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Search results for "Hirokazu Kore-eda new work"

[Interview] Y2K Sensibility, Meeting This Year’s Debut, Director Changrok Han in the Hot Seat, Actors Joo Min-hyeong and Baek Ji-hye (②)

[Interview] Y2K Sensibility, Meeting This Year’s Debut, Director Changrok Han in the Hot Seat, Actors Joo Min-hyeong and Baek Ji-hye (②)

The 〈strong〉Chungchungchung〈/strong〉 (also rendered as 〈strong〉Chung Chung Chung〈/strong〉)—made with the 2018 murder case in Washington, Benton as its inspiration—depicts a catastrophe sparked by the tangled, competing desires of three children.
How did the two of you interpret and approach your respective characters. The name “Courage” suggests an energy that’s overflowing, but the character is also a “pathetic” youth who doesn’t have real, powerful force.
| 이화정
[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

“Disclosure Day” slows its early opening-week explosive momentum and settles at No. 3 at the box office
An all-devouring predator sweeping the theater scene, the relentless charge of ‘Swarm’ South Korea’s box-office ecosystem has been completely reshaped. The ‘K-Zombie’ blockbuster ‘Swarm’, forged by director Yeon Sang-ho’s singular worldview and the explosive on-screen chemistry of actress Jun...
| James choi
A Great Failure: What Kore-eda Hirokazu Wants to Convey in 〈The Sheep in the Box〉 ②

A Great Failure: What Kore-eda Hirokazu Wants to Convey in 〈The Sheep in the Box〉 ②

▶ This article on Kore-eda Hirokazu's 〈The Sheep in the Box〉 continues from Part 1.Recovery of an animistic sensibility The willingness to believe in the unseen connects directly to Japan's traditional animism, which holds that natural objects and phenomena are inhabited by spirits or invisible...
| Chua-young
A Great Failure: What Kore-eda Hirokazu Tries to Say in 'The Sheep in the Box' — Part 1

A Great Failure: What Kore-eda Hirokazu Tries to Say in 'The Sheep in the Box' — Part 1

〈The Sheep in the Box〉 may be Kore-eda Hirokazu’s most ambitious film, but its reach exceeds its grasp. Revisiting his long-running interest in alternative-family narratives while returning to science fiction after 〈Air Doll〉 (2009), Kore-eda attempts to expand his themes beyond the human realm to...
| Chua-young
A Look Inside Kore-eda Hirokazu’s Korea Press Conference for New Film 〈Sheep in the Box〉

A Look Inside Kore-eda Hirokazu’s Korea Press Conference for New Film 〈Sheep in the Box〉

Director Kore-eda Hirokazu introduced his new film 〈Sheep in the Box〉 at a June 4 press briefing at Megabox COEX in Seoul, joined by child actor Kuwaki Rimu, who plays the humanoid Kakeru. Known for his warm yet incisive take on alternative families, Kore-eda returns with a film that extends his...
| Chua-young
[Photo] Three Japanese Masterpieces Enter the Cannes Competition for the First Time in 25 Years...Japanese Directors Chasing the Palme d’Or

[Photo] Three Japanese Masterpieces Enter the Cannes Competition for the First Time in 25 Years...Japanese Directors Chasing the Palme d’Or

Ryusuke Hamaguchi’s New Work Sets a Career-High Rating Record...Three Japanese Master Directors—including Hirokazu Kore-eda—who have jointly entered the Cannes Film Festival competition category for the first time in 25 years, and their chances of winning
A Record of Waiting for 25 Years, as the World Turns Its Eyes to the Revival of Japanese Cinema At the 79th 'Cannes Film Festival', three Japanese films entered the competition section side by side, signaling a seismic shift in the global film world.
| James choi
Director Hirokazu Kore-eda Returns with New Film ‘The Sheep in a Box,’ Korean Visit Confirmed for June 4

Director Hirokazu Kore-eda Returns with New Film ‘The Sheep in a Box,’ Korean Visit Confirmed for June 4

A buzzed-about entry in the Cannes Film Festival competitive section… a near-future human drama exploring “the family affection between humans and robots” Starring top Japanese actor Haruka Ayase… teaming up with child actor Rimu Kuwaki to find Korean fans Ahead of its June 10 release in Korea, it will complete official events such as a press conference and GV over two days
Renowned filmmaker Hirokazu Kore-eda from Japan’s film world is coming to Korea once again. On the 12th, its importer Media Castle officially announced that Kore-eda will visit Korea on June 4 in conjunction with the domestic release of his new film, ‘The Sheep in a Box.
| Yangsimoh
Will We See Them in Korea Soon? New Films from High-Profile Directors in the Cannes Competition

Will We See Them in Korea Soon? New Films from High-Profile Directors in the Cannes Competition

One of the world's three major film festivals, the Cannes Film Festival, opened on May 12. Now in its 79th edition, this year's festival has Park Chan-wook serving as president of the main competition jury, and it has drawn a lot of attention with Na Hong-jin's first new film in ten years, 〈Hope〉,...
| Seongchan Eol
79th Cannes Film Festival Opens… Hong Jin-na’s “Hope” Aims for the Palme d’Or

79th Cannes Film Festival Opens… Hong Jin-na’s “Hope” Aims for the Palme d’Or

With Park Chan-wook leading the way as the first Korean Jury President, Na Hong-jin, Yeon Sang-ho, and more K-movie stars set the stage
[The Opening of the 79th Cannes Film Festival] All eyes from the global film world focus on Cannes, France The 79th Cannes International Film Festival will open in Cannes, a southern French city, on the 12th . This year’s festival is expected to become a stage that proves the overwhelming status of...
| James choi
Cannes Film Festival Queer Palm Award “Fatima, the Season She Loved” Releases May 13!

Cannes Film Festival Queer Palm Award “Fatima, the Season She Loved” Releases May 13!

〈Carol〉 〈Portrait of a Burning Woman〉 〈Monster〉 and other major works have newly added their names to the Queer Palm lineup, a distinguished line of LGBTQIA+ films that have been showcased at Cannes.
The Queer Palm Award is an LGBTQIA+ film prize that has been independently run during the Cannes Film Festival since 2010. It honors the best LGBTQIA+ film among the official selections and the competing films shown in the parallel sections, awarding one feature-length and one short each year.
| Joo Seong-cheol