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Search results for "Na Hong-jin"

CJ CGV Shares Jump 13% in Summer Blockbuster Streak — “Hope” Inches Toward 4 Million

CJ CGV Shares Jump 13% in Summer Blockbuster Streak — “Hope” Inches Toward 4 Million

Up 13.63% to 5,420 won from the previous trading day — “Spider-Man” Draws 680,000 on Its First Day and Christopher Nolan’s New Film Is Next
“Hope” and “Spider-Man” power double wins… A reshuffle looms for entertainment stocks The capital markets moved quickly after a string of tentpole blockbusters that swept through the summer theater season. In early trading on the 30th, shares of Korea’s biggest multiplex operator, CJ CGV, surged...
| James choi
‘Squid Game’ Season 1, 2, 3 followed by ‘Teach You a Lesson’ lands in the Netflix all-time top 10 most popular series list

‘Squid Game’ Season 1, 2, 3 followed by ‘Teach You a Lesson’ lands in the Netflix all-time top 10 most popular series list

Netflix series 〈Teach You a Lesson〉 ranks No. 10 on Netflix’s all-time top 10 most popular series (non-English).
A Netflix series 〈Teach You a Lesson〉 that depicts the unyielding efforts of the Office for Protection of Teachers’ Authority, which stands with victims and sets schools back on track, has, within just eight weeks of release, logged a total of 60.
| Joo Seong-cheol
Passion Behind the Camera Beyond the Lens! Behind-the-Scenes Stills Shot by Cinematographer Hong Kyung-pyo Unveiled for “Hope”!

Passion Behind the Camera Beyond the Lens! Behind-the-Scenes Stills Shot by Cinematographer Hong Kyung-pyo Unveiled for “Hope”!

Photos directly captured by cinematographer Hong Kyung-pyo bring the atmosphere on set to life.
The released behind-the-scenes stills capture everything from the sweeping scenery at the filming locations to moments that show the intense drive of the staff and actors as they work to complete the production.
| Joo Seong-cheol
Tom Holland’s “Spider-Man 4” Sets the Highest Advance Ticket Sales This Year, Surpassing “Hope” with More Than 930,000 Tickets

Tom Holland’s “Spider-Man 4” Sets the Highest Advance Ticket Sales This Year, Surpassing “Hope” with More Than 930,000 Tickets

With an advance-booking rate of 73.4% on its release day, it dominates No. 1—signaling summer’s blockbuster showdown against director Christopher Nolan’s “Odyssey”
The return of Spider-Man that will reshape this year’s theater scene It has been rewriting box-office history since the very first day of release. The Marvel blockbuster starring ‘Tom Holland’, ‘Spider-Man: Brand New Day’ (hereafter ‘Spider-Man 4’), announced the birth of this year’s top hit by...
| James choi
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

▶〈Hope〉: this piece continues Part 1. Director Na Hong-jin deliberately disorients the audience by showing Beom-seok misidentify the alien's location. Beom-seok and Jong-gu are both police officers, but they are timid and incompetent.
| Chua-young
In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

The trailer for 〈Hope〉 promises a showdown between humans and aliens. Instead, director Na Hong-jin delays the alien’s appearance until nearly an hour into the film and focuses first on how a stray rumor spirals into collective panic.
| Chua-young
[Weekend Movie Theater Roundup] Film “Hope” sprints to No. 1 at the box office for 9 straight days… topping 3 million weekend admissions

[Weekend Movie Theater Roundup] Film “Hope” sprints to No. 1 at the box office for 9 straight days… topping 3 million weekend admissions

Cumulative admissions surpass 2.64 million, with an audience-satisfaction Egg Index of 83%… reservation-rate No. 1 is “Spider-Man: Brand New Day,” opening on the 29th
“Hope” inches past 3 million… Na Hong-jin’s alien thriller takes over theaters Director Na Hong-jin’s new film “Hope” has held on to the top spot in the domestic box office for the ninth day since its release, cementing its status as an unchallenged force on weekend theater screens.
| James choi
Nah Hong-jin’s New Film “Hope” Wins the Action Cinema Award at New York Asian Film Festival

Nah Hong-jin’s New Film “Hope” Wins the Action Cinema Award at New York Asian Film Festival

At the 25th New York Asian Film Festival, the movie takes home the top Action Cinema honor… and also brings together director Ari Aster
The return of a master, a new world by “Nah Hong-jin” that overwhelms North America with impact A standout presence in Korean genre filmmaking, director “Nah Hong-jin” has left a powerful impression across North America with his new work “Hope”.
| James choi
‘Hope’ Director Na Hong-jin Wins Action Cinema Award at the 25th New York Asian Film Festival

‘Hope’ Director Na Hong-jin Wins Action Cinema Award at the 25th New York Asian Film Festival

At this year’s festival, director Na Hong-jin met with Ari Aster, the director behind 〈Hereditary〉 and 〈Midsommar〉.
The hot-button release 〈Hope〉, which has been taking the No. 1 spot at the box office day after day since its debut, was selected as the centerpiece screening at the 25th New York Asian Film Festival and held a North American premiere screening on Monday, July 20.
| Joo Seong-cheol