Find your next favorite work.

Search results for "IF I"

〈The Unknown Seoul〉 The Reason Why Lee Ho-soo and Park Jin-young Resemble Each Other

〈The Unknown Seoul〉 The Reason Why Lee Ho-soo and Park Jin-young Resemble Each Other

How can one not become attached to the character Lee Ho-soo (Park Jin-young). Like a lake that holds deep currents beneath a calm surface, Lee Ho-soo is a character who stands tall after overcoming inner growing pains.
[Interview] 〈Gwangjang〉So Ji-sub

[Interview] 〈Gwangjang〉So Ji-sub "These days, if friends follow 'Misa', it will be a big problem, they could get caught"

Actor So Ji-sub, known for 'Sogangji', has proven his 'coolness' once again as he returns to the noir action series after 13 years. In the Netflix series , So Ji-sub plays the role of Nam Gi-jun, who returns to a dark and ruthless world for revenge.
How Did a Three-Hour Documentary Top the North American Box Office? Meet “You Can See Everything”

How Did a Three-Hour Documentary Top the North American Box Office? Meet “You Can See Everything”

There is no word yet of a release in South Korea, but one documentary’s success in North America has captured the attention of Korean cinephiles. It’s a documentary that runs three hours, yet its poster or trailer is enough to make it unforgettable. The film is 〈You Can See Everything〉.
Academy Museum Presents Park Hae-il Retrospective, Screening 8 Films From His 20-Year Career, Including ‘Decision to Leave’

Academy Museum Presents Park Hae-il Retrospective, Screening 8 Films From His 20-Year Career, Including ‘Decision to Leave’

Series runs in Los Angeles through Nov. 14, following tributes to Song Kang-ho and Youn Yuh-jung
‘A master of subtle, versatile performances’ meets U. S. audiences The Academy Museum of Motion Pictures is presenting a special screening series spotlighting acclaimed Korean actor Park Hae-il. The Los Angeles museum officially announced that the program will run from Oct. 29 through Nov.
[New Film] ‘Halo,’ First Korean Film to Win at Tokyo Film Festival, Opens Nov. 11 — A 27-Year-Old’s Dream

[New Film] ‘Halo,’ First Korean Film to Win at Tokyo Film Festival, Opens Nov. 11 — A 27-Year-Old’s Dream

Director Noh Young-wan’s feature debut swept the awards in the festival’s Asian Future section
Artistic ambition blooms amid a precarious daily life and the gulf between dreams and reality ‘Halo,’ the feature debut of director Noh Young-wan, which takes an in-depth look at the harsh life of a young man making ends meet through delivery work, arrives in theaters on the 11th of next month.
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

After transitioning, Alice was finally able to choose the life she wanted. Eddie says transition is still ongoing. The film depicts not a moment of change, but a process of continually facing oneself.
※ This interview with director Kim Il-rhan about 〈Eddie Alice: Take〉 continues from the first article. ​ By drawing close to the two people named in the title, Eddie and Alice, the film also seems to invite viewers to compare their choices.
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

After transitioning, Alice has only just been able to choose the life she wants. Eddie says her transition is still ongoing. The film portrays not a momentary change, but an ongoing process of facing oneself.
A women’s bathhouse. Perhaps it’s a familiar, ordinary place for most women. The camera is set up, the lights come on, and filming begins. Water—whether sweat or tears, it’s hard to tell—runs down the face of a woman in the bath.
Kim Min-ha, Lee Hee-jun, Director Kim Da-min and Executive Producer Han Jun-hee Celebrate ‘Dead-End Job’ Press Conference

Kim Min-ha, Lee Hee-jun, Director Kim Da-min and Executive Producer Han Jun-hee Celebrate ‘Dead-End Job’ Press Conference

Set at a bizarre employment agency that offers only “perfect part-time jobs” paying up to 50 times the usual hourly rate, the series follows Hyuk-jun, a young man sent to nightmarish workplaces.
Dead-End Job, a livelihood horror series set at a bizarre employment agency that offers only “perfect part-time jobs” paying up to 50 times the usual hourly rate, follows Hyuk-jun, a young man sent to nightmarish workplaces. The series held a successful press conference on Wednesday the 28th.
‘The Assassin(s)’ Breaks Even, Achieving a Remarkable Box Office Milestone Amid Diverse Perspectives

‘The Assassin(s)’ Breaks Even, Achieving a Remarkable Box Office Milestone Amid Diverse Perspectives

The Assassin(s), a story that follows the questions and conspiracies surrounding the First Lady shooting on August 15, 1974, has broken even.
According to the Korean Film Council’s integrated box office database, The Assassin had drawn a cumulative audience of 3,401,825 as of 7 a.m. on Thursday, October 29, surpassing its break-even point. After attracting 3 million moviegoers in just 20 days, The Assassin has also ranked among the top...
85% of the Cast Were Formerly Incarcerated: 5 Behind-the-Scenes Stories That Make ‘Sing Sing’ Even More Moving

85% of the Cast Were Formerly Incarcerated: 5 Behind-the-Scenes Stories That Make ‘Sing Sing’ Even More Moving

A24’s film 〈Sing Sing〉 has been playing for Korean audiences since October 21. It tells the story of Divine G , a man imprisoned for a crime he did not commit at a New York prison, who finds a new purpose in life through a theater program for incarcerated people.