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Trump, Look: The Documentary 'No Other Land' Depicting the Horrors of War and Violence Releases Today!

Trump, Look: The Documentary 'No Other Land' Depicting the Horrors of War and Violence Releases Today!

It gained attention by winning the Best Feature Documentary at the 97th Academy Awards, but the director faced a collective attack from Israeli settlers.
The film 〈No Other Land〉 released today is a documentary created by four directors from Palestine and Israel, capturing the tragedy of a village in Palestine on site. Masafar Yatta in the West Bank of Palestine.
| Joo Seong-cheol
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

A film adaptation of a YouTube horror tale with 25 million views…A 20-year-old director with no Hollywood experience sets an A24 all-time opening-champion record
Internet abyss legends swallow the screen in a visual revolutionThe overwhelming mise-en-scène of 'The Backrooms', which perfectly captures an unknown dread. A city creepypasta that once roamed the digital ecosystem has finally shattered the hard box-office barrier of Hollywood.
| James choi
BTS North America Tour Draws 840,000 People: The Aesthetics of “Sold Out”… April Revenue Hits 114.8 Billion Won, Topping Billboard’s April “Top Tour”

BTS North America Tour Draws 840,000 People: The Aesthetics of “Sold Out”… April Revenue Hits 114.8 Billion Won, Topping Billboard’s April “Top Tour”

“Arirang” erupts in singalongs across the United States, with an eye-popping per-show haul of 18.2 billion won.
The masterpiece of BTS that breaks borders, “Arirang” that swallowed the North American continentThe history of global pop is being rewritten. The group BTS has sparked an unprecedented cultural tectonic shift across North America with its world tour “Arirang”.
| James choi
[Lee Hwa-jeong’s Deep Detox] “Keep Running Without Rest With an Athlete’s Grit.” Meeting Actress Yeon Lee, Star of “Tango at Dawn” and “Gyeongju Trip” ③

[Lee Hwa-jeong’s Deep Detox] “Keep Running Without Rest With an Athlete’s Grit.” Meeting Actress Yeon Lee, Star of “Tango at Dawn” and “Gyeongju Trip” ③

A talk that approaches the actress with deep, measured breaths, like detoxing. Film journalist Lee Hwa-jeong speaks with the actors she has met.
▶ The meeting with actress Yeon Lee continues in Part 2. ​Unlike how she appears—bright-minded and bold in taking on challenges—what I heard is that the reason she started acting in the first place was a process meant to heal her fear.
| 이화정
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
| Chua-young
Interview: Park Ji-hyun Takes on Comedy in 〈Wild Thing〉 (Part 2)

Interview: Park Ji-hyun Takes on Comedy in 〈Wild Thing〉 (Part 2)

※〈Wild Thing〉 actor Park Ji-hyun interview continues from Part 1. Domi gives up performing and becomes a chaebol daughter-in-law, living an upper-class life. Even so, why does she return to the stage. I think Domi is an honest, very down-to-earth person. Her main goals are probably money and fame.
| Kim Ji-yeon
Mun Sang-hoon of BDNS Reviews His Favorite Comedy Film of the Year, 〈Nirvana the Band〉

Mun Sang-hoon of BDNS Reviews His Favorite Comedy Film of the Year, 〈Nirvana the Band〉

After searching for more than a year through Cannes, Los Angeles and Hong Kong for the best comedy film, BDNS leader Mun Sang-hoon settled on a single title: 〈Nirvana the Band: Not related to the legendary band ‘Nirvana’ — the duo Matt and Jay.
| Chua-young
Hwang Jung-min’s “Stella” Becomes a Police Car: Hyundai Sponsors Noh Hong-jin’s “Hope” in Competition at Cannes

Hwang Jung-min’s “Stella” Becomes a Police Car: Hyundai Sponsors Noh Hong-jin’s “Hope” in Competition at Cannes

In Noh Hong-jin’s new film “Hope,” Hwang Jung-min and Jung Ho-yeon’s police car is “Stella”—a key on-screen object poised to captivate global audiences while past heritage meets today’s art
'Stella' Walks the Cannes Red Carpet: 'Hyundai Motor'’s Meticulous Cultural Ambassador StrategyAs the new work 'Hope' by master filmmaker 'Noh Hong-jin' entered the competitive section of the 79th Cannes Film Festival and drew global attention, an unexpected scene-stealer stepped in.
| James choi
[News from Cannes] George Clooney to Co-Star With Netflix… Kim Ki-yoon, a French-Attorney-turned-Actor, Chases His Dream

[News from Cannes] George Clooney to Co-Star With Netflix… Kim Ki-yoon, a French-Attorney-turned-Actor, Chases His Dream

A Korean-French actor, Kim Ki-yoon, entered Cannes with Netflix’s “Surviving as a Celebrity Manager.” From an elite lawyer to a former… and his fan devotion to director Bong Joon-ho
From an elite lawyer to Cannes’ red carpet: Korean-French actor ‘Kim Ki-yoon’’s bold career moveA lawyer at a major law firm, who had taken the country’s top elite track in France, has made his way—confidently—into the 79th ‘Cannes International Film Festival’, a global celebration for filmmakers.
| James choi