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Lee Chang-dong: “Na Hong-jin’s ‘Hope’ is a crazy movie”…The high point of entertainment cinema

Lee Chang-dong: “Na Hong-jin’s ‘Hope’ is a crazy movie”…The high point of entertainment cinema

In a conversation with the audience, Lee Chang-dong praised his new film ‘Hope’…“Suspense that pushes past the limit, with Jo In-sung’s action a standout”
A titan of the Korean film industry, ‘Lee Chang-dong’, offered praise for ‘Na Hong-jin’’s new work ‘Hope’ that felt less like a compliment and more like awe. “The absolute peak that an entertainment film can reach—that’s a crazy movie, plain and simple.
'Bugonia,' Hollywood Remake of 'Save the Earth,' Nominated in 3 Categories at the Critics Choice Awards

'Bugonia,' Hollywood Remake of 'Save the Earth,' Nominated in 3 Categories at the Critics Choice Awards

A Hollywood remake of director Jang Joon-hwan's original film, it earned nominations for three awards, including best science fiction film, with Emma Stone starring.
The evolution of K-content hits the heart of Hollywood: 'Bugonia' dominates the Critics Choice Awards A hidden masterpiece that once set screens across South Korea alight is now meeting Hollywood's massive capital and shaking up the global film world.
[Weekend Movie Theater] Na Hong-jin’s New Film “Hope” Surpasses 330,000 on Opening Day… Biggest Record for Releases This Year

[Weekend Movie Theater] Na Hong-jin’s New Film “Hope” Surpasses 330,000 on Opening Day… Biggest Record for Releases This Year

It tops the previous hit “The Wailing” and sets the highest opening record of the year. Box office No. 2 is “Minions & Monsters,” followed by “Moana” and thriller “Eye-drops” starring Min-a Shin
‘Hope’ opens a new chapter for Korean sci-fi… What an overwhelming opening score means Director Na Hong-jin’s ambitious work ‘Hope’ has finally lifted the veil and is shaking up the movie-theater ecosystem. Lightly surpassing 300,000 viewers on its first day of release, it has set a new milestone...
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

321 films from 50 countries screened and about 137,000 visitors were counted; launch of Bucheon AI Content Summit points to the cinema of the future
The 30th Bucheon International Fantastic Film Festival (BIFAN, executive chair Shin Chul) wrapped its 11-day run on Sunday, July 12, drawing record crowds as attendance rose 27% from last year. Marking its 30th anniversary, the festival adopted "newness and expansion" as its themes and drew strong...
‘Okay Madam 2’ Returns After 6 Years — Cruise-Action Led by Uhm Junghwa and Choi Sooyoung

‘Okay Madam 2’ Returns After 6 Years — Cruise-Action Led by Uhm Junghwa and Choi Sooyoung

Set for release on Aug. 12, Uhm Junghwa’s upgraded action and Choi Sooyoung’s first try at playing a villain raise expectations
From 'Flight' to 'Cruise'… The evolution of a comedy action returning after six years The comedy action bible 'Okay Madam', which swept through theaters in 2020, returns at last with a sequel after six years of sharpening. Due to hit theaters on Aug.
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
Heo Nam-jun Holds First Solo Fan Meeting in 7 Years Since Debut, “HEO’s NEXT?”… Taking the “It” Wave

Heo Nam-jun Holds First Solo Fan Meeting in 7 Years Since Debut, “HEO’s NEXT?”… Taking the “It” Wave

“Wonderful New World” drama “Chasajye” role drives the top ratings of 11.8%, ushering Heo Nam-jun onto the mainstream… The first solo fan meeting in about 7 years since debut is set for Aug. 22 at the Seoul KBS Arena Fan club presales open on Aug. 23 and general ticket sales on Aug. 27… Set to ride the momentum with next year’s tvN drama “Whalebyul”
Actor Heo Nam-jun has teased a special meet-and-greet as his first fan meeting since debut. On the 13th, his agency, H-Solide, said Heo Nam-jun will hold “2026 Heo Nam-jun Fan Meeting HEO's NEXT. ” at 6 p. m. on Aug. 22 at the Seoul KBS Arena.
Ultra-Scaled K-pop Group Identity Releases New Album Itsnotover

Ultra-Scaled K-pop Group Identity Releases New Album Itsnotover

With 20 of 24 members taking the stage, the group promises a once-in-a-generation performance; the title track “Kids Return” expands its coming-of-age story.
Identity makes its grand return— a turning point in youth shaped by 20 boys “Identity,” which is redefining the paradigm for ultra-scale K-pop, has finally pulled back the curtain. On the 13th, the group hit the ground running with the release of its new album “itsnotover” and threw down a heavy...
[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

※This interview with 〈Hope〉 actor Jo In-sung continues from Part 1. Imagining and acting opposite an imagined being must have been a major challenge. In particular, when Seong-gi confronts a gigantic alien intelligence late in the film, his subtle eye movements and tiny facial shifts were striking.