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After 'Salmokji,' Ready for a Ghost Tour? Korean Horror Films Set at Real-Life Haunted Spots

After 'Salmokji,' Ready for a Ghost Tour? Korean Horror Films Set at Real-Life Haunted Spots

〈A Man Living with the King〉's Yeongwol was followed by Yesan for 〈Salmokji〉. The film 〈Salmokji〉, which has already surpassed twice its break-even point, takes its motif from the 'Salmokji legend,' which is set at the Salmokji reservoir in Gwangsim-myeon, Yesan, Chungnam.
BIFAN Celebrates Its 30th Anniversary, Amassing 30 Years of Korean Genre Films… Launches “Asian Genre Films 99”

BIFAN Celebrates Its 30th Anniversary, Amassing 30 Years of Korean Genre Films… Launches “Asian Genre Films 99”

The 30th Bucheon International Fantastic Film Festival launches the three-year special project “Asian Genre Films 99” Selecting 33 films each year for a total of 99 to systematically survey Asia’s film landscape and genre trends Including a spotlight on 11 films directed by women… screenings and GV scheduled during the festival in July
The 30th Bucheon International Fantastic Film Festival , held in July, announced on April 24 its three-year project, “Asian Genre Films 99” (Asian Genre Films 99). “Asian Genre Films 99” is a three-year project that selects 33 Korean genre films each year and introduces a total of 99 films.
Barunson E&A Co-Production ‘Ghost in the Cell’ Ranks No. 1 in Indonesia, Sparks a Box-Office Surge with Sales in 100 Countries!

Barunson E&A Co-Production ‘Ghost in the Cell’ Ranks No. 1 in Indonesia, Sparks a Box-Office Surge with Sales in 100 Countries!

Indonesia’s leading director Joko Anwar’s 〈Ghost in the Cell〉 opened in Indonesia on April 16 and topped the box office.
Produced by Indonesian leading director Joko Anwar’s production company Come And See Pictures, which has an exclusive partnership with Barunson E&A (CEO Choi Yoon-hee, Moon Yang-kwon), and co-produced and handled for overseas sales by Barunson E&A, 〈Ghost in the Cell〉 opened in Indonesia on April...
The “Salmokji” Legend: What Was Added During the Film Adaptation Process

The “Salmokji” Legend: What Was Added During the Film Adaptation Process

The chilling folktale “Salmokji,” which had audiences fired up across broadcasts including the MBC horror talk show 〈Midnight Spook Talk〉 and various horror channels, has been reborn as a movie. Director Lee Sang-min, who has steadily immersed himself in the horror genre—through shorts such as...
Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

A New IP Strategy Through OSMU to Build Diverse Content and Cross Over Between Audiences Expect Steady Revenue Through Season-Based Content and Market Expansion via Co-Productions With Global Production Companies Expect a Sharp Sales Jump in 2026 With Global Content Planning and Production
Big Ocean ENM (CEO Shin In-soo, Lee Seong-jin) has officially unveiled its latest lineup of productions and development projects, and in 2026 it continues to draw strong expectations from audiences both at home and abroad.
[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

Last weekend it aired up to episode 8, and it has now passed the midpoint of the 12-episode run.
〈How to Become a Landlord in South Korea〉 is being watched with great interest. It aired through episode 8 over the weekend, and yet even after passing the halfway point of this 12-episode series, it’s still a drama that’s impossible to predict. It’s a drama that’s impossible to predict.
[Interview] What’s It Like to Step Into Kim Hye-yoon’s Genre Roles? Kim Hye-yoon on ‘Salmokji’ ②

[Interview] What’s It Like to Step Into Kim Hye-yoon’s Genre Roles? Kim Hye-yoon on ‘Salmokji’ ②

“〈Salmokji〉, it’s a 10/10 movie—but if you say it’s too scary, I feel like audiences won’t come. So I’ll give it a 9.5.”
▶〈Salmokji〉 actor Kim Hye-yoon’s interview continues from Part 1. 〈Salmokji〉 is a horror film built around “experiential” scares. From the perspective of filming an “experiential” movie, was there anything that made this set different from other productions.
[Interview] What Does Kim Hye-yoon’s Genre Side Look Like? “Salmokji” Kim Hye-yoon ①

[Interview] What Does Kim Hye-yoon’s Genre Side Look Like? “Salmokji” Kim Hye-yoon ①

“Acting that communicates just with eye contact and breathing—this feels like I’m doing a whole new kind of acting.”
Should we believe it. Or should we not believe it until we’ve seen it for ourselves. The character Suin (Kim Hye-yoon) in 〈Salmokji〉 also hesitates at that same crossroads. After sensing a secret she didn’t believe in with her own body, she gradually gets swallowed by the fear inside.
Master of Cannes, Sergei Loznitsa's 'The Two Prosecutors' Maximizes the Horror of Totalitarianism Through the Performances of Actors

Master of Cannes, Sergei Loznitsa's 'The Two Prosecutors' Maximizes the Horror of Totalitarianism Through the Performances of Actors

From Alexander Kuznetsov's Delicate Psychological Depiction to Veteran Filipenko's Dual Role
The film 〈The Two Prosecutors〉, which depicts the story of a prosecutor trapped in a suffocating maze of power, is set to be released in theaters nationwide on April 1. This new work by the master of Ukraine, Sergei Loznitsa, beloved by the Cannes Film Festival, has already garnered intense...
13 Million Viewers in Sight... 'The King and the Man' Dominates Weekend Box Office with 56% Reservation Rate

13 Million Viewers in Sight... 'The King and the Man' Dominates Weekend Box Office with 56% Reservation Rate

'HOPPERS' Maintains 2nd Place, 'PROJECT HAIL MARY' Records 2nd Place in Reservations Ahead of Release
The film 〈The King and the Man〉 has surpassed 12 million viewers and is expected to continue its box office dominance over the weekend. According to the integrated ticketing system on the 13th, director Jang Hang-jun's 〈The King and the Man〉 had over 158,000 viewers (76.