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Search results for "artificial intelligence content"

HSAD AI Thriller “Even” Wins Best at Film Festivals in the U.S. and France, Securing a Double First on the Global Stage

HSAD AI Thriller “Even” Wins Best at Film Festivals in the U.S. and France, Securing a Double First on the Global Stage

Directed by Park Chan-soo (CD), the parking-lot hit-and-run thriller… follows last May’s five wins with another AI creative triumph
Wins Two Major Global Festival Honors… Opens a New Chapter for “AI Creative” in South Korea’s Ad Industry HSAD’s artificial intelligence short film ‘Even’ brought back a string of good news on the world stage, elevating South Korea’s ad industry’s “AI creative” capabilities to their highest level.
| James choi
AI Detects Scalped Ticket Reselling from Photos…KMCOPA Rolls Out an All-Out Crackdown on Ticket Resale Platforms at Home and Abroad

AI Detects Scalped Ticket Reselling from Photos…KMCOPA Rolls Out an All-Out Crackdown on Ticket Resale Platforms at Home and Abroad

Introducing AI technology that reads text in images to block scalping loopholes…Comprehensive enforcement spanning domestic and overseas secondary platforms to major live-music venues
An AI-Developed System for Detecting Illegal Ticket Reselling—Extending Surveillance to the Global Stage 'Korea Music Content Association' (hereafter KMCOPA) is rolling out 'artificial intelligence ' in full scale to stamp out 'illegal ticket resale', a chronic problem at major live events.
| James choi
Google’s Gemini to Make Its Directorial Debut at MAMA AWARDS; Global Livestream Begins Nov. 20

Google’s Gemini to Make Its Directorial Debut at MAMA AWARDS; Global Livestream Begins Nov. 20

Two-day K-pop awards ceremony to be held at Kyocera Dome Osaka in Japan Joint presentation of Best Music Video award and expanded engagement with global fans
A groundbreaking fusion of AI and K-pop creates a new stage connecting fans around the world Global tech giant Google has partnered with the world’s largest K-pop awards show, MAMA AWARDS, in a collaboration combining next-generation artificial intelligence technology with video platforms.
| James choi
National Asian Culture Center to host 2026 ACC Big Door Cinema from Oct. 29-31

National Asian Culture Center to host 2026 ACC Big Door Cinema from Oct. 29-31

The “One Day, One Master: Fall in Love Cinema” program will feature screenings of “200 Pounds Beauty” (2006), “The Contact” (1997) and “Shiri” (1999), along with appearances by the films’ directors and actors.
The National Asian Culture Center , an institution affiliated with the Ministry of Culture, Sports and Tourism and led by Kim Sang-wook, will host “2026 ACC Big Door Cinema” from Oct. 29 to 31 at the Big Door outdoor stage of Theater 1 at the National Asian Culture Center.
| Joo Seong-cheol
[Photos] Lee Soo-man returns to K-pop after 3 years, unveils simultaneous debuts for 15- and 9-member groups

[Photos] Lee Soo-man returns to K-pop after 3 years, unveils simultaneous debuts for 15- and 9-member groups

Nine-member girl group A2O LITE to debut alongside them as new 4DGS technology heralds the future of entertainment
Return of K-pop founder opens new door to future entertainment Lee Soo-man, 74, key producer at A2O Entertainment, made a high-profile return to the K-pop market after more than three years at a debut showcase held Oct. 12 in Goyang, Gyeonggi province.
| James choi
Netflix draws 400 emerging creators to BIFF for largest-ever Creative Asia

Netflix draws 400 emerging creators to BIFF for largest-ever Creative Asia

Third-year event features directors Han Jun-hee and Kang Yoon-sung and introduces its first hands-on AI workshop
400 creators poised to lead the future of K-content learn hands-on production skills Netflix held Creative Asia at the Busan International Film Festival on the 10th, bringing together emerging creators from across Asia for global exchange and professional growth in the event's largest edition yet.
| James choi
[Inside the Busan International Film Festival] “AI Can’t Replace Actors”: Fan Bingbing Returns for First Press Conference in 3 Years, Pays Tribute to ‘Possible Love’ Performances

[Inside the Busan International Film Festival] “AI Can’t Replace Actors”: Fan Bingbing Returns for First Press Conference in 3 Years, Pays Tribute to ‘Possible Love’ Performances

At a press conference marking her 30th year since debut, she praised Park Chan-wook’s ‘The Handmaiden,’ screened new film ‘The Diary of a Mad Old Man’ and took part in the special program ‘Carte Blanche’
30 years of acting experience help her weather technology’s waves Fan Bingbing, an actress who has built a career on the global stage beyond the Chinese-language market, returned to the 31st 'Busan International Film Festival ' after three years.
| James choi
31st Busan International Film Festival to screen 247 films ... 'The Day and the Night Are for Each Other' to premiere Oct. 6

31st Busan International Film Festival to screen 247 films ... 'The Day and the Night Are for Each Other' to premiere Oct. 6

247 films from 59 countries to be screened ... Opening film 'The Day and the Night Are for Each Other' to premiere Named an 'A-list film festival' ... A business hub for Asia's film industry
Festival to be held across Busan for 10 days starting Oct. 6, with 14 competition entries and 64 industry programs 'A-list' festival becomes a hub for Asia's film industry The '31st Busan International Film Festival' , which has earned global recognition beyond Asia, will fill Busan with the...
| James choi
Gyeonggi’s Korea AI Content Awards draws 1,528 entries, delivers surprise among top 1%

Gyeonggi’s Korea AI Content Awards draws 1,528 entries, delivers surprise among top 1%

Twenty finalists will screen exclusively at Lotte Cinema Suwon on Oct. 15-16, with 11 works receiving final awards, including the Nam June Paik Special Award
Generative artificial intelligence is rapidly reshaping the paradigm of the video content industry, drawing the attention of creators worldwide to Gyeonggi province. Gyeonggi province officially announced on the 27th that it received 1,528 entries for the international Korea AI Content Awards, to...
| James choi
Netflix poaches kids and mukbang YouTubers, breaking YouTube’s 20-year lock on creators

Netflix poaches kids and mukbang YouTubers, breaking YouTube’s 20-year lock on creators

YouTube, which secured exclusive streaming rights through 2030, strikes back with short-form dramas and AI tools as an all-out battle begins
Netflix, the world’s largest over-the-top streaming service, has recruited a large number of popular YouTubers in areas including kids’ content and mukbang, disrupting the 'creator' ecosystem that 'YouTube' had defended for 20 years. The Wall Street Journal , a U. S.
| James choi