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Search results for "Tokyo"

NCT JNJM Captivates 6 Asian Cities, Draws 27,000 in Bangkok

NCT JNJM Captivates 6 Asian Cities, Draws 27,000 in Bangkok

Bangkok show draws 27,000 viewers as the group wraps up a successful 13-show Asia tour
A 'global syndrome' that spans 6 Asian cities and 13 performances Jeno and Jaemin of the group 'NCT' formed the formidable unit 'NCT JNJM', heating up audiences across Asia and proving overwhelming global reach.
| James choi
“Were the parents too harsh?” The behind-the-scenes story from director Tomoaki Fujino about a sister who spent 25 years locked away

“Were the parents too harsh?” The behind-the-scenes story from director Tomoaki Fujino about a sister who spent 25 years locked away

The film ‘What Should We Have Done?’ opens… It portrays the realities of psychiatric medicine in the 1980s and a family’s anguish, setting a record of 55 straight sellouts in Japan
“What Should We Have Done?” 25 years of seclusion… A painful choice by doctor parents A hot-ticket release in Japan with 55 consecutive sellouts, shining a light on psychiatric medical realities of the 1980s and the family’s dilemma Beyond one slice of tragedy: reflection on the other side of the...
| James choi
YG Seeks a “Second BLACKPINK”… Stages a Massive Global Audition in Two Years

YG Seeks a “Second BLACKPINK”… Stages a Massive Global Audition in Two Years

Open to applicants born 2008–2015 regardless of nationality or gender, with auditions rolling out worldwide through December including in the United States and Japan
YG Entertainment Holds Its First Major Audition in Two Years… Discovers a “Second BLACKPINK” Relay auditions across more than 10 countries including the U.S., China, and Japan through December, targeting applicants born 2008–2015 “YG Entertainment” is moving to find the next crop of artists who...
| James choi
Youthphere Launches in Japan and Taiwan Next Month, Expanding Its Global Footprint

Youthphere Launches in Japan and Taiwan Next Month, Expanding Its Global Footprint

From a mini live in Tokyo to its first fan meet-and-greet in Taipei, next-gen K-pop rookie Youthphere begins a full-scale Asia takeover
Targeting Asia Head-On, a Super Rookie Set to Expand Its Global Territory A rookie group Youthphere under MW Entertainment is set to make a full-fledged push on the global stage. The group aims to go beyond simply expanding overseas and leave its own distinct musical universe across Asia.
| James choi
XLOVE Wraps Up U.S. Fan Meetings in New York and LA, Kicks Off Asian Tour

XLOVE Wraps Up U.S. Fan Meetings in New York and LA, Kicks Off Asian Tour

XLOVE, which connected with local fans through fluent English, successfully completed its fan meetings across the U.S. and is now embarking on a full-fledged Asian tour
Captivating North America with sheer presence—now heading across Asia XLOVE, the group shaking up the global K-pop scene, has fully seized control of the North American continent. According to its agency, WM Entertainment, the group held a standalone fan meeting, The Runway, at The Novo in Los...
| James choi
INFINITE holds “Infinite Gathering V” for first time in 2 years…kicks off global tour across four Asian cities following Incheon

INFINITE holds “Infinite Gathering V” for first time in 2 years…kicks off global tour across four Asian cities following Incheon

To mark its 16th debut anniversary, the group releases a poster featuring a mysterious and dreamlike Infinite (∞) symbol via its official SNS Opening in Incheon at Incheon Inspire Arena on Aug. 29-30, followed by a large-scale run covering Macau, Taipei, and Tokyo A return of the unique fan-meeting brand that began in 2013, with further synergy expected after INFINITE COMPANY was founded in 2023
Group INFINITE will hold a fan meeting and meet with Inspirit for the first time in two years. Four-city global tour confirmed, starting in Incheon On the 6th, the agency INFINITE COMPANY unveiled the “Infinite Gathering V” poster through its official social media and announced the fan-meeting...
| Seongchan Eol
Comedian Lee Sang-jun Eyes Global Expansion With K-Come​​dy—“Lee Sang-jun Show 45” World Tour Is as Big as an Idol’s Schedule!

Comedian Lee Sang-jun Eyes Global Expansion With K-Come​​dy—“Lee Sang-jun Show 45” World Tour Is as Big as an Idol’s Schedule!

“Lee Sang-jun Show,” which drew 18,000 people last year This year, the show will hold a massive world tour across 17 cities in South Korea and 12 cities overseas
A Cross-Border Challenge From K-Comedy—Aiming Globally With Just One Microphone Comedian “Lee Sang-jun” grabbed a single microphone and launched a bold debut meant to shake up the global comedy market. On the 2nd, MBC C&I officially announced that it will begin in earnest a massive standup comedy...
| James choi
Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

I'm drawn to film music. Sometimes music communicates a character's intimate emotions that images and dialogue alone cannot convey. It can become a window onto a creator's hidden intent. For me, understanding film music has been one way into a movie.
| Chua-young
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정