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The new drama 〈Speaking Dead〉 , set to premiere in the second half of this year, has unveiled six press stills that capture the series' chilling tension. The suspense thriller follows a long-buried incident colliding with the present.

The live-action film 〈Look Back〉 , directed and written by acclaimed Japanese filmmaker Hirokazu Kore-eda, will open in South Korea this October. Megabox JoongAng Co. , Ltd. , the importer and distributor, announced the release and unveiled a teaser trailer on Sept. 7.

An alchemist of light and time arrives in SeoulA living legend of avant-garde cinema, French master 'Jean-Claude Rousseau' will soon be under the spotlight as Seoul’s heart witnesses a decisive moment in his 40-year artistic journey.

A pen line of loss and growth, blooming beyond the master’s viewfinderA living legend in Japan’s film industry, 'Hirokazu Kore-eda' takes the reins of the live-action adaptation of 'Look Back', a global phenomenon.

A 2.05 million-ticket gamble to jolt an ailing theater scene… The 'golden time' is 10 a.m. on the 8thThe government’s large-scale theater “life support” is set to restart. The Ministry of Culture, Sports and Tourism and the Korea Film Council have confirmed a plan to distribute 'second movie ticket...

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.

A Cross-Border Challenge From K-Comedy—Aiming Globally With Just One MicrophoneComedian “Lee Sang-jun” grabbed a single microphone and launched a bold debut meant to shake up the global comedy market.On the 2nd, MBC C&I officially announced that it will begin in earnest a massive standup comedy...

A genre-film hub that screens the future, completing 30 years of legacyThe Bucheon International Fantastic Film Festival , which has led the cutting edge of the world’s genre film scene beyond Asia, opened on the 2nd with an overwhelming scale as it charted its 30th course.

The pressure of massive technology capital could not stifle the work’s accusations against power. The film ‘Artificial ’, which dissects the true face of the U. S. artificial intelligence empire ‘OpenAI’, finally makes it to the big screen after pushing past Big Tech’s blunt refusal.

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.