Search results for "Kim Chang-joo"

Lee Chang-dong’s Netflix New Film “A Possible Love”… Invited to the Venice Film Festival Competition for the First Time in 24 Years, Battling for the Golden Lion

Lee Chang-dong’s Netflix New Film “A Possible Love”… Invited to the Venice Film Festival Competition for the First Time in 24 Years, Battling for the Golden Lion

Jeon Do-yeon and Sol Kyung-gu star, marking a return to the competition 24 years after “Oasis”… in a lineup of 20 works including Hirokazu Kore-eda’s “Look Back”
A 24-year return as a master filmmaker’s gaze turns back to VeniceDirector Lee Chang-dong, an unrivaled master in Korea’s film industry, launches a grand journey for the Golden Lion after his new film “A Possible Love” received an official invitation to the competitive category of the 83rd Venice...
A Mysterious ‘Code’ App That Grants Wishes: Nam Joo-hyuk, Lee Yi-dam, Kim Eui-sung and Park Hoon to Be Released on Disney+ in 2027

A Mysterious ‘Code’ App That Grants Wishes: Nam Joo-hyuk, Lee Yi-dam, Kim Eui-sung and Park Hoon to Be Released on Disney+ in 2027

〈Weak Hero Class 1 and 2〉 director Yoo Soo-min, widely regarded as one of the most talked-about creators, returns with the Disney+ original series 〈Code〉.
Yoo Soo-min, the director who has been singled out as one of the most watched creators after 〈Weak Hero Class 1 and 2〉 sparked explosive worldwide reactions, is set to return with Disney+ original series 〈Code〉.
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
National Theater Masterpieces on the Big Screen! CGV Hosts “Cinematour” Free for All

National Theater Masterpieces on the Big Screen! CGV Hosts “Cinematour” Free for All

The National Theater of Korea’s signature repertoire—“Changgeuk: The Hegemon-King and Farewell to My Wife” and “The Book of the Lion” — plus “Entong-i’s Lullaby Kingdom 2”—will be screened at the CGV Yongsan I-Park Mall. Benefits include lively GV events with cast and production staff and limited-edition special tickets. Starting July 13, viewers can apply for free tickets through the National Theater of Korea website…A summer vacation special cultural experience
On July 13, the National Theater of Korea and CGV announced their “Cinematour” program. “Cinematour” is a special screening event that brings the National Theater of Korea’s signature repertoire to the big screen, and it will screen “Changgeuk: The Hegemon-King and Farewell to My Wife,” “The Book...
[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

※This interview with 〈Hope〉 actor Jo In-sung continues from Part 1. Imagining and acting opposite an imagined being must have been a major challenge. In particular, when Seong-gi confronts a gigantic alien intelligence late in the film, his subtle eye movements and tiny facial shifts were striking.
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
First Reactions: Cineplay Critics’ Star Rating for 〈HANA KOREA〉

First Reactions: Cineplay Critics’ Star Rating for 〈HANA KOREA〉

[First Reactions]The South Korea–Denmark co-production 〈HANA KOREA〉 opens July 8. Inspired by a true story, the artbuster follows Hye-seon , a North Korean defector trying to push forward in an unfamiliar life. Cineplay reporter Kim Ji Yeon shares her review from the press screening.
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.