Find your next favorite work.

Search results for "Yeo Ji-na"

Kim Ji-yeon’s Jewel Box: Jang Yo-hun, a Box-Office-Level Presence in Short Films

Kim Ji-yeon’s Jewel Box: Jang Yo-hun, a Box-Office-Level Presence in Short Films

I’m curious about people. Even actors who are already attracting attention may be at their least-famous moment right now. "Kim Ji-yeon’s Jewel Box" spotlights actors who keep reaching new heights. Consider these breakout picks chances to buy the dip.
“Gibeu aen teikeu, ssinyeonbara!” Lines such as “My child’s father is extremely angry,” “School Rights Protection Bureau inspector! I’m Im Han-lim—!” and the stammering “Ju-, ju-, ju-, a juvenile offender” spawned countless memes from 〈Teach You a Lesson〉, but there’s one moment that should have...
'The Fifth Thoracic Vertebra' Director Park Se-young's 'The Fin' Set to Open July 22 in South Korea

'The Fifth Thoracic Vertebra' Director Park Se-young's 'The Fin' Set to Open July 22 in South Korea

Philippe Bober, producer of 〈Triangle of Sadness〉 and 〈The Square〉, joins as co-producer
Park Se-young's new film 〈The Fin〉, from the director of 〈The Fifth Thoracic Vertebra〉, has set a July 22 release in South Korea and unveiled its main poster. 〈The Fin〉 is a dystopian art-house science-fiction film set in a near-future, unified Republic of Korea where genetically mutated "Omega"...
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.
[OTT Ratings] Cineplay Reporters Review Netflix's 'Notes from the Last Row'

[OTT Ratings] Cineplay Reporters Review Netflix's 'Notes from the Last Row'

[OTT Ratings] Choi Min-sik and Choi Hyun-wook's suspense drama 〈Notes from the Last Row〉 is now streaming on Netflix. The series follows Heo Mun-o, a failed writer and Korean literature professor, as he discovers the genius of Lee Kang, a student in the back row, and grows obsessed with the boy's...
[BIFAN 2026] Enjoy Bucheon 30 Years 100 Times ③ Lee Choon-yeon Film Award returns, new International Federation of Film Critics prize, and the July Carnival

[BIFAN 2026] Enjoy Bucheon 30 Years 100 Times ③ Lee Choon-yeon Film Award returns, new International Federation of Film Critics prize, and the July Carnival

Kim Se-hoon and Gu Jeong-a will receive the “Lee Choon-yeon Film Award,” and a “FIPRESCI Award for International Film Critics” will also be introduced (FIPRESCI Award).
Two awards will be newly introduced. The 30th Bucheon International Fantastic Film Festival (executive committee chair Shin Cheol, BIFAN) will bring back the “Lee Choon-yeon Film Award” this year and also introduce the “International Federation of Film Critics Award” .
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.
'David' Takes on Goliath in a Show of Overwhelming Scale—and Breakneck Tension

'David' Takes on Goliath in a Show of Overwhelming Scale—and Breakneck Tension

The movie 〈David〉, which captures the fated moment of David and Goliath—often cited as the greatest battle in history—is set to open on July 10.
Six newly released stills from 〈David〉, the faceoff between ‘David’ and ‘Goliath’—the symbolic duo at the center of what’s widely regarded as the greatest battle in history and a timeless underdog tale—have been unveiled.
K- ZOMBIES THAT TAKE OVER NEW YORK SCREENS AND A HEAVY SENSE OF THE TIMES: 25th New York Asian Film Festival Special Program on Korean Films

K- ZOMBIES THAT TAKE OVER NEW YORK SCREENS AND A HEAVY SENSE OF THE TIMES: 25th New York Asian Film Festival Special Program on Korean Films

A total of 23 films are set to screen in a special showcase, including "Gunchae," a new zombie film starring and featuring Jeon Ji-hyun and directed by Yeon Sang-ho
The unstoppable rush of K-movies cuts straight through the heart of New York. The New York Korean Cultural Center, in partnership with Film at Lincoln Center and others, will stage an unprecedented showing of 'The 25th New York Asian Film Festival: Special Program on Korean Films' from Oct.
[New Film] Four Summer Horror-Thrillers to Beat the Heat: 4 Takes, 4 Flavors

[New Film] Four Summer Horror-Thrillers to Beat the Heat: 4 Takes, 4 Flavors

From Shin Min-a’s starring vehicle, “The Pupils,” to “Scary Movie,” which returns after 13 years,
A blood-chilling counterattack at the multiplex begins—one that will freeze even the sweltering heat in an instant. This summer, four “thriller” and “horror” masterpieces, going beyond simple surprises and digging into viewers’ deepest fears, are ready to hit the screen.
Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

In 〈True Education〉, Bong Geun-dae emerges as an unlikely standout — a socially awkward genius whose growth gives the series some of its emotional balance. A genius who finished KAIST two years early yet often comes across as awkward and withdrawn, he provides a counterbalance among the series'...