Search results for "Horror Thriller"

'Jun Ji-hyun' & 'Yeon Sang-ho, director'

'Jun Ji-hyun' & 'Yeon Sang-ho, director'

Jun Ji-hyun and Koo Kyo-hwan star in Yeon Sang-ho's new film "Collective". The film achieves international pre-sales in 124 countries. With an invitation to the Cannes Film Festival, it signals a big hit for K-zombies!
'Collective,' which shook up the global market, proves the overwhelming status of 'K-content'The blockbuster 'Collective,' bringing together 대한민국 cinema's unmistakable icon 'Jun Ji-hyun' and the creator of the K-zombie syndrome, 'Director Yeon Sang-ho,' has been stirring up the global film market...
'The Devil Wears Prada 2' Earns $48 Billion on Opening Day, No. 1 in North America

'The Devil Wears Prada 2' Earns $48 Billion on Opening Day, No. 1 in North America

After 20 years, the original lineup reunites—'The Devil Wears Prada 2' tops the North American box office on opening day
A Legendary Runway Returns After 20 Years—A New BeginningThe film 'The Devil Wears Prada 2' reclaimed the top spot in 'North American box office' the moment it hit theaters, kicking off a major box-office surge.
'Korea’s Answer to the Cannes'—Annecy Film Festival Enchants Korean Short Animation 'Dinner' Invited to Competition

'Korea’s Answer to the Cannes'—Annecy Film Festival Enchants Korean Short Animation 'Dinner' Invited to Competition

A standout work that unpacks love and breakups through a course-style meal, 'Dinner,' heads to the world’s most prestigious stage alongside director Park Ji-yeon’s 'A Journey Through the Ear'
'The Cannes of Animation'—Annecy Film Festival Showcases Korean Short Film 'Dinner'A Korean short animation received recognition for outstanding artistry on the world’s most prestigious stage. On the 27th, Korea National University of Arts (K-Arts) announced that director Jeong Hae-ji’s animated...
After 'Salmokji,' Ready for a Ghost Tour? Korean Horror Films Set at Real-Life Haunted Spots

After 'Salmokji,' Ready for a Ghost Tour? Korean Horror Films Set at Real-Life Haunted Spots

〈A Man Living with the King〉's Yeongwol was followed by Yesan for 〈Salmokji〉. The film 〈Salmokji〉, which has already surpassed twice its break-even point, takes its motif from the 'Salmokji legend,' which is set at the Salmokji reservoir in Gwangsim-myeon, Yesan, Chungnam.
BIFAN Celebrates Its 30th Anniversary, Amassing 30 Years of Korean Genre Films… Launches “Asian Genre Films 99”

BIFAN Celebrates Its 30th Anniversary, Amassing 30 Years of Korean Genre Films… Launches “Asian Genre Films 99”

The 30th Bucheon International Fantastic Film Festival launches the three-year special project “Asian Genre Films 99” Selecting 33 films each year for a total of 99 to systematically survey Asia’s film landscape and genre trends Including a spotlight on 11 films directed by women… screenings and GV scheduled during the festival in July
The 30th Bucheon International Fantastic Film Festival , held in July, announced on April 24 its three-year project, “Asian Genre Films 99” (Asian Genre Films 99). “Asian Genre Films 99” is a three-year project that selects 33 Korean genre films each year and introduces a total of 99 films.
Screen-to-Stage: Yeon Sang-ho’s “Gunche” Is Born as an Immersive Theater Experience Launching in May

Screen-to-Stage: Yeon Sang-ho’s “Gunche” Is Born as an Immersive Theater Experience Launching in May

Experience an evolving zombie outbreak firsthand in the theater Launching in May: an audience-participation immersive show, “Inside the Play,” built on the legendary sellout run
Horror that tears through the screen—“Gunche,” Yeon Sang-ho’s creationOfficially invited to the 79th Cannes Film Festival’s Midnight Screening section and spotlighted around the world, director “Yeon Sang-ho”’s new work “Gunche” breaks free from the spatial limits of a traditional theater and...
Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

A New IP Strategy Through OSMU to Build Diverse Content and Cross Over Between Audiences Expect Steady Revenue Through Season-Based Content and Market Expansion via Co-Productions With Global Production Companies Expect a Sharp Sales Jump in 2026 With Global Content Planning and Production
Big Ocean ENM (CEO Shin In-soo, Lee Seong-jin) has officially unveiled its latest lineup of productions and development projects, and in 2026 it continues to draw strong expectations from audiences both at home and abroad.
[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

Last weekend it aired up to episode 8, and it has now passed the midpoint of the 12-episode run.
〈How to Become a Landlord in South Korea〉 is being watched with great interest. It aired through episode 8 over the weekend, and yet even after passing the halfway point of this 12-episode series, it’s still a drama that’s impossible to predict. It’s a drama that’s impossible to predict.
[Interview] What’s It Like to Step Into Kim Hye-yoon’s Genre Roles? Kim Hye-yoon on ‘Salmokji’ ②

[Interview] What’s It Like to Step Into Kim Hye-yoon’s Genre Roles? Kim Hye-yoon on ‘Salmokji’ ②

“〈Salmokji〉, it’s a 10/10 movie—but if you say it’s too scary, I feel like audiences won’t come. So I’ll give it a 9.5.”
▶〈Salmokji〉 actor Kim Hye-yoon’s interview continues from Part 1. 〈Salmokji〉 is a horror film built around “experiential” scares. From the perspective of filming an “experiential” movie, was there anything that made this set different from other productions.
[Interview] What Does Kim Hye-yoon’s Genre Side Look Like? “Salmokji” Kim Hye-yoon ①

[Interview] What Does Kim Hye-yoon’s Genre Side Look Like? “Salmokji” Kim Hye-yoon ①

“Acting that communicates just with eye contact and breathing—this feels like I’m doing a whole new kind of acting.”
Should we believe it. Or should we not believe it until we’ve seen it for ourselves. The character Suin (Kim Hye-yoon) in 〈Salmokji〉 also hesitates at that same crossroads. After sensing a secret she didn’t believe in with her own body, she gradually gets swallowed by the fear inside.