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[2024 JIFF] Opening Film by Director Sho Miyake 〈All of the Dawn〉 “Not only physical hardship but also the inability to participate in society is a problem”

[2024 JIFF] Opening Film by Director Sho Miyake 〈All of the Dawn〉 “Not only physical hardship but also the inability to participate in society is a problem”

On May 1st, the 25th Jeonju International Film Festival opened. The opening film, by Sho Miyake, one of the Japanese New Wave directors attracting global attention, is highly anticipated. Director Sho Miyake previously visited the 20th Jeonju International Film Festival in 2019 with .
[Lee Hwa-jung's Deep Talks] “Going head-to-head with Hyun Bin and Byun Yo-han. How do I survive?” Meeting Roh Jae-won, star of 〈Tazza: The Song of Belzebub〉 and 〈Made in Korea Season 2〉, Part 2

[Lee Hwa-jung's Deep Talks] “Going head-to-head with Hyun Bin and Byun Yo-han. How do I survive?” Meeting Roh Jae-won, star of 〈Tazza: The Song of Belzebub〉 and 〈Made in Korea Season 2〉, Part 2

A conversation that approaches actors with deep breaths, like a detox. Film journalist Lee Hwa-jung meets the actors.
From the audience's perspective, it seems the new momentum actor Roh Jae-won is showing has already begun. Looking at the cast lineup for 〈Made in Korea〉, I found myself wondering whether an actor known for his freewheeling style could adapt to acting within a demanding format — in other words,...
[Lee Hwa-jung’s Deep Talks] “Breaking Down the Line Between Good and Evil With Performances We’ve Never Seen Before” — A Conversation With Noh Jae-won, Actor in ‘Tazza: The Song of Belzebub’ and ‘Made in Korea Season 2’ ①

[Lee Hwa-jung’s Deep Talks] “Breaking Down the Line Between Good and Evil With Performances We’ve Never Seen Before” — A Conversation With Noh Jae-won, Actor in ‘Tazza: The Song of Belzebub’ and ‘Made in Korea Season 2’ ①

A talk that approaches actors with the deep breathing of a detox. Film journalist Lee Hwa-jung meets the actors shaping the screen.
I had to meet Noh Jae-won. Trying to understand the landscape of today’s screen, OTT and television productions without meeting this actor would have felt like cheating. Just looking back over the past three years, his striking performances in the series 〈D. P.
Interview: Han So-hee on Seon-woo’s Shadow and Grit in 〈The Intern〉, Part 1

Interview: Han So-hee on Seon-woo’s Shadow and Grit in 〈The Intern〉, Part 1

In 〈The Intern〉, Han So-hee plays Seon-woo, a fast-rising fashion CEO whose drive masks deep uncertainty. The film, which opens on the 16th, is a character drama about a woman who, amid instability, gradually finds her own steadiness.
Interview: After 46 Years, Choi Min-sik Brings Depth to 〈The Intern〉

Interview: After 46 Years, Choi Min-sik Brings Depth to 〈The Intern〉

After 46 years in the profession, Choi Min-sik brings a lifetime of nuance to the Korean remake of 〈The Intern〉, which opens on the 16th. The lines on his face carry the ease and depth that only a long life can produce.
K-Period Drama The Scandal Holds Successful Press Event With Director Jung Ji-woo, Son Ye-jin, Ji Chang-wook and Nana

K-Period Drama The Scandal Holds Successful Press Event With Director Jung Ji-woo, Son Ye-jin, Ji Chang-wook and Nana

The series reimagines the 1792 novel Dangerous Liaisons for 2026, bringing a modern perspective to the story.
The Netflix series 〈The Scandal〉, which tells the story of Lady Jo, a woman of extraordinary talent who is too gifted to live confined to the roles available to women in the Joseon era; Jo-won, Joseon's greatest ladies' man; and Hee-yeon, a woman drawn into the pair's bold and dangerous wager in...
Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Part 2
※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...
[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

The trailer for 〈Hope〉 promises a showdown between humans and aliens. Instead, director Na Hong-jin delays the alien’s appearance until nearly an hour into the film and focuses first on how a stray rumor spirals into collective panic.
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...