Search results for "Short-Form"

Amid fierce opposition from Hollywood performers’ union (SAG-AFTRA) and creators, the world’s first AI actor at the center of the controversy, Tilly Norwood , is finally cast as the solo lead in a feature film—signaling what could be the most unconventional screen debut in Hollywood history.

〈Marty Supreme〉 is similar to Josh Safdie’s earlier works, but also different. The most decisive factor is that after going through 〈Heaven Knows What〉 (2014), 〈Good Time〉 (2017), and 〈Uncut Gems〉 (2019), which they co-directed under the name “Safdie Brothers” with his younger brother Benny Safdie,...

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...

Fate of two prodigies crossing on the keys, tvN’s new weekend drama 'For Hands' makes a heavy entranceOn the screen, classic melodies and a thick wave of youthful pathos rush in. tvN’s eagerly anticipated new weekend drama 'For Hands' will home in on viewers’ living rooms at 9:10 p. m.

A violet wave of thrills rippling through Europe’s core—Brussels grinds to a haltOn the 1st , Brussels, the capital of the European Union, transformed into a giant melting pot. At King Baudouin Stadium, the area that hosted the first visit by the group BTS to Belgium since its debut, the scene was...

Between purity and audacity, a reopened project to spark romanceLast year, Netflix original variety show “Mother Sol, But I Want to Date” (hereafter “Solo Dating”) captivated global viewers with raw, unfiltered feelings and returns in Season 2 equipped with an even more solid narrative and twists...

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.

This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...

Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.

Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.