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[New Film] ‘Dreaming Adventure’ Defies Its 3.7 Rating: Female Archaeologist Hunts Mafia

Winner of the Jury Prize at the 79th Cannes Film Festival, the 163-minute noir thriller opens on the 23rd.

A scene from the film ‘Dreaming Adventure’ [Courtesy of M&M International. Not for resale or database use]
A scene from the film ‘Dreaming Adventure’ [Courtesy of M&M International. Not for resale or database use]

A Silent Border City and the Chronicle of Violence Hidden Beneath Its Surface

A stolen car, a chance encounter with an old acquaintance and a clandestine mafia deal. From its opening scenes, director Valeska Grisebach’s latest film, ‘Dreaming Adventure’, thoroughly defies audience expectations while concealing where the story is headed. Its heavy criminal atmosphere signals the conventions of noir, yet Svilengrad, the Bulgarian border city where the film unfolds, is eerily silent.

Beyond the archaeological excavation site where protagonist Veska (played by Yana Radeva) is staying, a vast, barren plateau stretches into the distance. The village, plunged into pitch-black nights untouched even by light, creates the tension of an impending catastrophe. Yet not a trace of fear appears in Veska’s eyes as she moves freely through the excavation site and the old city center. Even among groups of men who casually hurl blatant slurs, she displays an unshakable resolve.

A scene from the film ‘Dreaming Adventure’ [Courtesy of M&M International. Not for resale or database use]
A scene from the film ‘Dreaming Adventure’ [Courtesy of M&M International. Not for resale or database use]

A Female Archaeologist Upends a Male-Centered Narrative

A chance reunion with her former colleague, ‘Said’ (played by Suleyman Letifov), becomes the catalyst for peeling back the layers of a dormant past. When ‘Said’ vanishes immediately after a dubious deal with an emerging mafia group, Veska’s pursuit of him inevitably exposes the remnants of the violence and crime that controlled the region in the 1990s.

The hateful lines scattered matter-of-factly throughout the film reveal how brutally the barbarism of that era bore down on women. During her local research, director Valeska Grisebach said she collected countless accounts that described it as “thoroughly a man’s era, with no time or place for women.”

Yet despite having lived through an age of violence, Veska is not trapped by the trauma of the past. Even in blind spots where danger lurks, she sets her own destination and willingly offers others a helping hand. That completely overturns the old conventions of the western and noir genres, which have long relied on male-hero narratives. That is precisely why ‘Dreaming Adventure’, despite wearing the trappings of a crime drama, avoids the genre’s tired clichés.

Poster for the film ‘Dreaming Adventure’ [Courtesy of M&M International. Not for resale or database use]
Poster for the film ‘Dreaming Adventure’ [Courtesy of M&M International. Not for resale or database use]

Five Years of Dogged Searching and a Cannes Masterpiece Critics Embraced

Making the protagonist an archaeologist creates a perfect visual and thematic harmony. Just as Veska excavates artifacts from the earth, she gradually unearths the ugly truths hidden beneath the seemingly peaceful border city. Svilengrad, where the borders of Bulgaria, Türkiye and Greece converge, is more than a backdrop; it is another living protagonist in its own right.

Rather than spotlighting the world’s largest and busiest border checkpoint, the camera fixes its gaze on the marginalized outskirts: the old town abandoned after the highway opened, rundown hotels and eerie bars at night. After five years of location scouting, director Valeska Grisebach encountered an excavation team led by a real female archaeologist, an experience that helped her complete the film’s foundation.

After this meticulous production, ‘Dreaming Adventure’ captivated critics worldwide by winning the Jury Prize in competition at the 79th Cannes Film Festival. It also demonstrated its artistic merit by taking first place with an overwhelming average score of ‘3.7 points’ in the critics’ ratings for the competition films compiled by the prestigious U.S. film publication ‘Film Comment’.

Opens on the 23rd. Running time: 163 minutes. Rated for ages 15 and older.

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