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[Photo &] So Ji-sub Interview: “Kim Bu-jang” Breaks Through 23% Ratings With Fatherly Action That Overcomes “No-Child” Limits

[Photo &] So Ji-sub Interview: “Kim Bu-jang” Breaks Through 23% Ratings With Fatherly Action That Overcomes “No-Child” Limits

The cumulative viewership surpasses 25.63 million… Praises for the acting chemistry with Choi Dae-hoon and Yoon Kyung-ho and the grit shown as the team pushed through the cold snap. Even as the actor is mentioned as a candidate for the Acting Awards, he says, “If the team wins, I hope it’s them.”
Actor "So Ji-sub" (49) hit a dramatic turning point in his acting career through the SBS drama "Kim Bu-jang", setting an astonishing record of "23%" and delivering a flawless performance. Even though he has no children under his belt after marrying in 2020, he carved into the TV screen the feral...
| James choi
“Were the parents too harsh?” The behind-the-scenes story from director Tomoaki Fujino about a sister who spent 25 years locked away

“Were the parents too harsh?” The behind-the-scenes story from director Tomoaki Fujino about a sister who spent 25 years locked away

The film ‘What Should We Have Done?’ opens… It portrays the realities of psychiatric medicine in the 1980s and a family’s anguish, setting a record of 55 straight sellouts in Japan
“What Should We Have Done?” 25 years of seclusion… A painful choice by doctor parentsA hot-ticket release in Japan with 55 consecutive sellouts, shining a light on psychiatric medical realities of the 1980s and the family’s dilemmaBeyond one slice of tragedy: reflection on the other side of the...
| James choi
“Why does a Japanese man take photos of Korea?” Kuwabara Seisei’s “Face of Photography” opens on Sept. 2

“Why does a Japanese man take photos of Korea?” Kuwabara Seisei’s “Face of Photography” opens on Sept. 2

A documentary about the life and photos of Kuwabara Seisei, a master of Japanese photojournalism who chronicled modern Korean history through 100,000 shots over 60 years.
A film titled 〈Face of Photography〉, which confirmed its release for Sept. 2, will unveil a teaser poster and a teaser trailer. 〈Face of Photography〉 is a photo documentary that follows the life and work of Kuwabara Seisei, a 90-year-old master of Japanese photojournalism who documented modern...
| Joo Seong-cheol
[Photo &] Four Years After ‘Spider-Man 4’ Ties Into Hulk and the Punisher—A Hero Everyone Forgot: ‘Self-Reliance’

[Photo &] Four Years After ‘Spider-Man 4’ Ties Into Hulk and the Punisher—A Hero Everyone Forgot: ‘Self-Reliance’

The first screening of ScreenX on four screens expanded all the way to the ceiling… Peter Parker’s coming-of-identity confusion
A hero kept strictly isolated, a new awakening reached after four yearsPeter Parker, the Spider-Man figure erased completely from everyone’s memories (Tom Holland), has returned after four years of silence. ‘Spider-Man: Brand New Day’ (hereafter ‘Spider-Man 4’), which has already surpassed 830,000...
| James choi
'Possible Love' Set for Sept. 23 Theatrical Release, Nov. 6 Netflix Debut

'Possible Love' Set for Sept. 23 Theatrical Release, Nov. 6 Netflix Debut

Jeon Do-yeon, Seol Kyung-gu, Jo In-sung and Jo Yeo-jeong star; film earns back-to-back invitations to Venice and Toronto
Netflix released a poster for its original film 〈Possible Love〉 and confirmed its South Korean theatrical release on Sept. 23 and its Netflix debut on Nov. 6.〈Possible Love〉 follows two couples — a dismissed worker and his wife, and a documentary filmmaker and her husband — who meet while making a...
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
[Photo&] “I Watched Seo Jisub’s Gift and Cried…” The ‘Mr. Kim’ Interview With Seo Soomin, the 3.8-Million-View Girl’s Twist

[Photo&] “I Watched Seo Jisub’s Gift and Cried…” The ‘Mr. Kim’ Interview With Seo Soomin, the 3.8-Million-View Girl’s Twist

She debuted as Kim Min-ji, the daughter, in SBS’ “Mr. Kim,” with a 23.1% viewership rating—she also shared stories about Day6’s handwritten signed gift and casting backstory
The SBS drama 'Mr. Kim'—which wrapped up with the top viewership rating of '23. 1%' for actress 'Seo Soomin'—was her debut work that opened the door to a career in acting in a big, forceful way. The process of a teenage girl who had racked up '3.
| James choi
‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
| Kim Ji-yeon
Orfeo Hannam: Tony Leung Special Exhibition: Tang Wei’s Untold Stories of Tony Leung ②

Orfeo Hannam: Tony Leung Special Exhibition: Tang Wei’s Untold Stories of Tony Leung ②

〈In Chace and Rage〉’s Tang Wei, no one could have believed she was a newcomer. The turbulent years of Japanese colonial rule and the shadows of a restless desire are compressed entirely into Tang Wei’s expressions and gestures.
| Joo Seong-cheol
Orfeo Hannam: Tony Leung Special Exhibition] Tony Leung’s Version of ‘Color, Cain’ That’s Almost Nothing Like the Original ①

Orfeo Hannam: Tony Leung Special Exhibition] Tony Leung’s Version of ‘Color, Cain’ That’s Almost Nothing Like the Original ①

Orfeo Hannam’s ‘Tony Leung Special Exhibition’ wraps up with a screening of 〈Color, Cain〉 on Aug. 1.
This spring, Tony Leung visited South Korea. After all this time, it’s been 18 years since the first European foray of Leung—who is now past his 60th birthday—came to Seoul to promote director Ildikó Enyedi’s 〈〈Friend of Silence〉〉, the director’s first film in which Leung stars, and to promote his...
| Joo Seong-cheol