![[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive](https://cdn.www.cineplay.co.kr/w220/q85/article-images/2026-04-20/61eadb57-0a15-4f1a-9ef0-70e6bdc5604d.jpg)
[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive
I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.
Watching 〈Lee Cronin’s The Mummy〉 , you can feel the full-on force of Blumhouse as it revives a franchise that seemed long dead: 〈Mummy〉. The first 〈Mummy〉 (1932), powered by the charisma of actor Boris Karloff, was basically the flagship of the “Universal Horror” era.
![[Interview] Lee Sung-jin and Charles Melton from “BEEF” Season 2② “I can say it’s the highlight of my career”](https://cdn.www.cineplay.co.kr/w220/q85/article-images/2026-04-08/48513185-c881-4592-8306-21e76d507d04.png)
