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Review: In 'The Shrine,' the Human Abyss Is Scarier Than Any Demon

Review: In 'The Shrine,' the Human Abyss Is Scarier Than Any Demon

In 〈The Shrine: Whisper of the Demon〉, opening June 17, demons may stalk the screen, but the film argues that the human psyche is more terrifying still.Billed as a meeting of K-shamanism and J-horror, 〈The Shrine: Whisper of the Demon〉 is a Korea–Japan co-production directed by Japanese filmmaker...
| Kim Ji-yeon
Mastermind Jean-Jacques Annaud’s Epic ‘Wolf Totem’ Lands in South Korea for the First Time in 11 Years—Forged Through Real Wolf Footage, Delivered With Jaw-Dropping Nature Spectacle

Mastermind Jean-Jacques Annaud’s Epic ‘Wolf Totem’ Lands in South Korea for the First Time in 11 Years—Forged Through Real Wolf Footage, Delivered With Jaw-Dropping Nature Spectacle

A meeting between ‘The Lovers’ director Jean-Jacques Annaud and ‘Avatar’ music director James Horner.
The wild epic wrought by a master’s obsession arrives after 11 years of waitingA warning from humanity’s arrogance and from the vastness of nature, reflected in the wolves’ eyes. Choreographed formations by real Mongolian wolves—rejecting CG—fully overwhelm the screen with vivid energy.
| James choi
'14-Year Romance' Ends as Jung Kyung-ho and Choi Soo-young Split

'14-Year Romance' Ends as Jung Kyung-ho and Choi Soo-young Split

Both agencies acknowledged the breakup and said they plan to remain as “good colleagues.”
A 14-year story, drawing a full stopJung Kyung-ho and Choi Soo-young — a symbolic couple in show business — have reached a turning point, shifting their dazzling 14-year journey into support for each other’s separate paths.
| James choi
Lee Joon-ik and Lee Won-suk’s Short Drama ‘BIFAN’ and ‘New York Film Festival’ Invitation Is a Huge Win, Displaying the Power of K-Short Drama!

Lee Joon-ik and Lee Won-suk’s Short Drama ‘BIFAN’ and ‘New York Film Festival’ Invitation Is a Huge Win, Displaying the Power of K-Short Drama!

Amid the spotlight, master filmmakers Lee Joon-ik and Lee Won-suk’s short-form challenge lands consecutive invitations to Bucheon International Fantastic Film Festival and the New York Asian Film Festival
The fleeting aesthetics seen through a master’s gaze. Director Lee Joon-ik’s ‘Father’s Home-Cooked Meal’ and Director Lee Won-suk’s ‘Beloved Death’ are ready to ignite all five senses of genre-film fans around the world—and short-drama fans alike—with a brief yet forceful narrative.
| James choi
[Photo &] 30th Bucheon Film Festival Screens Record 321 Films, Jet Li Named Opener

[Photo &] 30th Bucheon Film Festival Screens Record 321 Films, Jet Li Named Opener

A record-breaking scale with 321 films screened across 50 countries. AI and short-form categories are added as the curtain rises on a new-genre festival
A massive comeback for 'Asia's largest genre film festival' — bold lineup for the 30th BIFAN'Asia's largest genre film festival' has returned in grand form, proving its clout. The 'Bucheon International Fantastic Film Festival' ('BIFAN') is back with the best-ever lineup.
| James choi
[Photo &] Park Ji-hoon’s B-Grade Humor Military Fantasy… Box-Office Boom Analysis of “Becoming a Legend in the Kitchen”

[Photo &] Park Ji-hoon’s B-Grade Humor Military Fantasy… Box-Office Boom Analysis of “Becoming a Legend in the Kitchen”

A fresh fantasy that blends cooking, games, and the military, topped the No. 1 spot in the number of paid subscribers who contributed
A military fantasy gripping a kitchen knife instead of a gun writes a new chapter in box-office successThe military—an institution that reflects the solid hierarchy of South Korean society—is evolving. Departing from the one-size-fits-all barracks routines, the camera now zeroes in on special...
| James choi
'Hana Korea' confirms Kim Min-ha's return to the big screen in July, releases character stills packed with an intense story

'Hana Korea' confirms Kim Min-ha's return to the big screen in July, releases character stills packed with an intense story

'Pachinko' global blue-chip Kim Min-ha to star in film based on a true story of a joint Korea-Denmark production Reflecting the harrowing reality and hope of Hye-seon, a North Korean defector trying to move forward in an unfamiliar life Anticipation builds with the addition of Kim Ju-ryeong and Ahn Seo-hyun, with July 8 release set after character-still visuals that capture both unease and resilience
〈Hana Korea〉 has released a still cut of Kim Min-ha, showcasing her commanding presence.〈Hana Korea〉 has released a still cut of Kim Min-ha, showcasing her commanding presence. The film 〈Hana Korea〉 tells the story of Hye-seon, a North Korean defector who, even amid an unfamiliar life, ultimately...
| Seongchan Eol
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
| Joo Seong-cheol
A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
| Joo Seong-cheol
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
| Seongchan Eol