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Now Is the Era of 'Hang-jun Thinking': Jang Hang-jun in His Own Words

Now Is the Era of 'Hang-jun Thinking': Jang Hang-jun in His Own Words

Finally, 〈Wang-gwa Saneun Namja〉 surpassed 15 million viewers on March 25 , its 50th day since release. 16 million, or even more, is well within sight. We are truly in the era of 'Hang-jun thinking. ' Many netizens call him a 'Maltese with no tear stains.
[Global Issue] BTS’ “Arirang” Makes a Comeback…A Mega Festival Spanning London, New York, and Seoul

[Global Issue] BTS’ “Arirang” Makes a Comeback…A Mega Festival Spanning London, New York, and Seoul

To mark the release of BTS’ new album, “The City Arirang”…a drone show and media façade that lit up landmarks around the world—from the London Eye to the Sungnyemun Gate!
BTS’s mega-scale project celebrating the release of their new album has, beyond Seoul, turned major cities worldwide—such as New York and London—into vivid media showcases.On the 26th, the agency BigHit Music said that the BTS comeback celebration project ‘BTS The City Arirang ’ has expanded into a...
‘Yeonjigu’ In-Depth Review ①: The First Glance That Hooked Me—‘Guest-Trip Autumn Regret’ Sung by Tony Leung Chiu-wai and Anita Mui

‘Yeonjigu’ In-Depth Review ①: The First Glance That Hooked Me—‘Guest-Trip Autumn Regret’ Sung by Tony Leung Chiu-wai and Anita Mui

Yeo-hua dresses in menswear and sings “Guest-Trip Autumn Regret” (客途秋恨), and Zhenfang, who arrives late to the drinking gathering, is instantly captivated by what he sees.
〈Injigu〉(1987) lived in Korea for a long time under the title 〈Injigu〉. This all started when the journalist who first introduced the film mistook the Chinese characters and wrote 〈Injigu〉; afterward, other outlets copied it as well. Even action star Donnie Yen (甄子丹) went through something similar.
[Culture &] HYBE will search for the next generation of global K-pop stars in India (population: 1.4 billion)

[Culture &] HYBE will search for the next generation of global K-pop stars in India (population: 1.4 billion)

The first auditions take place in five major Indian cities and online. Global partners such as Samsung and Nongshim join the project, helping expand K-pop’s reach beyond borders.
' HYBE ' in India, home to 1. 4 billion people, begins a search for the next generation of ' K-pop ' starsGlobal entertainment company ' HYBE ' will kick off a large-scale ' global audition ' for ' India ', a market of 1. 4 billion people, right away.
HYBE to introduce its “K-pop system” to the Indian subcontinent…Opening an audition to discover the next-gen global stars

HYBE to introduce its “K-pop system” to the Indian subcontinent…Opening an audition to discover the next-gen global stars

Following Japan, the U.S., and Latin America, HYBE’s “multi-home, multi-genre” strategy lands in India In-person auditions in 10 major Indian cities…Major global partners join in, including Samsung and Nongshim With an average age of 28 and a 1.4-billion-strong population, HYBE is expected to create a new super IP by combining vast potential with K-pop methodologies
After applying its “K-pop methodology” to local markets in Japan, the United States, and Latin America, HYBE is now rolling out its efforts in India as it moves full steam ahead to discover and nurture the next generation of global stars.
Joo Ji-hoon’s Turn to Darkness? “Climax” Episode 3 Goes on a Rampage

Joo Ji-hoon’s Turn to Darkness? “Climax” Episode 3 Goes on a Rampage

The truth behind the 7-year-old Oh Gwang-jae murder case resurfaces… Joo Ji-hoon and Ha Ji-won’s hidden side is revealed, driving viewership ratings
ENA’s Monday-Tuesday drama ‘Climax’ took viewers by surprise with a bold twist in just its third episode, throwing the home audience into shock. With the main character Joo Ji-hoon giving up his job as a prosecutor and making a high-stakes move to enter politics, the drama’s tension was pushed to...
Film Critic Im Jae-cheol Passes Away… A Key Figure Who Led Film Production, Distribution, and Criticism

Film Critic Im Jae-cheol Passes Away… A Key Figure Who Led Film Production, Distribution, and Criticism

Operating the film company Emotion Pictures; launched Film Culture and founded Film Forum… Age 65
Film critic Im Jae-cheol, who helped cultivate the foundation for art films by bridging criticism and hands-on work in the Korean film industry, has died. According to his family and others on the 23rd, he collapsed about two months ago and had been receiving treatment, before passing away the...
BTS Holding Camcorders, and a Second Family… What the Production Team Says About ‘BTS: The Return’

BTS Holding Camcorders, and a Second Family… What the Production Team Says About ‘BTS: The Return’

On March 21, ‘BTS Comeback Live: Arirang’ took place. The live broadcast—made in collaboration between BTS , which helped kick-start the K-pop phenomenon, and global OTT platform Netflix—ranked No. 1 in 77 countries, and it also landed within the top three across all other service countries,...
A Review of Netflix’s “BTS: The Return,” Ending the Military Hiatus That Makes Subscription Fees Feel Worth It

A Review of Netflix’s “BTS: The Return,” Ending the Military Hiatus That Makes Subscription Fees Feel Worth It

On March 21, “BTS Comeback Live: Arirang” took place. The live broadcast, a collaboration between BTS (who helped open the door to the K-pop craze) and the global OTT platform Netflix, ranked #1 in 77 countries as of the March 23 tally, and also placed in the top three across every other country...
[Culture&] 14 Million 'King's Affection' Park Ji-hoon Syndrome…Previous Works and Webtoons Also Making a Comeback

[Culture&] 14 Million 'King's Affection' Park Ji-hoon Syndrome…Previous Works and Webtoons Also Making a Comeback

With the success of the movie 'The King’s Affection', Park Ji-hoon’s previous works and the webtoon based on the story of King Danjong are creating a resurgence, especially among Gen Z.
Surpassing 14 Million 'The King’s Affection', the 'Park Ji-hoon Syndrome' Takes Over TheatersThe movie 'The King’s Affection' has surpassed a cumulative audience of 14 million, marking a new milestone in Korean cinematic history.