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Interview: Yoo Hae-jin on 30 Years of Acting: 'At Times I Feel I've Done Well, but I Also Think I Need to Work Harder'

Interview: Yoo Hae-jin on 30 Years of Acting: 'At Times I Feel I've Done Well, but I Also Think I Need to Work Harder'

This interview with 〈Assassins〉 actor Yoo Hae-jin continues from Part 1. One striking scene shows Cheol-gu trudging forward without saluting the flag as the national anthem plays. The sense of betrayal Cheol-gu must have felt — that emptiness — was the key thing.
| Seongchan Eol
Yoo Hae-jin Says Lee Min-ho Became 'Like a Handsome Younger Brother' on 〈Assassin(s)〉

Yoo Hae-jin Says Lee Min-ho Became 'Like a Handsome Younger Brother' on 〈Assassin(s)〉

In 〈Assassin 〉, Yoo Hae-jin plays Cheol-gu, a deeply human detective whose life is overturned by the 1974 presidential assassination attempt that killed Yuk Young-soo. Cheol-gu is a family man, a dependable boss and a public servant anyone would respect.
| Seongchan Eol
[Lee Hwa-jung's Deep Talks] “Going head-to-head with Hyun Bin and Byun Yo-han. How do I survive?” Meeting Roh Jae-won, star of 〈Tazza: The Song of Belzebub〉 and 〈Made in Korea Season 2〉, Part 2

[Lee Hwa-jung's Deep Talks] “Going head-to-head with Hyun Bin and Byun Yo-han. How do I survive?” Meeting Roh Jae-won, star of 〈Tazza: The Song of Belzebub〉 and 〈Made in Korea Season 2〉, Part 2

A conversation that approaches actors with deep breaths, like a detox. Film journalist Lee Hwa-jung meets the actors.
From the audience's perspective, it seems the new momentum actor Roh Jae-won is showing has already begun. Looking at the cast lineup for 〈Made in Korea〉, I found myself wondering whether an actor known for his freewheeling style could adapt to acting within a demanding format — in other words,...
| 이화정
[Lee Hwa-jung’s Deep Talks] “Breaking Down the Line Between Good and Evil With Performances We’ve Never Seen Before” — A Conversation With Noh Jae-won, Actor in ‘Tazza: The Song of Belzebub’ and ‘Made in Korea Season 2’ ①

[Lee Hwa-jung’s Deep Talks] “Breaking Down the Line Between Good and Evil With Performances We’ve Never Seen Before” — A Conversation With Noh Jae-won, Actor in ‘Tazza: The Song of Belzebub’ and ‘Made in Korea Season 2’ ①

A talk that approaches actors with the deep breathing of a detox. Film journalist Lee Hwa-jung meets the actors shaping the screen.
I had to meet Noh Jae-won. Trying to understand the landscape of today’s screen, OTT and television productions without meeting this actor would have felt like cheating. Just looking back over the past three years, his striking performances in the series 〈D. P.
| 이화정
‘Paradise Lost’ Director Yeon Sang-ho and ‘Look Back’ Director Kore-eda Hirokazu Talk in Toronto!

‘Paradise Lost’ Director Yeon Sang-ho and ‘Look Back’ Director Kore-eda Hirokazu Talk in Toronto!

A psychological thriller that begins when Ryu Seon-woo, a boy presumed dead, miraculously returns to his mother, Ryu So-young, nine years after she lost him in the Camp School bus disappearance.
The conversation brought together two of the leading directors of South Korea and Japan, Yeon Sang-ho and Kore-eda Hirokazu, whose distinctive worldviews and compelling storytelling have captivated audiences worldwide.
| Joo Seong-cheol
[Photos] Lee Sang-yeob on battling the “end button” every time in short-form series; director Lee Byung-hun says he was “told off harshly” at BCWW 2026 conference

[Photos] Lee Sang-yeob on battling the “end button” every time in short-form series; director Lee Byung-hun says he was “told off harshly” at BCWW 2026 conference

Quality production, creator rights and cutting production resources by 50% to 60% emerge as key topics
Lee Sang-yeob and Lee Byung-hun battle the short-form “X button,” cutting costs by 60% with AI BCWW 2026 conference presents behind-the-scenes stories from 70 productions and a transparent data-sharing model As the media ecosystem undergoes seismic shifts, established creators opened up about the...
| James choi
From Hwatu to Poker, From Korea to Global Stakes: First Press-Screening Review of ‘Tazza: Belzebub’s Song’ and Highlights From the Press Conference

From Hwatu to Poker, From Korea to Global Stakes: First Press-Screening Review of ‘Tazza: Belzebub’s Song’ and Highlights From the Press Conference

A symbol of Korean adults-only entertainment cinema, the 〈Tazza〉 series returns for its final chapter, 〈Tazza: Belzebub's Song〉 (hereafter 〈Tazza 4〉), which opens on Sept. 23. The film trades hwatu for poker and moves much of its action from Korea to the global gambling circuit.
| Kim Ji-yeon
Ha Jung-woo, Vice Chair of National AI Strategy Committee, Praises ‘Stilray’ at Insight Talk

Ha Jung-woo, Vice Chair of National AI Strategy Committee, Praises ‘Stilray’ at Insight Talk

This sci-fi action film follows a man who dons the AI he created and the combat suit his father discarded to take on the deadliest virus and save humanity from a rogue AI.
〈Stilray〉 is a 90-minute robot sci-fi film made entirely with AI. It is not a film that merely used AI in part; it is a feature-length production created with AI tools from planning and video production through postproduction.
| Joo Seong-cheol
‘Family Trip’ Director Jeong Jong-seop Reveals Why He Co-Directed With Kim Jeong-tae and Wrote the Screenplay

‘Family Trip’ Director Jeong Jong-seop Reveals Why He Co-Directed With Kim Jeong-tae and Wrote the Screenplay

〈Family Trip〉 follows five family members headed to one destination but harboring five different agendas in a road movie about a family worse than strangers embarking on a hopeless journey.
Jeong Jong-seop, director of the film 〈Family Trip〉, which opens Sept. 30, has shared behind-the-scenes stories about Lee Hwi-hyang, who is meeting audiences in her first leading screen role, and “10-million-ticket actor” Kim Jeong-tae, who is set to make his directing debut as a co-director.
| Joo Seong-cheol
The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

I fixate on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. “Joo Sung-chul’s Locker” records the movie objects that have lightly crossed my path.
“Back in action. ” In Nancy Meyers’ 〈The Intern〉 (2015), Ben says to himself as he prepares for his first day back at work. The expression describes resuming activity after an extended break because of rest or an injury. Strictly speaking, however, he is not talking to himself.
| Joo Seong-cheol