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Search results for "AI feature film"

Ha Jung-woo, Vice Chair of National AI Strategy Committee, Praises ‘Stilray’ at Insight Talk

Ha Jung-woo, Vice Chair of National AI Strategy Committee, Praises ‘Stilray’ at Insight Talk

This sci-fi action film follows a man who dons the AI he created and the combat suit his father discarded to take on the deadliest virus and save humanity from a rogue AI.
〈Stilray〉 is a 90-minute robot sci-fi film made entirely with AI. It is not a film that merely used AI in part; it is a feature-length production created with AI tools from planning and video production through postproduction.
| Joo Seong-cheol
Korea's First! 100% Generative AI Feature Film 'I Am Popo' Set to Release in May! Two Posters Unveiled!

Korea's First! 100% Generative AI Feature Film 'I Am Popo' Set to Release in May! Two Posters Unveiled!

The story revolves around an artificial intelligence 'Popo' that predicts future crimes and proactively eliminates an elementary school student.
The first 100% generative AI feature film in South Korea 〈I Am Popo〉 has confirmed its release in May and is taking significant steps forward. 〈I Am Popo〉 depicts the conflict between an AI that judges based on probabilities and a human who believes in hope, as a robot named 'Popo', born to protect...
| Joo Seong-cheol
The First Domestic Feature Film Utilizing AI 'Run to the West' By Byun Yo-han:

The First Domestic Feature Film Utilizing AI 'Run to the West' By Byun Yo-han: "I Thought AI Cannot Exist Without Human Creativity"

Director Kang Yoon-sung, who attended the premiere, stated that AI cannot replace the realm of actors.
The first domestic feature film produced using artificial intelligence 〈Run to the West〉 will be released exclusively on the 15th at CGV. At the premiere held at CGV Yongsan I-Park Mall in Seoul, the cast and crew shared their views on the significance and limitations of introducing AI technology.
| 김지민
Director Kang Yoon-sung's First Domestic AI-Utilized Feature Film 'The Middle Realm' to Be Released on October 15

Director Kang Yoon-sung's First Domestic AI-Utilized Feature Film 'The Middle Realm' to Be Released on October 15

A chase action blockbuster between people trapped in the 'Middle Realm' between the living and the dead and the grim reapers trying to extinguish their souls.
〈Fine: Country Bumpkins〉, 〈Casino〉, 〈The Outlaws〉 and other well-made works have established Director Kang Yoon-sung as a leading box office director in Korea, and his first domestic AI-utilized feature film 〈The Middle Realm〉 will be released on October 15.
| Joo Seong-cheol
OpenAI Submits AI-Generated Feature Animation 'Critterz' to Cannes Film Festival

OpenAI Submits AI-Generated Feature Animation 'Critterz' to Cannes Film Festival

Proving Generative AI Capabilities with Faster and Cheaper Production than Hollywood
Artificial intelligence service provider OpenAI plans to submit a feature animation film created using AI tools to the Cannes Film Festival next May, according to a report by The Wall Street Journal on the 7th .
| 김지민
Grim Reaper Chase Action 'The Middle Realm', Directed by Kang Yoon-sung, AI-Utilized Feature Film Set for October Release

Grim Reaper Chase Action 'The Middle Realm', Directed by Kang Yoon-sung, AI-Utilized Feature Film Set for October Release

A life-and-death chase between Byun Yo-han, Kim Kang-woo, Bang Hyo-rin, Lim Hyung-jun, Yang Se-jong, and the Grim Reapers!
Kang Yoon-sung, known as a leading box office director in Korea for well-made works such as 〈The Outlaws〉, 〈Casino〉, and 〈The Drug King〉, is signaling a new paradigm in the film industry. This is because he is about to release the first domestic AI-utilized chase action blockbuster 〈The Middle...
| Chua-young
[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

『Korean Queer Film History 2022–2025』, documenting queer films that screened in Korea from 2022 to 2025 through criticism by five critics and interviews with five directors, will also be published.
※ Continued from the first article on picks from the 16th Seoul International PRIDE Film Festival. The Seoul International PRIDE Film Festival’s “Asia Pride” section is a chance to discover a diverse range of queer films made in Asia.
| Joo Seong-cheol
Warner Bros. Pictures Animation’s First Feature Film, ‘The Cat in the Hat,’ Opens in Theaters November 6

Warner Bros. Pictures Animation’s First Feature Film, ‘The Cat in the Hat,’ Opens in Theaters November 6

10 press stills released… A fantasy adventure starring a secret-agent cat and a brother and sister
Warner Bros. Pictures Animation released 10 press stills on the 20th, offering a glimpse of the outlandish adventure in its first feature film, 〈The Cat in the Hat〉 , ahead of its theatrical release on November 6.
| Kim Ji-yeon
A Tragedy Worse Than the First in Dazzling Night City? What to Watch for in ‘Cyberpunk: Edgerunners 2’

A Tragedy Worse Than the First in Dazzling Night City? What to Watch for in ‘Cyberpunk: Edgerunners 2’

Once again, Netflix is offering a trip to Night City. Set to premiere October 20, 〈Cyberpunk: Edgerunners 2〉 (hereafter 〈Edgerunners 2〉) tells a story separate from its predecessor. But it, too, promises the essence of the cyberpunk genre through characters trying to make a life amid the dangers of...
| Seongchan Eol
National Asian Culture Center to host 2026 ACC Big Door Cinema from Oct. 29-31

National Asian Culture Center to host 2026 ACC Big Door Cinema from Oct. 29-31

The “One Day, One Master: Fall in Love Cinema” program will feature screenings of “200 Pounds Beauty” (2006), “The Contact” (1997) and “Shiri” (1999), along with appearances by the films’ directors and actors.
The National Asian Culture Center , an institution affiliated with the Ministry of Culture, Sports and Tourism and led by Kim Sang-wook, will host “2026 ACC Big Door Cinema” from Oct. 29 to 31 at the Big Door outdoor stage of Theater 1 at the National Asian Culture Center.
| Joo Seong-cheol