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Na Hong-jin: 〈Hope〉 explores how a small incident can spiral out of control

Na Hong-jin: 〈Hope〉 explores how a small incident can spiral out of control

Interview on the release of the film 〈Hope〉
Director Na Hong-jin said he turned to aliens in 〈Hope〉 after exploring supernatural beings in 〈The Wailing〉 (2016). Speaking with Cineplay in Jongno District, Seoul, on the afternoon of the 7th, director Na Hong-jin discussed the release of 〈Hope〉 and the story behind the film.
| Kim Ji-yeon
[New Film] Four Summer Horror-Thrillers to Beat the Heat: 4 Takes, 4 Flavors

[New Film] Four Summer Horror-Thrillers to Beat the Heat: 4 Takes, 4 Flavors

From Shin Min-a’s starring vehicle, “The Pupils,” to “Scary Movie,” which returns after 13 years,
A blood-chilling counterattack at the multiplex begins—one that will freeze even the sweltering heat in an instant. This summer, four “thriller” and “horror” masterpieces, going beyond simple surprises and digging into viewers’ deepest fears, are ready to hit the screen.
| James choi
Clive Davis, the ‘Pop Titan’ Who Built Whitney Houston, Dies

Clive Davis, the ‘Pop Titan’ Who Built Whitney Houston, Dies

Legendary producer who discovered stars from Whitney Houston to Alicia Keys. His 94-year life—from lawyer to global music-industry powerbroker.
The Pop Compass Stops: The Immortal Legacy Left by the ‘Golden Ear’ of the Century Clive Davis, the absolute ruler of the pop music industry and a legendary producer who helped shape icons of the era such as ‘Whitney Houston’ and ‘Alicia Keys,’ has died at age 94 on the 22nd .
| James choi
Review: In 'The Shrine,' the Human Abyss Is Scarier Than Any Demon

Review: In 'The Shrine,' the Human Abyss Is Scarier Than Any Demon

In 〈The Shrine: Whisper of the Demon〉, opening June 17, demons may stalk the screen, but the film argues that the human psyche is more terrifying still. Billed as a meeting of K-shamanism and J-horror, 〈The Shrine: Whisper of the Demon〉 is a Korea–Japan co-production directed by Japanese filmmaker...
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
30th Bucheon International Fantastic Film Festival Announces 10 Invited Films for Korean Competition Section “Bucheon Choice Korean”

30th Bucheon International Fantastic Film Festival Announces 10 Invited Films for Korean Competition Section “Bucheon Choice Korean”

Renaming the previous “Korean Fantastic” to broaden genre diversity, the festival selects 10 Korean feature films From horror and thrillers to crime dramas, plus sci-fi, comedy, and animation—an eclectic mix of genres and original directing The festival will meet film fans worldwide at screening venues across Bucheon from July 2 to 12, for 10 days
The Bucheon International Film Festival has announced invited films for its Korean competition section after reaching its 30th edition. The 30th Bucheon International Fantastic Film Festival, which opens on July 2, announced 10 invited titles on June 1.
| Seongchan Eol
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
| Chua-young
‘Hope’ Official Photo Call & Press Conference at the 79th Cannes Film Festival Held in Great Success

‘Hope’ Official Photo Call & Press Conference at the 79th Cannes Film Festival Held in Great Success

Director Na Hong-jin “〈Hope〉 is a story about just how far the problems in our world can grow”
The official photo call and press conference for 〈Hope〉, the film that was first unveiled to the world through its world premiere on the 17th, took place the following day, Monday, May 18. Ahead of the press conference, director Na Hong-jin, Hwang Jung-min, Jo In-sung, Jung Ho-yeon, Michael...
| Joo Seong-cheol
“Wonderfulfools” Production Press Event Wraps Up! “Feel the heartbeat and warmth of an amusement park, with a spoonful of sweetness!”

“Wonderfulfools” Production Press Event Wraps Up! “Feel the heartbeat and warmth of an amusement park, with a spoonful of sweetness!”

A supernatural comic adventure in which neighborhood oddballs who unexpectedly gain psychic powers band together to fight off a villain that threatens peace.
In the late 1990s century-end, a supernatural comic adventure 〈Wonderfools〉 where four neighborhood nobodies who happen to gain psychic powers throw themselves into a mission to protect the world after facing villains that threaten peace premiered its production press event successfully on Tuesday,...
| Joo Seong-cheol
Big, Cute, and Impossible to Miss: Films and Series Going Giant for Marketing (feat. Star Wars' Grogu)

Big, Cute, and Impossible to Miss: Films and Series Going Giant for Marketing (feat. Star Wars' Grogu)

It's 'super big, super cute.' For Star Wars Day (May 4) 2026, Star Wars rolled out Grogu, the mascot of the May release 〈The Mandalorian and Grogu〉. It's the 10-meter-tall 'Giant Grogu.' Making the already-adorable Grogu enormous—the ultimate 'so huge, so cute' move—shows how much thought went into...
| Seongchan Eol