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CORTIS’ ‘GREENGREEN’ tops 4 million sales, joins BTS for rare feat this year

CORTIS’ ‘GREENGREEN’ tops 4 million sales, joins BTS for rare feat this year

An 18-week run on the U.S. Billboard 200 and 2.3 million debut-album sales have fueled a one-two surge
An 18-week run on the U.S. Billboard 200 and 2.3 million debut-album sales have fueled a one-two surge CORTIS, the group shaking up the global music market, has reached another landmark. According to BigHit Music on the 17th, cumulative sales of its second mini album, ‘GREENGREEN’ , have broken...
| James choi
‘Paradise Lost’ Director Yeon Sang-ho and ‘Look Back’ Director Kore-eda Hirokazu Talk in Toronto!

‘Paradise Lost’ Director Yeon Sang-ho and ‘Look Back’ Director Kore-eda Hirokazu Talk in Toronto!

A psychological thriller that begins when Ryu Seon-woo, a boy presumed dead, miraculously returns to his mother, Ryu So-young, nine years after she lost him in the Camp School bus disappearance.
The conversation brought together two of the leading directors of South Korea and Japan, Yeon Sang-ho and Kore-eda Hirokazu, whose distinctive worldviews and compelling storytelling have captivated audiences worldwide.
| Joo Seong-cheol
Choi Min-sik, Han So-hee’s ‘The Intern’ dethrones 10 million-ticket hit ‘The Odyssey’ with 61,000 opening-day admissions

Choi Min-sik, Han So-hee’s ‘The Intern’ dethrones 10 million-ticket hit ‘The Odyssey’ with 61,000 opening-day admissions

Box office leader changes hands for first time in 42 days as CGV Egg Score signals strong start at 95%
Cross-generational ensemble shakes up the box office A cross-generational ensemble led by Choi Min-sik, a towering figure in South Korean cinema, and rising star Han So-hee has upended the box office. The new film ‘The Intern’ drew more than 60,000 moviegoers on its opening day, surpassing...
| James choi
Park Hoon-jung’s ‘Sad Tropics’ wins top prize at France’s 32nd L’Étrange Festival, takes ‘Nouveau Genre Grand Prize’ for two-award sweep in Europe

Park Hoon-jung’s ‘Sad Tropics’ wins top prize at France’s 32nd L’Étrange Festival, takes ‘Nouveau Genre Grand Prize’ for two-award sweep in Europe

After its invitation to Sitges, the film conquers major global fantastic film festivals; Park Hoon-jung also directed ‘The New World’ (2013), ‘The Witch: Part 1. The Subversion’ (2018) and ‘Night in Paradise’ (2021)
A blood-soaked revenge saga that surges like an opera, with mise-en-scène drawing global critical acclaim ‘Sad Tropics,’ the upcoming film from Korean noir master Park Hoon-jung, has completely captivated European audiences.
| James choi
[Photos] Koo Kyo-hwan stars as undead 31-year-old job seeker in 'Revival Man: The Red,' who wakes 72 hours after death

[Photos] Koo Kyo-hwan stars as undead 31-year-old job seeker in 'Revival Man: The Red,' who wakes 72 hours after death

Comic-book VFX deliver visceral impact in adaptation of hit webtoon, while Shin Seung-ho and Kang Ki-young join the cast and filmmakers hint at series potential at production briefing
Koo Kyo-hwan's 'Revival Man: The Red' . . . Set for release on the 30th, with 101 minutes of endless resurrection-fueled action and an expanded universe "I thought my life would end just like this, without having accomplished a single thing.
| James choi
Wonju Dancing Carnival opens on 18th with 122 teams, including Norazo, 1MILLION and Koyote

Wonju Dancing Carnival opens on 18th with 122 teams, including Norazo, 1MILLION and Koyote

The festival will feature 37 international and 85 South Korean teams as it expands beyond viewing into an immersive destination event
Wonju Dancing Carnival brings 122 teams together in a bold break from the traditional spectator festival Festival runs from the 18th to the 20th at Wonju Dancing Performance Center, featuring 37 international teams and 1MILLION Beyond simply watching: Wonju evolves into a global dance destination...
| James choi
ILLIT’s ‘It’s Me’ Tops 100 Million Streams in Japan, Marking Third Major Milestone

ILLIT’s ‘It’s Me’ Tops 100 Million Streams in Japan, Marking Third Major Milestone

Cumulative plays reach 103.8 million as song maintains a long run on Korean and Japanese charts four months after release
Techno sound takes Japan by storm, fueling an unfading phenomenon The global success of girl group ‘ILLIT’ shows no sign of slowing. The group’s hit song ‘It’s Me’ has comfortably surpassed 100 million streams in Japan, reaching another major milestone.
| James choi
“Suspended for letting customers dance?” Culture Ministry moves to overhaul live-club rules, puts 80.2 billion won into next year’s budget

“Suspended for letting customers dance?” Culture Ministry moves to overhaul live-club rules, puts 80.2 billion won into next year’s budget

Public debate grows over revising the Food Sanitation Act enforcement rules that led to a live club’s suspension, as next year’s popular music budget is set at 80.2 billion won and concerns mount that four major agencies could monopolize FANOMENON
Music industry trapped by outdated standards as major overhaul of Food Sanitation Act rules looms The Ministry of Culture, Sports and Tourism is finally moving to address an absurd rule that can suspend a business simply because customers swayed to the music.
| James choi
Na Hong-jin’s ‘Hope’ sweeps North American theaters, grosses up to $5 million — biggest Korean film hit since ‘Parasite’

Na Hong-jin’s ‘Hope’ sweeps North American theaters, grosses up to $5 million — biggest Korean film hit since ‘Parasite’

The film opened on 1,560 screens across North America and took No. 2 at the box office behind Christopher Nolan’s latest; Jo In-sung and Jung Ho-yeon complete New York red-carpet appearance
Film grosses more than $5 million in opening week, heads to Austin and San Francisco after New York ‘Hope’, the latest film from director Na Hong-jin, is sweeping North American theaters and setting the biggest box-office record for a Korean film since ‘Parasite.
| James choi
[Photos] Lee Sang-yeob on battling the “end button” every time in short-form series; director Lee Byung-hun says he was “told off harshly” at BCWW 2026 conference

[Photos] Lee Sang-yeob on battling the “end button” every time in short-form series; director Lee Byung-hun says he was “told off harshly” at BCWW 2026 conference

Quality production, creator rights and cutting production resources by 50% to 60% emerge as key topics
Lee Sang-yeob and Lee Byung-hun battle the short-form “X button,” cutting costs by 60% with AI BCWW 2026 conference presents behind-the-scenes stories from 70 productions and a transparent data-sharing model As the media ecosystem undergoes seismic shifts, established creators opened up about the...
| James choi