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“The Mummy of Lee Cronin,” Unveiling 3 Horror Highlights—From Piercing Sounds to Boundary-Pushing, High-Intensity Action…

“The Mummy of Lee Cronin,” Unveiling 3 Horror Highlights—From Piercing Sounds to Boundary-Pushing, High-Intensity Action…

A Top-Tier Visual Crafted by James Wan x Blumhouse
With horror master James Wan and the iconic genre powerhouse Blumhouse coming together, 〈The Mummy of Lee Cronin〉 has been drawing intense anticipation from the moment it entered production, unveiling three standout horror moments that can only be experienced in theaters—sending chills down...
‘Renoir’ Prodigy Actress Yui Suzuki at Age 11 Wins the Kinema Junpo New Actor Award

‘Renoir’ Prodigy Actress Yui Suzuki at Age 11 Wins the Kinema Junpo New Actor Award

Introducing Yui Suzuki, born in 2013, who debuted at the Cannes Film Festival in the second year of her acting career!
The film 〈Renoir〉, opening on April 22, brings everyone’s childhood to mind through the eyes of an 11-year-old girl, “Fuki,” as she learns about the world. In particular, interest in 2013-born actress Yui Suzuki—who portrays the lead role of Fuki and won the Kinema Junpo New Actor Award—is...
[Interview] “Keanu Reeves Can’t Escape the Fall of a Star,” ‘Boomerang’ Starring Keanu Reeves, Cameron Diaz, Matt Bomer ①

[Interview] “Keanu Reeves Can’t Escape the Fall of a Star,” ‘Boomerang’ Starring Keanu Reeves, Cameron Diaz, Matt Bomer ①

An online Zoom interview with Keanu Reeves, Cameron Diaz, and Matt Bomer, the stars of the film 〈Boomerang〉 (to be released on Apple TV on April 10).
A truly outrageous movie has arrived. It’s 〈Boomerang〉 (original title: Outcome), in which Keanu Reeves appears as a famous Hollywood actor—almost as if it were Keanu Reeves himself. Is it a documentary? No. In this film, Keanu Reeves plays a former child actor who shot to fame and maintained his...
[Chua-Young’s Music Box] ‘Project Hail Mary’—A Story of Humanity’s Trembling at the Brink of the End, and ‘Sign of the Times’

[Chua-Young’s Music Box] ‘Project Hail Mary’—A Story of Humanity’s Trembling at the Brink of the End, and ‘Sign of the Times’

Eve Stratt (Sandra Hüller), the executive in charge of Project ‘Hail Mary,’ which leads the effort to overcome the crisis facing the world, says goodbye by singing at the final party before sending her team out into the vastness of space.
A Moving Two-Shot: Meryl Streep & Anne Hathaway Arrive in Korea! At the Press Conference for “The Devil Wears Prada 2”

A Moving Two-Shot: Meryl Streep & Anne Hathaway Arrive in Korea! At the Press Conference for “The Devil Wears Prada 2”

“The second film had to come out right at this exact moment. ” Meryl Streep said it with determination—much like Miranda Priestly—yet with such elegance. You could say that’s true. A movie that was made before the iPhone even came out has returned to find us again after 20 years.
'Climax' Finds Success in Taiwan and Indonesia... #1 in Taiwan & #1 in Indonesia for Three Straight Weeks

'Climax' Finds Success in Taiwan and Indonesia... #1 in Taiwan & #1 in Indonesia for Three Straight Weeks

Also Enters the First-Week TOP5 in North America, Europe, Oceania, and the Middle East
ENA Monday-Tuesday drama 〈Climax〉 is maintaining its box-office momentum as it tops both global platform charts and domestic viewing metrics. According to the global OTT ranking site FlixPatrol on the 7th, 〈Climax〉 took #1 in the Taiwan region and claimed #1 in Indonesia for three straight weeks.
[Chu Sung-cheol’s Lockers] Who Spat on Leslie Cheung in “Farewell My Concubine”?

[Chu Sung-cheol’s Lockers] Who Spat on Leslie Cheung in “Farewell My Concubine”?

I get hooked on the objects in movies. I find myself falling into deep thought—why, of all things, did the director, cinematographer, production designer, or even an actor put that item in front of the camera? “Chu Sung-cheol’s Lockers” is a record of the film props that gently but firmly captured my attention.
A must-do itinerary on a trip to Hong Kong is Victoria Peak on Hong Kong Island. When you take the Peak Tram up, you’re treated to a stunning view: Hong Kong Island’s skyline in the foreground, with the Kowloon Peninsula stretching out far in the distance.
[Interview] What Does Kim Hye-yoon’s Genre Side Look Like? “Salmokji” Kim Hye-yoon ①

[Interview] What Does Kim Hye-yoon’s Genre Side Look Like? “Salmokji” Kim Hye-yoon ①

“Acting that communicates just with eye contact and breathing—this feels like I’m doing a whole new kind of acting.”
Should we believe it. Or should we not believe it until we’ve seen it for ourselves. The character Suin (Kim Hye-yoon) in 〈Salmokji〉 also hesitates at that same crossroads. After sensing a secret she didn’t believe in with her own body, she gradually gets swallowed by the fear inside.
[Photo&] Samcheok Haerang Film Festival Opens in September…‘Picnic Cinema’ Set Against the Sea

[Photo&] Samcheok Haerang Film Festival Opens in September…‘Picnic Cinema’ Set Against the Sea

Held for two days starting September 4 in the Samcheok area. Newly established categories include a short film competition and a newly added AI film division, alongside a citizen-participation festival
‘3rd Samcheok Haerang Film Festival’, Opens on September 4…‘Blue Sea Myths and History’ Turns the Beach Into a Living Theme From September 4 to 5, for two days, ‘2026 3rd Samcheok Haerang Film Festival’—a leading maritime cultural festival of the Republic of Korea—will kick off in a big way at...
[Film Festival Issue] The Opening Film of the 79th Cannes Film Festival: Pierre Salvadori’s “La Venus Électrique” Selected

[Film Festival Issue] The Opening Film of the 79th Cannes Film Festival: Pierre Salvadori’s “La Venus Électrique” Selected

A romantic comedy set in Paris in 1928. One of the most talked-about titles for the 79th Cannes Film Festival, bringing together director Pierre Salvadori and France’s top stars.
“The 79th Cannes Film Festival” opens with “Pierre Salvadori”’s “La Venus Électrique” On May 12, 2026, French cinema master “Pierre Salvadori”’s latest work, “La Venus Électrique”, has been officially and sensationally selected as the opening film of the “79th Cannes Film Festival”, drawing intense...