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Search results for "J-horror"

Barunson E&A Co-Production ‘Ghost in the Cell’ Ranks No. 1 in Indonesia, Sparks a Box-Office Surge with Sales in 100 Countries!

Barunson E&A Co-Production ‘Ghost in the Cell’ Ranks No. 1 in Indonesia, Sparks a Box-Office Surge with Sales in 100 Countries!

Indonesia’s leading director Joko Anwar’s 〈Ghost in the Cell〉 opened in Indonesia on April 16 and topped the box office.
Produced by Indonesian leading director Joko Anwar’s production company Come And See Pictures, which has an exclusive partnership with Barunson E&A (CEO Choi Yoon-hee, Moon Yang-kwon), and co-produced and handled for overseas sales by Barunson E&A, 〈Ghost in the Cell〉 opened in Indonesia on April...
| Joo Seong-cheol
[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.
Watching 〈Lee Cronin’s The Mummy〉 , you can feel the full-on force of Blumhouse as it revives a franchise that seemed long dead: 〈Mummy〉. The first 〈Mummy〉 (1932), powered by the charisma of actor Boris Karloff, was basically the flagship of the “Universal Horror” era.
| Joo Seong-cheol
[First Look on the Scene] Cineplay Reporter Star Ratings for “The Mummy” by Lee Cronin

[First Look on the Scene] Cineplay Reporter Star Ratings for “The Mummy” by Lee Cronin

[First Look on the Scene] Fueled by the absolute support of horror fans around the world, the film 〈The Mummy by Lee Cronin〉—which brings together horror maestro James Wan and Blumhouse, a pairing that has everyone excited—opens on April 22.
| Joo Seong-cheol
9.3 Million Viewers Captivated by ‘Salmokji’…A Night-Time Influx of Visitors to the Yesan Reservoir Filming-Location

9.3 Million Viewers Captivated by ‘Salmokji’…A Night-Time Influx of Visitors to the Yesan Reservoir Filming-Location

Horror film ‘Salmokji’ becomes a box-office hit, triggering a sharp surge in late-night visitors to the Yesan Reservoir—the real filming location in South Chungcheong (Yesan County). Local authorities have moved to implement emergency safety measures, including vehicle traffic control, and more.
Salmokji Breaks 9.3 Million in Just 8 Days—A ‘Real-Life’ Sensation The horror film ‘Salmokji’ is drawing overwhelming attention, breaking through 930,000 cumulative viewers within just eight days of release. With a steady stream of visitors flooding day and night at ‘Salmokji Reservoir’, located in...
| James choi
Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

A New IP Strategy Through OSMU to Build Diverse Content and Cross Over Between Audiences Expect Steady Revenue Through Season-Based Content and Market Expansion via Co-Productions With Global Production Companies Expect a Sharp Sales Jump in 2026 With Global Content Planning and Production
Big Ocean ENM (CEO Shin In-soo, Lee Seong-jin) has officially unveiled its latest lineup of productions and development projects, and in 2026 it continues to draw strong expectations from audiences both at home and abroad.
| Yangsimoh
[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

Last weekend it aired up to episode 8, and it has now passed the midpoint of the 12-episode run.
〈How to Become a Landlord in South Korea〉 is being watched with great interest. It aired through episode 8 over the weekend, and yet even after passing the halfway point of this 12-episode series, it’s still a drama that’s impossible to predict. It’s a drama that’s impossible to predict.
| Cineplay
A Theater Release After 18 Years… The Holocaust Masterpiece, “The Boy in the Striped Pajamas”

A Theater Release After 18 Years… The Holocaust Masterpiece, “The Boy in the Striped Pajamas”

A tragic true story resonating with “The Zone of Interest.” A brutal fairy tale about two boys separated by barbed wire hits theaters this April.
[A Holocaust Masterpiece Returns to the Screen After 18 Years] This April, “The Boy in the Striped Pajamas”—the representative masterpiece of Holocaust cinema recognized by critics around the world—will be released in Korean theaters for the first time in 18 years since it was made.
| James choi
[Interview] What’s It Like to Step Into Kim Hye-yoon’s Genre Roles? Kim Hye-yoon on ‘Salmokji’ ②

[Interview] What’s It Like to Step Into Kim Hye-yoon’s Genre Roles? Kim Hye-yoon on ‘Salmokji’ ②

“〈Salmokji〉, it’s a 10/10 movie—but if you say it’s too scary, I feel like audiences won’t come. So I’ll give it a 9.5.”
▶〈Salmokji〉 actor Kim Hye-yoon’s interview continues from Part 1. 〈Salmokji〉 is a horror film built around “experiential” scares. From the perspective of filming an “experiential” movie, was there anything that made this set different from other productions.
| Kim Ji-yeon
[Interview] What Does Kim Hye-yoon’s Genre Side Look Like? “Salmokji” Kim Hye-yoon ①

[Interview] What Does Kim Hye-yoon’s Genre Side Look Like? “Salmokji” Kim Hye-yoon ①

“Acting that communicates just with eye contact and breathing—this feels like I’m doing a whole new kind of acting.”
Should we believe it. Or should we not believe it until we’ve seen it for ourselves. The character Suin (Kim Hye-yoon) in 〈Salmokji〉 also hesitates at that same crossroads. After sensing a secret she didn’t believe in with her own body, she gradually gets swallowed by the fear inside.
| Kim Ji-yeon
“Kill Bill: The Whole Bloody Affair” Unveils Behind-the-Scenes Details from the Fully Uncut Version After 15 Years — Quentin Tarantino

“Kill Bill: The Whole Bloody Affair” Unveils Behind-the-Scenes Details from the Fully Uncut Version After 15 Years — Quentin Tarantino

Production was paused due to Uma Thurman’s pregnancy, and 1,700 liters of fake blood were used
The film 〈Kill Bill: The Whole Bloody Affair〉, long admired by movie lovers since its release, has revealed three bold behind-the-scenes details that deepen the movie’s immersion. Unveiled after 15 years, this fully uncut version brings together the previously separated Part 1 and Part 2 storylines...
| Chua-young