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Search results for "AI films"

From AI Movies to Antarctic Documentaries, the 18th International Ocean Film Festival Opens

From AI Movies to Antarctic Documentaries, the 18th International Ocean Film Festival Opens

Ocean films from 15 countries will head to Busan. In the age of climate crisis, the ocean-focused festival asks how humans and the sea can coexist.
'An existential crisis for humanity, as we ask for answers in the depths of the sea'It is time to face the weighty questions that the sea throws at us—the cradle of humanity and a vast abyss. The '2026 International Ocean Film Festival', the only ocean-focused film festival in South Korea, will...
| James choi
[Photo &] 30th Bucheon Film Festival Screens Record 321 Films, Jet Li Named Opener

[Photo &] 30th Bucheon Film Festival Screens Record 321 Films, Jet Li Named Opener

A record-breaking scale with 321 films screened across 50 countries. AI and short-form categories are added as the curtain rises on a new-genre festival
A massive comeback for 'Asia's largest genre film festival' — bold lineup for the 30th BIFAN'Asia's largest genre film festival' has returned in grand form, proving its clout. The 'Bucheon International Fantastic Film Festival' ('BIFAN') is back with the best-ever lineup.
| James choi
Finished in Two Months Without Actors or Crew…A 100% AI Film Arrives

Finished in Two Months Without Actors or Crew…A 100% AI Film Arrives

From Director Kim Il-dong’s “I’m Popo” to a Chinese film where AI handled the entire process: The infiltration of generative AI into the film industry, ushering in the one-person production era
An ethical clash that erupts as artificial intelligence , equipped with consciousness and emotions, penetrates every corner of society. That is the core plot of Director Kim Il-dong’s film 'I'm Popo', set to open next month on the 21st.
| James choi
Jecheon International Music Film Festival Breaks Reliance on 4 Billion Won 'Singer Performances' with 188 Screenings—Major Expansion, 'Fly Together' Slogan

Jecheon International Music Film Festival Breaks Reliance on 4 Billion Won 'Singer Performances' with 188 Screenings—Major Expansion, 'Fly Together' Slogan

Moves the main venue to downtown Art Center Jecheon... Built a star-studded lineup led by Committee Chair Jang Hang-jun, featuring Park Chan-wook and Bong Joon-ho
'Jecheon International Music Film Festival' A Reversal with a 4 Billion Won Investment… A Sharp Knife for a 20% Drop in Audience188 Screenings Expand Genres and Move the Main Venue Entirely to Art Center Jecheon in the Heart of the CityThe 'Jecheon International Music Film Festival' , which pours...
| James choi
‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

A film that took a direct hit from the COVID-19 pandemic in 2020 returns with a sequel after six years. Releasing on August 12, 〈OK Madam 2〉 is the follow-up to 〈OK Madam〉 (2020). The comic action film follows former legendary agent Mi-young (Uhm Jung-hwa), who springs back into action after...
| Kim Ji-yeon
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
| 이화정
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
| Kim Ji-yeon
Orfeo Hannam: Tony Leung Special Exhibition: Tang Wei’s Untold Stories of Tony Leung ②

Orfeo Hannam: Tony Leung Special Exhibition: Tang Wei’s Untold Stories of Tony Leung ②

〈In Chace and Rage〉’s Tang Wei, no one could have believed she was a newcomer. The turbulent years of Japanese colonial rule and the shadows of a restless desire are compressed entirely into Tang Wei’s expressions and gestures.
| Joo Seong-cheol
Interview: Nam Joo-hyuk on ‘The East Palace,’ Action Scenes and What’s Next

Interview: Nam Joo-hyuk on ‘The East Palace,’ Action Scenes and What’s Next

※ This interview with 〈The East Palace〉 star Nam Joo-hyuk continues from Part 1. You made Gu-cheon look noticeably different in the real world and in the realm of spirits. How did you approach the styling differences.
| Kim Ji-yeon