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Koo Kyo-hwan Spans TV and Film with 〈We Are All Trying Here〉 and 〈Colony〉... His Busy 2026 Run Draws Attention

Koo Kyo-hwan Spans TV and Film with 〈We Are All Trying Here〉 and 〈Colony〉... His Busy 2026 Run Draws Attention

A run spanning romance, human drama, and thriller… JTBC 〈Everyone Is Fighting Their Own Worthlessness〉 is currently airing and the new film 〈Colony〉 opens May 21
Actor Koo Kyo-hwan is presenting numerous works across film and television in 2026. After achieving box office success in the first half of the year with a romance film, he continues to stay active with a currently airing drama and the upcoming release of a film invited to the Cannes Film Festival.
| Kim Ji-yeon
'Once We Were Us'·'Choir of God', Weekend Box Office Takes 1st and 2nd Place

'Once We Were Us'·'Choir of God', Weekend Box Office Takes 1st and 2nd Place

The heat doesn't cool down even in the 4th week of release... The strength of Korean cinema
Two Korean films have secured the 1st and 2nd places at the box office, continuing their momentum. According to the integrated ticket sales network KOBIS, during the weekend of January 24-25, 〈Once We Were Us〉 and 〈Choir of God〉 maintained the 1st and 2nd positions at the box office.
| Seongchan Eol
What If You Reunite with the One You Loved the Most?

What If You Reunite with the One You Loved the Most?

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| Oh Han-joo
What If We Reunite with an Ex-Lover? [Once We Were Us]

What If We Reunite with an Ex-Lover? [Once We Were Us]

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| Oh Han-joo
Estrogen Man Koo Kyohwan and Testosterone Woman Mun Kayoung haha

Estrogen Man Koo Kyohwan and Testosterone Woman Mun Kayoung haha

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| Oh Han-joo
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.
| Joo Seong-cheol
‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

Blending realist grounding with a genre mood is difficult. Capturing the border between those two seemingly different realms and turning it into a film is no easy task. Even in South Korea’s film industry, where tightly executed genre movies and grounded, reality-driven stories dominate, films that...
| Seongchan Eol
Interview, Part 2: Gong Myung on Crafting a ‘Clear-Eyed, Slightly Unhinged’ Look

Interview, Part 2: Gong Myung on Crafting a ‘Clear-Eyed, Slightly Unhinged’ Look

※ This interview with Gong Myung, star of 〈Husbands〉, continues from Part 1. The animal clinic van got a lot of laughs in the film. What was your first impression when you saw the clinic van. Also, the van’s drift action was striking—how did you prepare for that. It was so adorable.
| Kim Ji-yeon