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Search results for "Feminism"

Thelma & Louise Marks Its 35th Anniversary and Adorns the Official Poster for the 79th Cannes Film Festival

Thelma & Louise Marks Its 35th Anniversary and Adorns the Official Poster for the 79th Cannes Film Festival

'Thelma & Louise' Selected for the Official Poster of the 79th Cannes Film Festival, Proving Freedom and Solidarity That Transcend Time. The Cherished Names 'Geena Davis' and 'Susan Sarandon'
A Return After 35 Years—'Thelma & Louise,' the Face of the Cannes Film FestivalMaster filmmaker 'Ridley Scott', whose 'Thelma & Louise' first appeared at the 'Cannes Film Festival' on May 20, 1991, has returned in spectacular fashion as the star of the official poster—leaping over 35 years.
| James choi
Feminist Utopia 'Sultana's Dream' Releases on April 1! Analysis of 3 Animation Techniques!

Feminist Utopia 'Sultana's Dream' Releases on April 1! Analysis of 3 Animation Techniques!

Spanish woman 'Ines' becomes captivated by the feminist utopia 'Ladyland' in the novel 『Sultana's Dream』 discovered during her travels in India.
The film 〈Sultana's Dream〉 has confirmed its domestic theater release on April 1, having won and been nominated for awards at the world’s top three international animation film festivals: Annecy, Zagreb, and Ottawa, and has released press stills showcasing its craftsmanship and rich visuals created...
| Joo Seong-cheol
[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

That “long, long night” with a felt temperature of minus 20°C became, somehow, the “brightest night.” “This cute and spicy struggle—that’s the core of Namtaeryeong!”
​▶ 〈Namtaeryeong〉 The interview with Director Hyunji Kim continues from Part 1. ​I think you must have been thinking hard about the title. I also feel that the title 〈Namtaeryeong〉 has a tone that isn’t so different from 〈Adult Gimjangha〉.
| 이화정
Release D-7, Hong Jin-hwan's Documentary 'Oh, Valentine' Achieves Funding Success Amidst Hot Interest!

Release D-7, Hong Jin-hwan's Documentary 'Oh, Valentine' Achieves Funding Success Amidst Hot Interest!

Questions the possibilities of struggle and revolution that cannot be given up through the historical testimonies of two people who were with the late Park Il-soo, a subcontracted worker at Hyundai Heavy Industries in 2004.
Hong Jin-hwan's feature documentary film 〈Oh, Valentine〉 is generating high expectations as it successfully concludes its funding project ahead of its release on March 11, gaining attention in various fields such as art, photography, and programming.
| Joo Seong-cheol
Art Museum - The First Theatrical Release Film of Hong Jin-hwan, 'Oh, Valentine', Premiering on March 11

Art Museum - The First Theatrical Release Film of Hong Jin-hwan, 'Oh, Valentine', Premiering on March 11

It tells the story of an unyielding struggle and revolution through the historical testimonies of two individuals who were with the late Park Il-soo, a subcontracted worker at Hyundai Heavy Industries in 2004.
The film 〈Oh, Valentine〉 that senses the possibilities of an unyielding struggle and revolution through the historical testimonies of two individuals who were with the late Park Il-soo, a subcontracted worker at Hyundai Heavy Industries in 2004, will be released on March 11.
| Joo Seong-cheol
Director Jung Yu-mi Invited to Cannes Film Festival, Directs Poster for Seoul International Women's Film Festival

Director Jung Yu-mi Invited to Cannes Film Festival, Directs Poster for Seoul International Women's Film Festival

The 27th Seoul International Women's Film Festival, held from August 21 to 27 at Megabox Sinchon, has unveiled its official poster along with this year's official slogan 'Reimagining F.'
Director Jung Yu-mi meets the Seoul International Women's Film Festival. The 27th Seoul International Women's Film Festival, held from August 21 to 27 at Megabox Sinchon, has unveiled its official poster along with this year's official slogan 'Reimagining F.
| Joo Seong-cheol