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Netflix draws 400 emerging creators to BIFF for largest-ever Creative Asia

Netflix draws 400 emerging creators to BIFF for largest-ever Creative Asia

Third-year event features directors Han Jun-hee and Kang Yoon-sung and introduces its first hands-on AI workshop
400 creators poised to lead the future of K-content learn hands-on production skills Netflix held Creative Asia at the Busan International Film Festival on the 10th, bringing together emerging creators from across Asia for global exchange and professional growth in the event's largest edition yet.
| James choi
[Busan International Film Festival (BIFF) Photo]

[Busan International Film Festival (BIFF) Photo] "From winning the 83rd Venice Best Actress award to the job center" ... Mathilde Arcel of 'What's Wrong With Marie?'

She won the unanimous Best Actress award for a film about a Nazi collaborator in 1945 and made her Korean debut at the Busan International Film Festival on the 11th.
"It was my first film in a leading role, and my first award at my first festival. It felt like a strange imbalance to have been in Venice just moments earlier and then find myself in a small office at a Danish job center.
| James choi
Princess Ubolratana visits Busan as first Country of Focus guest at BIFF, with three films including 'Burning Giants'

Princess Ubolratana visits Busan as first Country of Focus guest at BIFF, with three films including 'Burning Giants'

The 31st Busan International Film Festival selects Thailand as ACFM Country of Focus, with the 21st market running at BEXCO from Oct. 10-13
Thailand puts 'soft power' forward as a new force in Asia's content market Princess 'Ubolratana Rajakanya' of Thailand's royal family visited Busan, where the 31st 'Busan International Film Festival ' is underway, highlighting the country's cultural influence and the powerful potential of its film...
| James choi
[On Location at BIFF] “It Started With My Experience of Being Talked About Behind My Back” — 28-Year-Old Newcomer’s That Day’s Tae-joo Explores the Truth Behind a Busan Film Festival Rumor

[On Location at BIFF] “It Started With My Experience of Being Talked About Behind My Back” — 28-Year-Old Newcomer’s That Day’s Tae-joo Explores the Truth Behind a Busan Film Festival Rumor

Invited to the 31st Busan International Film Festival competition, the film presents an unusual narrative in which a single day repeats against the backdrop of Namhae
Chilling insight drawn from experience, on the line between escape and confrontation Selected for the competition section of the 31st Busan International Film Festival , That Day’s Tae-joo is a finely crafted work that sharply captures the anxiety of modern people trapped by others’ scrutiny and...
| James choi
[On the Ground at BIFF] “It Wasn’t Your Birth Mother’s Fault”: ‘Home Sick’ Director Sørensen’s First Confession Reveals Truth Behind 56 Falsified Adoptions

[On the Ground at BIFF] “It Wasn’t Your Birth Mother’s Fault”: ‘Home Sick’ Director Sørensen’s First Confession Reveals Truth Behind 56 Falsified Adoptions

Adoptee sent to Denmark at 2 months old in 1982 returns with autobiographical documentary No compensation despite official finding of human rights violations; film takes direct aim at South Korea’s stigma against single mothers
Tracing lost blood ties through a stranger’s lens Tanja Taekyung Inwol Sørensen, who was adopted to Denmark at 2 months old in 1982, came to the 31st Busan International Film Festival with 'Home Sick: At the End of the Sea', an autobiographical documentary tracing her roots.
| James choi
[Busan International Film Festival (BIFF)] Yeon Sang-ho on his AI thriller ‘Paradise Lost,’ made for 500 million won in 14 shooting days: “I make a living thanks to the three awards”

[Busan International Film Festival (BIFF)] Yeon Sang-ho on his AI thriller ‘Paradise Lost,’ made for 500 million won in 14 shooting days: “I make a living thanks to the three awards”

A reunion 15 years after ‘The King of Pigs’ won three awards, this mystery starring Kim Hyun-joo and Bae Hyun-sung opens on the 21st
'Yeon Sang-ho' has returned to the 31st 'Busan International Film Festival' with his new film 'Paradise Lost'. Fifteen years ago, he made a major mark on the film industry with the animated film 'The King of Pigs', which won three awards.
| James choi
[At BIFF] ‘Dora’ brings Kim Do-yeon to tears during news conference; Jung Ju-ri’s 20-year project

[At BIFF] ‘Dora’ brings Kim Do-yeon to tears during news conference; Jung Ju-ri’s 20-year project

Invited to the 31st Busan International Film Festival’s Gala Presentation, the film marks a reunion with Song Sae-byeok 12 years after A Girl at My Door and reinterprets a Freud case study
On the boundary between ‘fiction’ and ‘truth,’ Kim Do-yeon confronts her character’s profound solitude Kim Do-yeon, the lead actor in ‘Dora,’ invited to the Gala Presentation section of the 31st Busan International Film Festival, broke down in tears as she confronted the character’s deep inner...
| James choi
[2026 BIFF] Ann Hui wins Camellia Award, Michelle Yeoh named Asia Filmmaker of the Year as 31st Busan International Film Festival opens

[2026 BIFF] Ann Hui wins Camellia Award, Michelle Yeoh named Asia Filmmaker of the Year as 31st Busan International Film Festival opens

The 31st Busan International Film Festival opened with a grand ceremony at the Busan Cinema Center in Haeundae, Busan, kicking off Asia's largest film festival. This year BIFF moved its opening day up by one day from Wednesday to Tuesday.
| Kim Ji-yeon
Filmmakers including director Jung Ji-young hold emergency news conference in Busan's Haeundae:

Filmmakers including director Jung Ji-young hold emergency news conference in Busan's Haeundae: "Don't turn films into political battlegrounds"

Filmmakers issue joint statement at the 31st Busan International Film Festival on Oct. 8, condemning outside pressure, including a Singapore letter sent Oct. 6, and threats to their personal safety
Leading South Korean filmmakers, including directors Jung Ji-young and Lee Myung-se, have taken a firm stand over the controversy surrounding 'Assassins', a film at the center of allegations of historical distortion.
| James choi
The 37th Singapore International Film Festival Confirms ‘The Assassins’ as Opening Film

The 37th Singapore International Film Festival Confirms ‘The Assassins’ as Opening Film

SGIFF, citing respect for the filmmakers’ creative vision, confirms festival screening for Nov. 21
SGIFF stands by creative vision amid controversy over historical distortion The Singapore International Film Festival will screen “The Assassins”, directed by Hur Jin-ho, as the opening film of its 37th edition as scheduled.
| James choi