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Search results for "Movie Wanted"

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol
Hyunjoon Shin Stars in “Wanted”: Gyeonggi Northern Police Agency Launches Voice Phishing Crackdown Campaign

Hyunjoon Shin Stars in “Wanted”: Gyeonggi Northern Police Agency Launches Voice Phishing Crackdown Campaign

Hyunjoon Shin Takes on Two Roles: a Doppelgänger Comedy Film “Wanted” and a “Let’s Cut It Off” Campaign with the Gyeonggi Northern Police Agency Three teaser trailers, including a romance scam, impersonation of celebrities, and a “Wanted Special Edition” that uses the film’s settings, raise awareness of the danger of voice phishing A heightened sense of anticipation with Actor Hee and Hyunjoon’s on-screen chemistry, plus a standout performance as the lookalike “Zlatan”… Opening on June 10
Hyunjoon Shin’s 〈Wanted〉 lends support to the Gyeonggi Northern Police Agency.The film 〈Wanted〉 is a doppelgänger cooperation comedy in which Hyunjoon, an ordinary citizen who gets pulled into an unexpected mess because of a criminal “Chul-gu,” who looks exactly like him, teams up with the police...
| Seongchan Eol
Shin Hyun-joon Dives Into a Doppelganger Comedy with “Wanted”: Stills Show Off a Bold 1-Person, 2-Roles Challenge

Shin Hyun-joon Dives Into a Doppelganger Comedy with “Wanted”: Stills Show Off a Bold 1-Person, 2-Roles Challenge

A doppelganger-cooperation comedy that captures the twisty chase-pursuit partnership between ordinary citizen Hyun-joon and criminal Cheol-gu Shin Hyun-joon, taking on the 1-person, 2-roles challenge for the first time in his career, joked, “I should’ve been paid for two people—(that’s) what it felt like,” and shared his upbeat thoughts Kim Byung-man, along with a star-studded supporting cast including Regina Ray, joins the film—slated for Korean theaters in June
〈Wanted〉, set to hit theaters in June, has unveiled stills highlighting actor Shin Hyun-joon’s daring 1-person, 2-roles performance.In 〈Wanted〉, Shin Hyun-joon plays Hyun-joon, an ordinary citizen who gets pulled into an unexpected situation when a criminal named Cheol-gu turns out to look exactly...
| Seongchan Eol
'Project Y' Han So-hee①

'Project Y' Han So-hee① "I wanted to challenge myself knowing there would be risks; if not now, I felt I might never get another chance at this script"

Han So-hee opened her diary for the interview. Filled with honest thoughts and various drawings, her diary contained the note, "〈Project Y〉 interview day. I want to make a business card too. I want to give out a business card as well.
| Kim Ji-yeon
'Murderer Report' Jung Sung-il,

'Murderer Report' Jung Sung-il, "I wanted to kill the director due to the absurd amount of lines"

A unique film featuring an interview with a serial killer
Actor Jung Sung-il shared his experiences during the filming of the movie 〈Murderer Report〉. On the afternoon of the 28th, a press screening and press conference for the movie 〈Murderer Report〉 took place at CGV Yongsan I-Park Mall.
| Kim Ji-yeon
〈The Unknown Seoul〉 The Reason Why Lee Ho-soo and Park Jin-young Resemble Each Other

〈The Unknown Seoul〉 The Reason Why Lee Ho-soo and Park Jin-young Resemble Each Other

How can one not become attached to the character Lee Ho-soo (Park Jin-young). Like a lake that holds deep currents beneath a calm surface, Lee Ho-soo is a character who stands tall after overcoming inner growing pains.
| Kim Ji-yeon
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

Blending realist grounding with a genre mood is difficult. Capturing the border between those two seemingly different realms and turning it into a film is no easy task. Even in South Korea’s film industry, where tightly executed genre movies and grounded, reality-driven stories dominate, films that...
| Seongchan Eol