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Director Lee Joon-ik’s Short Drama ‘Father’s Home-Cooked Meal,’ Announces 12 Main-Round Entries in Addition to Invitation Screening at the 1st Korea Short Drama Awards!

Director Lee Joon-ik’s Short Drama ‘Father’s Home-Cooked Meal,’ Announces 12 Main-Round Entries in Addition to Invitation Screening at the 1st Korea Short Drama Awards!

Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards, held on Aug. 29 (Sat) at the Korea National University of Arts for Film?
Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards. It was selected as an invited work for the awards ceremony to be held at KOFA Cinematheque, the main venue of the Korea Film Archive located in Sangam-dong, on Aug. 29 .
BIFB’s Midwife Kim Dong-ho to Receive the ‘Korean Film Contribution Award’ on Oct. 6

BIFB’s Midwife Kim Dong-ho to Receive the ‘Korean Film Contribution Award’ on Oct. 6

After serving as the inaugural executive director in 1996 and laying the film festival’s foundation, he will be honored at the opening ceremony of the 31st Busan International Film Festival.
'Midwife of Korean cinema,' stepping onto the world stage beyond Asia Kim Dong-ho, the former chairman of the Busan International Film Festival, who helped carry a sweeping wave of Korean film’s global expansion, is again drawing international film-world attention.
A24’s War Thriller “Warfare” Shows the Battlefield in B&W: Six Stills Released!

A24’s War Thriller “Warfare” Shows the Battlefield in B&W: Six Stills Released!

Set during the Nov. 19, 2006 battle in Ramadi, Iraq, the film follows Navy SEAL “Alpha One” as it is hit by a surprise attack and becomes stranded.
The newly released stills from the film “Warfare” capture everything from a taut stillness just before the gunshots start ringing in your ears to the tense, no-holds-barred moments of a life-or-death escape operation.
[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
‘Hope’ Director Na Hong-jin Wins Action Cinema Award at the 25th New York Asian Film Festival

‘Hope’ Director Na Hong-jin Wins Action Cinema Award at the 25th New York Asian Film Festival

At this year’s festival, director Na Hong-jin met with Ari Aster, the director behind 〈Hereditary〉 and 〈Midsommar〉.
The hot-button release 〈Hope〉, which has been taking the No. 1 spot at the box office day after day since its debut, was selected as the centerpiece screening at the 25th New York Asian Film Festival and held a North American premiere screening on Monday, July 20.
Mokpo City’s «Indie Film Festival on Route 1» Opens Next Month on Aug. 13; About 70 Domestic and International Films to Screen Aug. 13-17

Mokpo City’s «Indie Film Festival on Route 1» Opens Next Month on Aug. 13; About 70 Domestic and International Films to Screen Aug. 13-17

Mokpo reels from a «budget freeze» after local authorities cut 15 million won—despite securing national funding, the organizers are left to cover 28 million won out of pocket.
Even with a national-funding win, Mokpo’s «cinema paradiso» hits a «budget chill» The «13th Mokpo Route 1 Indie Film Festival», set to open on Aug. 13, has run into serious financial obstacles. The farce, officials say, came despite the festival being selected for a central-government call for...
Kurosawa Kiyoshi’s ‘Black Thunder Castle’ and Other Buzzed-About Titles at BIFAN 2026

Kurosawa Kiyoshi’s ‘Black Thunder Castle’ and Other Buzzed-About Titles at BIFAN 2026

Marking its 30th anniversary this year, the Bucheon International Fantastic Film Festival will be held from July 2 to July 12 around Bucheon City Hall. As South Korea’s only fantastic genre film festival, BIFAN again presents works armed with genre playfulness and a bold experimental spirit.
Indieground Special Screening: “Cine Academy: An Introduction to Short Films” to Run On and Off Line!

Indieground Special Screening: “Cine Academy: An Introduction to Short Films” to Run On and Off Line!

The program features two themes—an “Introduction” section, and a “Deep Dive” section that lets audiences enjoy the expanded possibilities of original viewpoints and formats—showing a total of eight short films.
This special screening was planned to lower the barrier to going to the theater and to introduce Korean short films more broadly, while also giving audiences a chance to discover their own cinematic tastes through distinctive works.