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Search results for "Park Ji-sun"

1st Korea Short Drama Awards Close, From Lee Joon-ik Screening to Grand Prize for Lee Ju-seung

1st Korea Short Drama Awards Close, From Lee Joon-ik Screening to Grand Prize for Lee Ju-seung

- Saturday, Aug. 29, at the Korean Film Archive main facility in Sangam-dong; winning works permanently archived by the Korean Film Archive - Grand Prize: "Sarinja Witjip Geunyeo" (editorial transliteration) — Lee Ju-seung · Actor Award: "Red Shadow" — Ji-woo - Excellence Award: "Betting Man: God's Eye" — Director Lee Saet-byeol · New Creator Award: "Gili Boimyeon Castinghae" (editorial transliteration) — Director Lee Yoo-jin - Invited film by Director Lee Joon-ik, "Father's Home-cooked Meal," opened with a theatrical screening and a Q&A
The inaugural Korea Short Drama Awards, jointly hosted by Cineplay (CEO Choi Tae-hyung) and the Korean Film Archive , headed by Mo Eun-young, concluded Saturday, Aug. 29 at KOFA's main facility in Sangam-dong after a program aimed at discovering and supporting the next generation of K-content video...
| Kim Ji-yeon
Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Part 2
※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...
| Kim Ji-yeon
Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo’s 〈Gyeongju Trip〉 is a brisk, chilly revenge drama that announces a director with a singular, hard-to-pin-down voice. Director Kim Mi-jo said that 〈Little Miss Sunshine〉 (2006) and Bong Joon-ho’s 〈The Host〉 (2006) were the biggest influences on 〈Gyeongju Trip〉.
| Kim Ji-yeon
3 Picks to Watch Amid the Blockbuster Storm: Family, Battlefield and Revenge

3 Picks to Watch Amid the Blockbuster Storm: Family, Battlefield and Revenge

Although the heat dome largely spared the Korean Peninsula, cinemas are in the grip of a box-office storm. 〈Spider-Man: Brand New Day〉, which opened July 29, and 〈Odyssey〉, which opened August 5, have each surpassed 7 million and 6 million viewers respectively, and have fueled the summer box...
| Kim Ji-yeon
Ahn Sung-ki films including 'Whale Hunting' to screen in Busan; why five master directors are reuniting

Ahn Sung-ki films including 'Whale Hunting' to screen in Busan; why five master directors are reuniting

Jointly organized with the Korean Film Archive for the festival's Oct. 6 opening, the program will feature five master directors, including Lee Jang-ho and Bae Chang-ho, and a commemorative book
The brilliant career of a beloved national actor returns to the screen This year's 'Busan International Film Festival' is preparing a special showcase spotlighting the career of 'Ahn Sung-ki', a living legend of Korean cinema.
| James choi
Director Lee Joon-ik’s Short Drama ‘Father’s Home-Cooked Meal,’ Announces 12 Main-Round Entries in Addition to Invitation Screening at the 1st Korea Short Drama Awards!

Director Lee Joon-ik’s Short Drama ‘Father’s Home-Cooked Meal,’ Announces 12 Main-Round Entries in Addition to Invitation Screening at the 1st Korea Short Drama Awards!

Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards, held on Aug. 29 (Sat) at the Korea National University of Arts for Film?
Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards. It was selected as an invited work for the awards ceremony to be held at KOFA Cinematheque, the main venue of the Korea Film Archive located in Sangam-dong, on Aug. 29 .
| Joo Seong-cheol
First Reactions to 〈The Journey to Gyeong-ju〉: Cineplay Reporters' Star Ratings

First Reactions to 〈The Journey to Gyeong-ju〉: Cineplay Reporters' Star Ratings

[First reactions from the press screening] Opening Aug. 26, 〈The Journey to Gyeong-ju〉 follows four women from one family who embark on a deadly revenge trip after waiting eight years for their youngest daughter, Gyeong-ju, who never returned from a school trip.
| Kim Ji-yeon
[Photo &] Kim Hye-soo: “No one will watch just once” After “Now Affairs Aren’t the Problem” Tops the Cumulative #1

[Photo &] Kim Hye-soo: “No one will watch just once” After “Now Affairs Aren’t the Problem” Tops the Cumulative #1

Coupang Play’s series sets a record for the highest-ever cumulative viewership… She flawlessly brings to life a multidimensional character with the sheen of an influencer—and the heart of a “fraud.”
“Kim Hye-soo,” one of South Korea’s leading actresses, has pushed past another limit through the Coupang Play original series “Now Affairs Aren’t the Problem”. The work, which achieved a landmark as the No. 1 in cumulative viewership among all Coupang Play series, is a daring black comedy that...
| James choi
[Photos &] Seo In-guk on why he really chose three consecutive office dramas: “Not even a bit like me”

[Photos &] Seo In-guk on why he really chose three consecutive office dramas: “Not even a bit like me”

Praise for his role as Kang Si-woo in tvN’s “Work Tomorrow!”… Behind the ending ad-lib and his laid-back mindset after 15 years since debut
Actor Seo In-guk proved his seasoned depth from his 15th year since debut by fully bringing to life the workaholic Gang Si-woo in tvN “Work Tomorrow. ”, which recently wrapped, a character that stands in stark contrast to his true self.
| James choi
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol