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Search results for "Time of Cinema"

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
| 이화정
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
K-Arts short 'Tropic' stuns North America festival circuit, wins top cinematography at Fantasia

K-Arts short 'Tropic' stuns North America festival circuit, wins top cinematography at Fantasia

At the 30th Fantasia International Film Festival, it takes the Short Film category’s 'Best Cinematography' award, with K-Arts AT Lab and VA Corporation winning a contest
Korea National University of Arts (hereafter, K-Arts) has proved its strength in convergence arts at North America’s biggest genre film festival, drawing overwhelming attention. The short film 'Tropic', produced by the K-Arts Convergence Arts Center Arc & Technology Lab , made headlines at the 30th...
| James choi
Review: Christopher Nolan’s ‘Odyssey’ Turns Greek Epic Into a Grand Human Drama

Review: Christopher Nolan’s ‘Odyssey’ Turns Greek Epic Into a Grand Human Drama

One phrase immediately came to mind: Christopher Nolan has pushed past his own limits in 〈Odyssey〉, his adaptation of Homer’s 「The Odyssey」, which opens on Aug. 5. 「The Odyssey」 tells the story of King Odysseus’s return to his homeland of Ithaca after the Trojan War, a foundational epic that still...
| Seongchan Eol
First Reactions: Cineplay Reporters and Film Journalists Rate 〈The Odyssey〉

First Reactions: Cineplay Reporters and Film Journalists Rate 〈The Odyssey〉

[First Reactions]Christopher Nolan's new film 〈The Odyssey〉 opens on August 5. The film is an epic about Odysseus, the hero who led the Trojan War to victory, and his battle against the gods' wrath as he tries to return home.
| Kim Ji-yeon
[Photo &] Christopher Nolan’s New Film, “Odyssey,” Shot Entirely in IMAX for the First Time Ever—Releases on Aug. 5

[Photo &] Christopher Nolan’s New Film, “Odyssey,” Shot Entirely in IMAX for the First Time Ever—Releases on Aug. 5

Matt Damon, Anne Hathaway, Tom Holland in an A-list cast; with CG kept to a minimum and ancient instruments brought in, it opens Aug. 5 with a 172-minute runtime
Christopher Nolan “Odyssey” Premieres Entirely in IMAX for the First Time EverUsing 640 km of film over 91 days, the film promises a sweeping scale with Matt Damon and Anne Hathaway joining the castA Screen Arrival of an 8th-Century B. C.
| James choi
Nah Hong-jin’s New Film “Hope” Wins the Action Cinema Award at New York Asian Film Festival

Nah Hong-jin’s New Film “Hope” Wins the Action Cinema Award at New York Asian Film Festival

At the 25th New York Asian Film Festival, the movie takes home the top Action Cinema honor… and also brings together director Ari Aster
The return of a master, a new world by “Nah Hong-jin” that overwhelms North America with impactA standout presence in Korean genre filmmaking, director “Nah Hong-jin” has left a powerful impression across North America with his new work “Hope”.
| James choi
Lee Chang-dong’s Netflix New Film “A Possible Love”… Invited to the Venice Film Festival Competition for the First Time in 24 Years, Battling for the Golden Lion

Lee Chang-dong’s Netflix New Film “A Possible Love”… Invited to the Venice Film Festival Competition for the First Time in 24 Years, Battling for the Golden Lion

Jeon Do-yeon and Sol Kyung-gu star, marking a return to the competition 24 years after “Oasis”… in a lineup of 20 works including Hirokazu Kore-eda’s “Look Back”
A 24-year return as a master filmmaker’s gaze turns back to VeniceDirector Lee Chang-dong, an unrivaled master in Korea’s film industry, launches a grand journey for the Golden Lion after his new film “A Possible Love” received an official invitation to the competitive category of the 83rd Venice...
| James choi
Interview: Nam Joo-hyuk on ‘The East Palace,’ Action Scenes and What’s Next

Interview: Nam Joo-hyuk on ‘The East Palace,’ Action Scenes and What’s Next

※ This interview with 〈The East Palace〉 star Nam Joo-hyuk continues from Part 1. You made Gu-cheon look noticeably different in the real world and in the realm of spirits. How did you approach the styling differences.
| Kim Ji-yeon
‘Hope’ Director Na Hong-jin Wins Action Cinema Award at the 25th New York Asian Film Festival

‘Hope’ Director Na Hong-jin Wins Action Cinema Award at the 25th New York Asian Film Festival

At this year’s festival, director Na Hong-jin met with Ari Aster, the director behind 〈Hereditary〉 and 〈Midsommar〉.
The hot-button release 〈Hope〉, which has been taking the No. 1 spot at the box office day after day since its debut, was selected as the centerpiece screening at the 25th New York Asian Film Festival and held a North American premiere screening on Monday, July 20.
| Joo Seong-cheol