a new...
In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

※Spoilers for 〈The Boy in the Last Row〉.​We live in the age of binge-watching. The days of waiting one or two episodes a week, predicting the next twist and musing about what comes next are gone. Netflix originals routinely end each episode with cliffhangers designed to make viewers hit the...
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.