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“I’ll Repay the Debt the Late Comedian Left Behind” Lee Hong-ryul and Kim Shin-young to Donate All at “Jeon Yoo-seong Show” on the 22nd

“I’ll Repay the Debt the Late Comedian Left Behind” Lee Hong-ryul and Kim Shin-young to Donate All at “Jeon Yoo-seong Show” on the 22nd

A tribute performance at the 14th BUCofe omnibus commemorative event… many younger comedians including Shin Bong-sun and Zoltan take part
A mark of respect for a ‘legend of comedy’… a stage of 100% talent donation by younger performers The 14th ‘Busan International Comedy Festival’ (hereafter BUCofe) will present a special tribute stage for the comedy veteran Jeon Yoo-seong, a kingpin in the comedy world who helped lay the foundation...
CRAVITY’s Minhee Takes on Acting for the First Time—Leads Short Drama ‘Sleeping Beauty and the Dreaming Devil’

CRAVITY’s Minhee Takes on Acting for the First Time—Leads Short Drama ‘Sleeping Beauty and the Dreaming Devil’

Her co-star is rookie actor Jo Yoon… Directed by Kim Ji-hye, filmmaker behind ‘Sunkiss Family’
Putting his stage charisma on pause… A new persona to prove his range in a fantasy romance Minhee, a member of the group ‘CRAVITY’, is embarking on his first acting challenge since debut. He was tapped as the lead for the short-form drama ‘Sleeping Beauty and the Dreaming Devil’, produced by Resin...
Lee Chang-dong’s New Film “Possible Love” Invited to New York Film Festival

Lee Chang-dong’s New Film “Possible Love” Invited to New York Film Festival

The Netflix movie starring Sol Kyung-gu and Jeon Do-yeon heads to New York on Sept. 25 following its Venice bow
Acclaimed director Lee Chang-dong is drawing intense attention from the global film world with “Possible Love,” a new work that breaks his 8-year silence. Netflix announced on the 6th that the film has been officially invited to the main slate category of the 64th New York Film Festival, confirming...
An Online Guide to the Locations in Nolan’s 〈Odyssey〉

An Online Guide to the Locations in Nolan’s 〈Odyssey〉

Matt Damon said filming Christopher Nolan’s 〈Odyssey〉 felt like “shooting seven films at once. ” Nolan, who favors analog cinematography, shot the film on location across North Africa and Europe. Christopher Nolan’s 〈Odyssey〉 filmed across Morocco, Greece, Scotland, Iceland and Italy.
[Photo &] Gong Hyo-jin Returns to MBC Drama as a “Wife Killer” in 15 Years After Sweet Newlywed Days at a Press Conference

[Photo &] Gong Hyo-jin Returns to MBC Drama as a “Wife Killer” in 15 Years After Sweet Newlywed Days at a Press Conference

Its first episode airs on the 31st… Director Yoon Jong-ho’s take on “Carry Me, Run” brings in Jung Joon-won, Lee Sang-yi and others
Actor “Gong Hyo-jin” is returning to her hometown network, MBC, after 15 years. The experience of a sweet honeymoon has become a powerful asset that completes her character in the new Friday-Saturday miniseries “Wife Killer”.
[Photos &] Seo In-guk on why he really chose three consecutive office dramas: “Not even a bit like me”

[Photos &] Seo In-guk on why he really chose three consecutive office dramas: “Not even a bit like me”

Praise for his role as Kang Si-woo in tvN’s “Work Tomorrow!”… Behind the ending ad-lib and his laid-back mindset after 15 years since debut
Actor Seo In-guk proved his seasoned depth from his 15th year since debut by fully bringing to life the workaholic Gang Si-woo in tvN “Work Tomorrow. ”, which recently wrapped, a character that stands in stark contrast to his true self.
‘Sang-namja’ Disney+ Release Confirmed! Park Jeong-min Rewinds as a Corporate Rookie CEO

‘Sang-namja’ Disney+ Release Confirmed! Park Jeong-min Rewinds as a Corporate Rookie CEO

He climbed to the CEO chair at a major conglomerate chasing only success—but the next day, he loses everything, and rewinds back 20 years to his days as a new hire.
Popular Naver webtoon 〈Sang-namja〉 is being produced as a series. 〈Sang-namja〉 is an office time-rewind story about a man who rises to the CEO spot at a major conglomerate by pursuing nothing but success—only to lose everything overnight—then rewinds back 20 years to his new-hire days to carve out...
‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

A film that took a direct hit from the COVID-19 pandemic in 2020 returns with a sequel after six years. Releasing on August 12, 〈OK Madam 2〉 is the follow-up to 〈OK Madam〉 (2020). The comic action film follows former legendary agent Mi-young (Uhm Jung-hwa), who springs back into action after...
Lee Chang-dong Returns With His First New Film in 8 Years, “A Possible Love” — Scheduled for a Theatrical Release in September, Netflix Drops It in November

Lee Chang-dong Returns With His First New Film in 8 Years, “A Possible Love” — Scheduled for a Theatrical Release in September, Netflix Drops It in November

Jeon Do-yeon, Sol Kyung-gu, and more star in a high-profile cast… A film making its way into the Venice Film Festival’s competition section 24 years after the last one
The Maestro Returns, “A Possible Love” Embraces Venice After 24 Years A perfectionist in the Korean film industry, director Lee Chang-dong, finally breaks his silence. After a long wait of eight years following Burning (2018), his new film “A Possible Love” lands in local theaters first on...
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...