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Search results for "Im Ye-jin"

Passion Behind the Camera Beyond the Lens! Behind-the-Scenes Stills Shot by Cinematographer Hong Kyung-pyo Unveiled for “Hope”!

Passion Behind the Camera Beyond the Lens! Behind-the-Scenes Stills Shot by Cinematographer Hong Kyung-pyo Unveiled for “Hope”!

Photos directly captured by cinematographer Hong Kyung-pyo bring the atmosphere on set to life.
The released behind-the-scenes stills capture everything from the sweeping scenery at the filming locations to moments that show the intense drive of the staff and actors as they work to complete the production.
| Joo Seong-cheol
[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
| 이화정
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
| 이화정
Gong Hyo-jin Set as First Guest for 'The White Collars' Season 3

Gong Hyo-jin Set as First Guest for 'The White Collars' Season 3

Original cast members including Shin Dong-yup and Baek Hyun-jin return, promising fresh chemistry with Gong Hyo-jin
Coupang Play's original comedy series 〈The White Collars〉 will premiere Season 3 on Aug. 29, with Gong Hyo-jin set as its first guest. 〈The White Collars〉 is a hyperrealistic, improvised sitcom that follows office life at the fictional company 'DY Planning'.
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
[Photo&] Yoon Kyung-ho Cries at 23% Ratings Breakthrough for ‘Kim Bujang’… a Netflix No. 1 Upset

[Photo&] Yoon Kyung-ho Cries at 23% Ratings Breakthrough for ‘Kim Bujang’… a Netflix No. 1 Upset

Netflix tops the non-English category for the third straight week, driving a hit after 20 years of obscurity
Yoon Kyung-ho (46), a “top-tier star” who has swallowed both Korea’s home entertainment market and global OTT at the same time, finally poured out hot tears. With SBS Friday-Saturday drama ‘Kim Bujang’ ending on an astonishing “23% ratings”, he also did not forget the pain of being unknown for 20...
| James choi
How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

▶〈Hope〉: this piece continues Part 1. Director Na Hong-jin deliberately disorients the audience by showing Beom-seok misidentify the alien's location. Beom-seok and Jong-gu are both police officers, but they are timid and incompetent.
| Chua-young
‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
| Kim Ji-yeon
[Weekend Movie Theater Roundup] Film “Hope” sprints to No. 1 at the box office for 9 straight days… topping 3 million weekend admissions

[Weekend Movie Theater Roundup] Film “Hope” sprints to No. 1 at the box office for 9 straight days… topping 3 million weekend admissions

Cumulative admissions surpass 2.64 million, with an audience-satisfaction Egg Index of 83%… reservation-rate No. 1 is “Spider-Man: Brand New Day,” opening on the 29th
“Hope” inches past 3 million… Na Hong-jin’s alien thriller takes over theaters Director Na Hong-jin’s new film “Hope” has held on to the top spot in the domestic box office for the ninth day since its release, cementing its status as an unchallenged force on weekend theater screens.
| James choi
Nah Hong-jin’s New Film “Hope” Wins the Action Cinema Award at New York Asian Film Festival

Nah Hong-jin’s New Film “Hope” Wins the Action Cinema Award at New York Asian Film Festival

At the 25th New York Asian Film Festival, the movie takes home the top Action Cinema honor… and also brings together director Ari Aster
The return of a master, a new world by “Nah Hong-jin” that overwhelms North America with impact A standout presence in Korean genre filmmaking, director “Nah Hong-jin” has left a powerful impression across North America with his new work “Hope”.
| James choi