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K-Period Drama The Scandal Holds Successful Press Event With Director Jung Ji-woo, Son Ye-jin, Ji Chang-wook and Nana

K-Period Drama The Scandal Holds Successful Press Event With Director Jung Ji-woo, Son Ye-jin, Ji Chang-wook and Nana

The series reimagines the 1792 novel Dangerous Liaisons for 2026, bringing a modern perspective to the story.
The Netflix series 〈The Scandal〉, which tells the story of Lady Jo, a woman of extraordinary talent who is too gifted to live confined to the roles available to women in the Joseon era; Jo-won, Joseon's greatest ladies' man; and Hee-yeon, a woman drawn into the pair's bold and dangerous wager in...
‘Made in Korea Season 2’: Well-Crafted Noir Returns at Packed Production Showcase

‘Made in Korea Season 2’: Well-Crafted Noir Returns at Packed Production Showcase

The noir drama follows Baek Gi-tae’s perilous rampage toward greater ambition, nine years after Season 1.
Nine years later, the noir drama 〈Made in Korea Season 2〉, which follows Baek Gi-tae’s perilous rampage toward greater ambition, has successfully wrapped its production showcase ahead of its premiere on Sept. 9 .
Sam Smith takes on co-producer role for first time with fifth album reflecting life changes, including engagement to same-sex partner

Sam Smith takes on co-producer role for first time with fifth album reflecting life changes, including engagement to same-sex partner

New album 'Hazel Eyes,' featuring 12 tracks, arrives on the 21st, followed by a music video for a new song on the 22nd
Polished pop album reflects turning points including move to New York and engagement British singer-songwriter 'Sam Smith' released the 12-track fifth studio album 'Hazel Eyes' on the 21st. The album is a masterful work on which Smith took the reins creatively and raised the bar for its overall...
Kim Min-hee Captured at Her First Official Public Appearance After Giving Birth… Hong Sang-soo’s 35th Film “There’s Nowhere for Your Eyes to Rest”

Kim Min-hee Captured at Her First Official Public Appearance After Giving Birth… Hong Sang-soo’s 35th Film “There’s Nowhere for Your Eyes to Rest”

An official invitation to the 79th Locarno Film Festival’s international competition… the working mom shares her thoughts on juggling acting and childcare
Kim Min-hee, who shared news of giving birth in April last year, has finally broken her silence and stepped onto the international stage. “There’s Nowhere for Your Eyes to Rest,” the 35th feature-length new work by director Hong Sang-soo, received an official invitation to the international...
[Photos&] Lee Jung-eun and Gong Hyo-jin’s “Gyeongju Trip”… A blood-soaked revenge drama for the youngest daughter they lost 8 years ago — press briefing site

[Photos&] Lee Jung-eun and Gong Hyo-jin’s “Gyeongju Trip”… A blood-soaked revenge drama for the youngest daughter they lost 8 years ago — press briefing site

The film holds a press briefing at the World Tower branch on the 13th… Winner of the Audience Award at the 24th Florence Korean Film Festival
‘Gyeongju Trip’ — a blood-soaked twist by Lee Jung-eun and Gong Hyo-jin… A result earned after an 8-year wait Winner of the Audience Award at the 24th Florence Korean Film Festival, a chilly revenge drama hidden behind a wholesome family trip A bond beyond the pain of loss, opening the curtain Four...
[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

The trailer for 〈Hope〉 promises a showdown between humans and aliens. Instead, director Na Hong-jin delays the alien’s appearance until nearly an hour into the film and focuses first on how a stray rumor spirals into collective panic.
“Why is this here?”… Chilling story of Airbnb guests who found “a family photo from 10 years ago” on a wall in San Diego

“Why is this here?”… Chilling story of Airbnb guests who found “a family photo from 10 years ago” on a wall in San Diego

After booking a San Diego Airbnb, they discover a familiar frame hanging on the wall the moment the door opens Their own images from a beach outing 10 years earlier… exact match in swimwear and facial features A miracle they never expected to meet inside a rental home they’d never visited before… goes viral as TikTok views explode Netizens say, “The odds are like the lottery,” “Is this a parallel world?”—even CERN conspiracy theories are summoned
What would you feel if you found a family photo of yourself from 10 years ago on the wall of the accommodation in a strange destination you’d never visited before? A family’s spine-chilling case of a coincidence that sounds like something out of a movie is drawing intense attention from social...
Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

※ This interview with Jung Hoyeon of 〈HOPE〉 continues from Part 1. Director Na Hong-jin is reputed not to compromise on set. What was it like to experience his filming process firsthand. As a relatively new actor, I felt his unwillingness to compromise was a blessing.
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.