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[Interview] In 〈Intern〉, Choi Min-sik’s moving wrinkles reflect 46 years in the making: Part 2

[Interview] In 〈Intern〉, Choi Min-sik’s moving wrinkles reflect 46 years in the making: Part 2

※The interview with 〈Intern〉 actor Choi Min-sik continues from Part 1. In the film's second half, Gi-ho’s shout of “Snap out of it. ” at a shaken Seon-woo felt like the highlight. How did you approach acting that scene.
| Kim Ji-yeon
Interview: After 46 Years, Choi Min-sik Brings Depth to 〈The Intern〉

Interview: After 46 Years, Choi Min-sik Brings Depth to 〈The Intern〉

After 46 years in the profession, Choi Min-sik brings a lifetime of nuance to the Korean remake of 〈The Intern〉, which opens on the 16th. The lines on his face carry the ease and depth that only a long life can produce.
| Kim Ji-yeon
[Seong Chan-eol’s Comics] Not a Lone Crane, but One Cat Among Rats: 〈Cat Nancy〉

[Seong Chan-eol’s Comics] Not a Lone Crane, but One Cat Among Rats: 〈Cat Nancy〉

I’m a devoted fan of subculture. I gravitate to anything with fresh stories, ideas, or characters — not just films but webtoons, games, comics, and animation. Having opened the door to fandom through comic books, I now read e-comics on e-readers and webtoons on my smartphone — a self-described...
| Seongchan Eol
[Choo A-young’s Music Box] After Anger, ‘Oasis: Don’t Look Back in Anger’ Sings Again

[Choo A-young’s Music Box] After Anger, ‘Oasis: Don’t Look Back in Anger’ Sings Again

I am drawn to music in films. Music often reveals a character's intimate feelings that images and dialogue alone cannot convey. It can also serve as a window into a creator's hidden intentions. For me, understanding film music has been one way to approach a movie.
| Chua-young
The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

I fixate on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. “Joo Sung-chul’s Locker” records the movie objects that have lightly crossed my path.
“Back in action. ” In Nancy Meyers’ 〈The Intern〉 (2015), Ben says to himself as he prepares for his first day back at work. The expression describes resuming activity after an extended break because of rest or an injury. Strictly speaking, however, he is not talking to himself.
| Joo Seong-cheol
TWS to debut Korean-language “SODA SODA” performance on “M Countdown” Sept. 3

TWS to debut Korean-language “SODA SODA” performance on “M Countdown” Sept. 3

TWS will appear on Mnet 〈M Countdown〉 on Sept. 3 to perform the Korean version of its Japanese second single’s title track for the first time A surprise gift for global fans, following the song’s historic run as the first K-pop track of the year to top Billboard Japan’s “Hot 100” The group continues its wide-ranging activities at home and abroad, including the release of a new performance film and a Japanese arena tour
TWS has prepared a special gift for 42, the group’s fandom. According to agency PLEDIS Entertainment on Aug. 28, TWS will appear on Mnet 〈M Countdown〉, airing Sept. 3, to perform the Korean version of “SODA SODA,” the title track from its second Japanese single, for the first time.
| Seongchan Eol
Review: Ridley Scott's 'Dog Star: Last Hope' Finds Striking Images, Uneven Returns

Review: Ridley Scott's 'Dog Star: Last Hope' Finds Striking Images, Uneven Returns

Ridley Scott's 〈Dog Star: Last Hope〉, adapted from Peter Heller's novel, imagines a virus-ravaged 2035 as both post-apocalyptic drama and road movie — with striking visuals but uneven dramatic payoff. At 88 and still energetically directing on set, Scott adapts the novel into a film about a man's...
| Seongchan Eol
[Kim Ji-yeon’s Jewel Box] From raw terror to weighty warmth, Kim Young-sung of 〈Gyeongju Trip〉, 〈Salmokji〉 and 〈Big Sleep〉

[Kim Ji-yeon’s Jewel Box] From raw terror to weighty warmth, Kim Young-sung of 〈Gyeongju Trip〉, 〈Salmokji〉 and 〈Big Sleep〉

A columnist curious about people — even actors already on the radar may be living their least famous day right now. "Kim Ji-yeon’s Jewel Box" introduces performers who keep reaching new highs; think of it as a tip to "buy low" on these rising stocks.
Do you remember the character who complained the whole time and was the first to be found cold and dead in one of the standout horror films of the first half of the year, 〈Salmokji〉 (2025)? Song Kyung-tae, the representative of a veteran Road View filming company, played by Kim Young-sung, is...
| Kim Ji-yeon
〈Bi-gwang〉 Expands on 〈Miss Baek〉 and 〈Climax〉 at Preview Screening, Press Conference

〈Bi-gwang〉 Expands on 〈Miss Baek〉 and 〈Climax〉 at Preview Screening, Press Conference

Director Lee Ji-won’s new film 〈Bi-gwang〉, a grim family noir starring Ryu Seung-ryong, Ha Ji-won and Kim Si-a, was shown to press at a preview screening and press conference and opens in theaters on September 2.
| Kim Ji-yeon
[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

I am drawn to objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
“The rush of battle is often a potent and lethal addiction, for war is a drug.” The Hurt Locker (2009), which won the 2010 Academy Award for Best Picture, opens with that title card. Director Kathryn Bigelow drew the quotation from War Is a Force That Gives Us Meaning, a 2002 nonfiction book by...
| Joo Seong-cheol