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[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

『Korean Queer Film History 2022–2025』, documenting queer films that screened in Korea from 2022 to 2025 through criticism by five critics and interviews with five directors, will also be published.
※ Continued from the first article on picks from the 16th Seoul International PRIDE Film Festival. The Seoul International PRIDE Film Festival’s “Asia Pride” section is a chance to discover a diverse range of queer films made in Asia.
[Interview] A Love Letter to Life, Humanity and Korea: Justin H. Min on ‘Journey There,’ Part 1

[Interview] A Love Letter to Life, Humanity and Korea: Justin H. Min on ‘Journey There,’ Part 1

A deeply human story has found a deeply human actor. Min-jun (Justin H. Min) uses informal speech with Chun-hee (Kim Hye-ok) the moment they meet. Unaware of the hierarchy, etiquette and subtle distance between formal and informal Korean, the outsider’s familiar way of speaking becomes less an...
A Standout Villain Spinoff That Could Save an Already Troubled Universe: Early Thoughts on 'Clayface' (Plus, Is There a Post-Credits Scene?)

A Standout Villain Spinoff That Could Save an Already Troubled Universe: Early Thoughts on 'Clayface' (Plus, Is There a Post-Credits Scene?)

It's all relative, but DC Studios certainly has more freedom than Marvel Studios. Compared with its neighbor, which established a single universe and has been charging ahead ever since, DC Studios has been through an awful lot—much of it arguably self-inflicted.
Japan Bookstore Award-winning 'You, Like a Star' stars Yokohama and Hirose; Korean fan event set for 19th

Japan Bookstore Award-winning 'You, Like a Star' stars Yokohama and Hirose; Korean fan event set for 19th

Based on a 1.7 million-copy bestseller, the film opens at Lotte Cinema on the 28th
Award-winning novel makes its way to the screen in a star-studded lineup that shook Japan Japan's leading youth icons are coming to theaters in South Korea. Daewon Media, the film's distributor, officially announced on the 13th that the stars of 'You, Like a Star,' Yokohama Ryusei and Hirose Suzu,...
[On the Ground at BIFF] “It Wasn’t Your Birth Mother’s Fault”: ‘Home Sick’ Director Sørensen’s First Confession Reveals Truth Behind 56 Falsified Adoptions

[On the Ground at BIFF] “It Wasn’t Your Birth Mother’s Fault”: ‘Home Sick’ Director Sørensen’s First Confession Reveals Truth Behind 56 Falsified Adoptions

Adoptee sent to Denmark at 2 months old in 1982 returns with autobiographical documentary No compensation despite official finding of human rights violations; film takes direct aim at South Korea’s stigma against single mothers
Tracing lost blood ties through a stranger’s lens Tanja Taekyung Inwol Sørensen, who was adopted to Denmark at 2 months old in 1982, came to the 31st Busan International Film Festival with 'Home Sick: At the End of the Sea', an autobiographical documentary tracing her roots.
[Written Interview] 'Street Fighter' ④ Kalina Liang on playing Chun-Li: “Everything you see in the film is my real body.”

[Written Interview] 'Street Fighter' ④ Kalina Liang on playing Chun-Li: “Everything you see in the film is my real body.”

Ryu (Andrew Koji) and Ken (Noah Centineo), fated rivals, enter the World Warrior Tournament at Chun-Li's (Kalina Liang) invitation.
​ ▶ 〈Street Fighter〉 continues from the interview with Andrew Koji, who plays Ryu.
[Email Interview] ‘Street Fighter’ ③ Andrew Koji on Ryu: “The person I drew on most was Choi Bae-dal, the Fighter in the Wind.”

[Email Interview] ‘Street Fighter’ ③ Andrew Koji on Ryu: “The person I drew on most was Choi Bae-dal, the Fighter in the Wind.”

Ryu (Andrew Koji) and Ken (Noah Centineo), sworn rivals, enter the World Warrior Tournament at Chun-Li’s (Callina Liang) suggestion.
​ ▶ 〈Street Fighter〉 continues from the interview with Noah Centineo, who plays Ken.
Ahn Jae-hoon on 〈Gills〉: 'To create beautiful skies and water, I looked only at water and skies in master paintings'

Ahn Jae-hoon on 〈Gills〉: 'To create beautiful skies and water, I looked only at water and skies in master paintings'

Director Ahn Jae-hoon says he turned to the skies and water in master paintings to shape the visual world of 〈Gills〉, his new animated adaptation of Gu Byeong-mo's novel 『Gills』. Ahn Jae-hoon, known for lyrical animation such as 〈Dream of a Precious Day〉 (2011), 〈Buckwheat Flowers, A Lucky Day, and...
[Photos] Lee Sang-yeob on battling the “end button” every time in short-form series; director Lee Byung-hun says he was “told off harshly” at BCWW 2026 conference

[Photos] Lee Sang-yeob on battling the “end button” every time in short-form series; director Lee Byung-hun says he was “told off harshly” at BCWW 2026 conference

Quality production, creator rights and cutting production resources by 50% to 60% emerge as key topics
Lee Sang-yeob and Lee Byung-hun battle the short-form “X button,” cutting costs by 60% with AI BCWW 2026 conference presents behind-the-scenes stories from 70 productions and a transparent data-sharing model As the media ecosystem undergoes seismic shifts, established creators opened up about the...