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Director Award: Park Chan-wook (Film) and Kang Yoon-sung (Series), The 24th Directors Cut Awards Conclude in Grand Style!

Director Award: Park Chan-wook (Film) and Kang Yoon-sung (Series), The 24th Directors Cut Awards Conclude in Grand Style!

Male Actor Award went to Yoo Hae-jin (Film) and Hyun Bin (Series), and the Female Actor Award went to Seo Soo-bin (Film) and Im Soo-jung (Series).
‘The 24th Directors Cut Awards,’ which Korean film directors select and present themselves, was held in grand style at Edeuls on May 19 at 6:00 p. m. , hosted by directors Jang Hang-jun, Bong Man-dae, and Kim Cho-hee.
| Joo Seong-cheol
Korean Film Directors Guild (DGK), Joong Hee Kim, Man-dae Bong, and Hahng Joon Jang to Host ‘Three-MC’ Directors’ Cut Awards

Korean Film Directors Guild (DGK), Joong Hee Kim, Man-dae Bong, and Hahng Joon Jang to Host ‘Three-MC’ Directors’ Cut Awards

Covers films and drama series directed by DGK Regular and Associate Members whose works were announced between April 1, 2025, and March 31, 2026.
‘The 24th Directors’ Cut Awards,’ held on Tuesday, May 19 at 6:00 p. m. , will honor film and drama series directed by DGK Regular and Associate Member directors that were announced between April 1, 2025, and March 31, 2026.
| Joo Seong-cheol
Elon Musk to Make “Odyssey” Himself With AI, Launches Sharp Attacks on Nolan Over Casting Black Actors

Elon Musk to Make “Odyssey” Himself With AI, Launches Sharp Attacks on Nolan Over Casting Black Actors

He says he will use his company’s AI, “GrokImagine,” to produce a feature film by the end of the year, while Hollywood directors hit back, saying it has no artistic value
Musk’s U-Turn: Nails Nolan’s “Odyssey” With a Direct Shot—Unveils a 3-Minute AI FilmRacism controversy raised over casting Black Helen—Musk previews feature-length “GrokImagine” production by year’s end“Hollywood titan” Musk takes direct aim at Nolan, declaring his “AI film” bid“Elon Musk”, the...
| James choi
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
| Joo Seong-cheol
Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

※ This interview with Jung Hoyeon of 〈HOPE〉 continues from Part 1. Director Na Hong-jin is reputed not to compromise on set. What was it like to experience his filming process firsthand. As a relatively new actor, I felt his unwillingness to compromise was a blessing.
| Seongchan Eol
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
[BIFAN 2026] Enjoying Bucheon 30 Years in 100 Times ② Bucheon Is AI! AI Content Summit & Beyond Reality

[BIFAN 2026] Enjoying Bucheon 30 Years in 100 Times ② Bucheon Is AI! AI Content Summit & Beyond Reality

AI films are Bucheon’s main focus. For the 30th Bucheon International Fantastic Film Festival (executive committee chair Shin Cheol, hereinafter BIFAN), “Bucheon AI Contents Summit” (Bucheon AI Contents Summit) will be introduced for the first time this July, positioning itself as a venue for...
| Joo Seong-cheol
K- ZOMBIES THAT TAKE OVER NEW YORK SCREENS AND A HEAVY SENSE OF THE TIMES: 25th New York Asian Film Festival Special Program on Korean Films

K- ZOMBIES THAT TAKE OVER NEW YORK SCREENS AND A HEAVY SENSE OF THE TIMES: 25th New York Asian Film Festival Special Program on Korean Films

A total of 23 films are set to screen in a special showcase, including "Gunchae," a new zombie film starring and featuring Jeon Ji-hyun and directed by Yeon Sang-ho
The unstoppable rush of K-movies cuts straight through the heart of New York. The New York Korean Cultural Center, in partnership with Film at Lincoln Center and others, will stage an unprecedented showing of 'The 25th New York Asian Film Festival: Special Program on Korean Films' from Oct.
| James choi
Lee Joon-ik and Lee Won-suk’s Short Drama ‘BIFAN’ and ‘New York Film Festival’ Invitation Is a Huge Win, Displaying the Power of K-Short Drama!

Lee Joon-ik and Lee Won-suk’s Short Drama ‘BIFAN’ and ‘New York Film Festival’ Invitation Is a Huge Win, Displaying the Power of K-Short Drama!

Amid the spotlight, master filmmakers Lee Joon-ik and Lee Won-suk’s short-form challenge lands consecutive invitations to Bucheon International Fantastic Film Festival and the New York Asian Film Festival
The fleeting aesthetics seen through a master’s gaze. Director Lee Joon-ik’s ‘Father’s Home-Cooked Meal’ and Director Lee Won-suk’s ‘Beloved Death’ are ready to ignite all five senses of genre-film fans around the world—and short-drama fans alike—with a brief yet forceful narrative.
| James choi
[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

A talk that reaches the actor through deep, steady breathing, like a detox. The actors Lee Hwa-jung meets in her film journalism.
▶ The meeting with actor Lee Yeon continues from Part 1. ​〈Juvenile Judgment〉 is a different situation, but it’s a portrayal of the dark side of teenage youths. I can imagine that darkness running counter to Lee Yeon’s brightness must have felt overwhelming.
| 이화정