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A legendary ballerina who fell for a breakdancer is reborn as a 3D animation—produced by director Jang Seong-ho for “King of Kings”

A legendary ballerina who fell for a breakdancer is reborn as a 3D animation—produced by director Jang Seong-ho for “King of Kings”

Built with VFX and AI technology to raise the bar for quality
The evolution of a 'K-original'. . . a legendary musical remade as 3D animation to target global theatergoers A legendary original musical that swept across the world beyond South Korea after its premiere in early 2005 returns to the screen.
K-Arts short 'Tropic' stuns North America festival circuit, wins top cinematography at Fantasia

K-Arts short 'Tropic' stuns North America festival circuit, wins top cinematography at Fantasia

At the 30th Fantasia International Film Festival, it takes the Short Film category’s 'Best Cinematography' award, with K-Arts AT Lab and VA Corporation winning a contest
Korea National University of Arts (hereafter, K-Arts) has proved its strength in convergence arts at North America’s biggest genre film festival, drawing overwhelming attention. The short film 'Tropic', produced by the K-Arts Convergence Arts Center Arc & Technology Lab , made headlines at the 30th...
Tsai Ming-liang’s “Love in a Time of Madness” Returns in 4K… Venice’s Top Award Legend Re-Releases Next Month

Tsai Ming-liang’s “Love in a Time of Madness” Returns in 4K… Venice’s Top Award Legend Re-Releases Next Month

The Taiwan New Wave signature film opens in 4K remastering on July 12 next month, with renewed attention on its artistic achievements, including a three-award sweep at the Golden Horse Awards
A Taiwan New Wave masterpiece that shines with Venice’s top prize returns next month on July 12 in 4K A legendary masterpiece that reshaped the trajectory of Taiwanese cinema comes back to the screen in stunning resolution.
'Cool Japan' from K-pop boom ends in cumulative deficit of 490 billion yen—Japan set for consolidation

'Cool Japan' from K-pop boom ends in cumulative deficit of 490 billion yen—Japan set for consolidation

Investment can be recouped at only 60%... The Japanese government admits the lack of a command tower was a misstep and holds countermeasure talks
"Cool Japan" loses 54 billion yen... the bleak reality behind benchmarking Korea’s Hallyu 60.0% humiliation at the investment-recovery rate, rebuilding meeting set for end of this month An agency launched with big ambitions by Japan, designed to benchmark South Korea’s "Hallyu" and called "Cool...
'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

Na Hong-jin and Hong Kyung-pyo reunited after 'The Wailing.' Jo In-sung’s standout performance, Jeong Ho-yeon’s bold reinvention, and overwhelming SF action—here’s why you need to see it in theaters
Cinematographer Hong Kyung-pyo on 'Hope': "There's madness in 'Hope'...A film you can't find anywhere else" Cinematographer Hong Kyung-pyo said of the film 'Hope,' "Madness is embedded in the work." He added that he wanted to "put the director Na Hong-jin and deliver original images that no one has...
TXT brings global release for record-level immersive VR concert

TXT brings global release for record-level immersive VR concert "Endless Ride"

An overwhelming scale with a train-journey concept. Tomorrow X Together’s third VR concert, returning with a richer setlist, will head to theaters worldwide.
A sensory revolution that breaks the boundaries of time and space—Next entertainment presented by TXT The group 'Tomorrow X Together ' leads the forefront of global pop and presents a new paradigm for the entertainment industry.
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
Faker’s First Fixed Variety Show Set to Debut…Disney+ AI Mystery Program ‘MurderClub’

Faker’s First Fixed Variety Show Set to Debut…Disney+ AI Mystery Program ‘MurderClub’

A lavish lineup that transforms into a murder suspect every episode—excitement is building as Pani Bottle, Yangrak Choi, Seontae Kim, Max Changmin, and others join
Disney+’s big bet: The opening of a mystery universe that meets AI The global streaming platform 'Disney+' will release the bold mystery and deduction variety show 'MurderClub', which fully incorporates artificial intelligence technology, simultaneously worldwide on the 29th.
Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

A big win for director Hong Sang-soo as it marks his 35th feature and his fifth-ever invitation to Locarno. Choi Myung-gil joins for the first time, and Kim Min-hee takes part as production chief
Where the gaze of a master lingers, the 35th aesthetics blooming in Jeju Director ‘Hong Sang-soo’, who has quietly carved a path through the trajectory of Korean auteur cinema, has once again received a call from Switzerland’s Locarno.
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.