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Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon
Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

It’s fair to call this "Gu Kyo-hwan’s year. " From 《If We》, which helped spark a melodrama boom, to the recently ended series 《Everyone Is Fighting Their Own Sense of Worthlessness》 (hereafter 《Mojamussa》), and the film 《Colony》, released on May 21 and which has surpassed about 2.
| Kim Ji-yeon
Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Returning after 11 years, she is, as director Yeon Sang-ho put it, “a film actor. ” Actress Jeon Ji-hyun appears as Kwon Se-jung in 〈Colony〉, which opened on May 22, marking her first appearance before audiences since 〈Assassination〉 (2015).
| Seongchan Eol
TikTok Makes a $75 Billion Bet…Unveils Its First Long-Form Sports Variety Show Fronted by Ahn Jung-hwan on the 25th

TikTok Makes a $75 Billion Bet…Unveils Its First Long-Form Sports Variety Show Fronted by Ahn Jung-hwan on the 25th

Aiming at the 2026 North America-Asia World Cup, “Tiki Tiki Tak Tak Talk Talk Show” features Ahn Jung-hwan, DinDin, and Lee Eun-ji as it takes aim at the global market
A Bold Move by the Ruler of Short-Form: TikTok’s First Korean Original Long-Form Variety Show Takes the Stage'TikTok' has opened the floor with a massive first step that is set to shake up the landscape of the Korean content market.
| James choi
[Seong Chan-eol's Comics] The extreme realism of 'Soohee0 (tngmlek0),' the webtoon that had readers saying, 'This author is clearly obsessed with streaming'

[Seong Chan-eol's Comics] The extreme realism of 'Soohee0 (tngmlek0),' the webtoon that had readers saying, 'This author is clearly obsessed with streaming'

I'm obsessed with subculture. I check out anything with fresh stories, settings, or characters — movies, webtoons, games, comics, animation. Having discovered fandom through comics, I became what I call an "e-adult" — an adult who reads printed comics via e-books and webtoons on my phone. But it's less fun alone. In this recurring column, Seong Chan-eol's Comics, I highlight works that are more enjoyable together from the perspective of a jack-of-all-fandoms — a fan with broad, eclectic tastes.
We live in an era where influencers rise and fall every day. The dramatic advancement of social media and live-streaming platforms has brought us to a point where audiences can choose the stars they want, rather than being handed manufactured celebrities.
| Seongchan Eol
Carla Simón’s Poem-Like Work Carved from Memory and Dreams! Press Stills for ‘Romerialia’ Set to Release May 27 Now Revealed

Carla Simón’s Poem-Like Work Carved from Memory and Dreams! Press Stills for ‘Romerialia’ Set to Release May 27 Now Revealed

Marina, a 18-year-old who lost her parents when she was young, comes face to face with her family’s hidden secrets through her mother’s diary and the stories of people around her.
Carla Simón’s new work 〈Romerialia〉, which elegantly reimagines painful memories, has unveiled eight press stills capturing the meeting point of reality and dreams, drawing attention from all sides.〈Romerialia〉 is the story of Marina, an 18-year-old who lost her parents as a child, as she confronts...
| Joo Seong-cheol
[Photo &] Park Chan-wook, First-Ever Korean Jury President at Cannes: “Korea Is No Longer a Peripheral Player”

[Photo &] Park Chan-wook, First-Ever Korean Jury President at Cannes: “Korea Is No Longer a Peripheral Player”

Press Conference at the Opening Ceremony of the 79th Cannes Film Festival... “We Will Judge Fairly Through the Eyes of Pure Viewers, Without Any Special Privileges for Korean Films”
From the Margins to the Center, a Boast by “Korean Cinema”“‘Korea’ is no longer a peripheral country in the film world. As a result, I have been assigned the role of ‘jury president.’”The director ‘Park Chan-wook’, appointed as the jury president for the competitive section of the ‘79th Cannes Film...
| James choi
The identity of the Korea-Japan joint production created by Sang-ho Yeon is finally revealed—“Gas Man” teaser preview and poster unveiled!

The identity of the Korea-Japan joint production created by Sang-ho Yeon is finally revealed—“Gas Man” teaser preview and poster unveiled!

During a live TV broadcast, a horrifying murder shocks the world: a person’s body suddenly swells and explodes.
Netflix will exclusively release its Netflix series 〈Gas Man〉 worldwide on Thursday, July 2, 2026. Director Sang-ho Yeon, who has consistently delivered global hit titles such as the film 〈Train to Busan〉 and the Netflix series 〈Kingdom〉 〈Parasite: The Grey〉 and more, serves as executive producer...
| Joo Seong-cheol
[Interview] Completing the Most Brilliant Finale of a Long Journey! 'Yumi's Cells 3' Kim Jae-won ①

[Interview] Completing the Most Brilliant Finale of a Long Journey! 'Yumi's Cells 3' Kim Jae-won ①

In the Sun-rok Cell Village, a solid "Pillar of Principles" stands tall and straight. Small yet weighty rules like "wash your hair first when you shower" and "limit hobby spending to a maximum of 500,000 won per month" form the foundation of Sun-rok Cell Village and are what keep its peace intact.
| Kim Ji-yeon
Remembering Cinematographer Yoo Young-gil, Why You Should Watch “December 12.3” Again

Remembering Cinematographer Yoo Young-gil, Why You Should Watch “December 12.3” Again

On May 4, it reached 200,000 cumulative admissions and hit the break-even point about two weeks after its release.
There’s still a long way to go. Director Lee Myeong-se’s documentary 〈The December 12. 3〉 surpassed 200,000 cumulative viewers and reached the break-even point about two weeks after its release on May 4. With that, 〈The December 12.
| Joo Seong-cheol