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Search results for "Kim Woo-sung"

Busan International Film Festival to world-premiere 3 new Korean drama series in 'On Screen'; new projects starring Shin Min-a and Son Suk-ku make global debuts

Busan International Film Festival to world-premiere 3 new Korean drama series in 'On Screen'; new projects starring Shin Min-a and Son Suk-ku make global debuts

The festival opens Oct. 6, with 'The Remarried Empress' and other titles set for 'On Screen,' plus nine additional commercial films confirmed for the lineup
K-content's triumphant return: A star-studded battle to light up screens worldwide The 31st Busan International Film Festival, which opens Oct. 6, has announced a powerhouse lineup poised to draw the attention of movie fans around the world.
| James choi
[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

I am drawn to objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
“The rush of battle is often a potent and lethal addiction, for war is a drug.” The Hurt Locker (2009), which won the 2010 Academy Award for Best Picture, opens with that title card. Director Kathryn Bigelow drew the quotation from War Is a Force That Gives Us Meaning, a 2002 nonfiction book by...
| Joo Seong-cheol
Director Lee Joon-ik’s Short Drama ‘Father’s Home-Cooked Meal,’ Announces 12 Main-Round Entries in Addition to Invitation Screening at the 1st Korea Short Drama Awards!

Director Lee Joon-ik’s Short Drama ‘Father’s Home-Cooked Meal,’ Announces 12 Main-Round Entries in Addition to Invitation Screening at the 1st Korea Short Drama Awards!

Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards, held on Aug. 29 (Sat) at the Korea National University of Arts for Film?
Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards. It was selected as an invited work for the awards ceremony to be held at KOFA Cinematheque, the main venue of the Korea Film Archive located in Sangam-dong, on Aug. 29 .
| Joo Seong-cheol
[Photo &] Gong Hyo-jin Returns to MBC Drama as a “Wife Killer” in 15 Years After Sweet Newlywed Days at a Press Conference

[Photo &] Gong Hyo-jin Returns to MBC Drama as a “Wife Killer” in 15 Years After Sweet Newlywed Days at a Press Conference

Its first episode airs on the 31st… Director Yoon Jong-ho’s take on “Carry Me, Run” brings in Jung Joon-won, Lee Sang-yi and others
Actor “Gong Hyo-jin” is returning to her hometown network, MBC, after 15 years. The experience of a sweet honeymoon has become a powerful asset that completes her character in the new Friday-Saturday miniseries “Wife Killer”.
| James choi
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

The trailer for 〈Hope〉 promises a showdown between humans and aliens. Instead, director Na Hong-jin delays the alien’s appearance until nearly an hour into the film and focuses first on how a stray rumor spirals into collective panic.
| Chua-young
Lee Chang-dong’s Netflix New Film “A Possible Love”… Invited to the Venice Film Festival Competition for the First Time in 24 Years, Battling for the Golden Lion

Lee Chang-dong’s Netflix New Film “A Possible Love”… Invited to the Venice Film Festival Competition for the First Time in 24 Years, Battling for the Golden Lion

Jeon Do-yeon and Sol Kyung-gu star, marking a return to the competition 24 years after “Oasis”… in a lineup of 20 works including Hirokazu Kore-eda’s “Look Back”
A 24-year return as a master filmmaker’s gaze turns back to Venice Director Lee Chang-dong, an unrivaled master in Korea’s film industry, launches a grand journey for the Golden Lion after his new film “A Possible Love” received an official invitation to the competitive category of the 83rd Venice...
| James choi
Yeon Sang-ho’s 'Paradise Lost' Officially Invited to Toronto Film Festival, Set for October Release

Yeon Sang-ho’s 'Paradise Lost' Officially Invited to Toronto Film Festival, Set for October Release

Following last year’s 〈Face〉, Yeon returns to TIFF’s Special Presentations for a second consecutive year
Director Yeon Sang-ho's new film 〈PARADISE LOST〉 has been officially invited to the Special Presentations section at the 51st Toronto International Film Festival. CJ ENM said on July 21 that 〈PARADISE LOST〉 will screen in the Special Presentations section at the 51st Toronto International Film...
| Kim Ji-yeon
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
| Kim Ji-yeon
Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

321 films from 50 countries screened and about 137,000 visitors were counted; launch of Bucheon AI Content Summit points to the cinema of the future
The 30th Bucheon International Fantastic Film Festival (BIFAN, executive chair Shin Chul) wrapped its 11-day run on Sunday, July 12, drawing record crowds as attendance rose 27% from last year. Marking its 30th anniversary, the festival adopted "newness and expansion" as its themes and drew strong...
| Kim Ji-yeon