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Nam Joo-hyuk Enters the Spirit World in Netflix’s 'The East Palace'

Nam Joo-hyuk Enters the Spirit World in Netflix’s 'The East Palace'

〈KPop Demon Hunters〉 next is 〈The East Palace〉. The hybrid-genre Netflix series 〈The East Palace〉—which mixes occult and historical drama with mystery, fantasy and action—finally unveiled its first episodes on the 17th after months of anticipation.
‘Little Dreamerz’ Yoo Hee-je X Kim Se-won Unveil Fresh Character Ensemble With Press Stills!

‘Little Dreamerz’ Yoo Hee-je X Kim Se-won Unveil Fresh Character Ensemble With Press Stills!

Geon-woo (Yoo Hee-je) at a dead end and Mina (Kim Se-won), a girl adrift, chase traces left by a dreamworld presence called ‘Yoseob’ in a strange fantasy.
A strange fantasy drama 〈Little Dreamerz〉 in which ‘Geon-woo,’ standing at a dead end, and ‘Mina,’ a wandering teenage girl, search for traces of the dreamworld presence ‘Yoseob,’ has announced a strong lineup of actors who have shown their own color as they move across various films and OTTs.
Sin Stealer Kkeomeok-sal Sparks Buzz! ‘The East Palace’ Rises to No. 2 Among Non-English Shows in Global TOP 10 Just 3 Days After Release

Sin Stealer Kkeomeok-sal Sparks Buzz! ‘The East Palace’ Rises to No. 2 Among Non-English Shows in Global TOP 10 Just 3 Days After Release

Not only in South Korea, but also in Hong Kong, Thailand, the Philippines, India and more, ‘The East Palace,’ which entered the TOP 10 lists in a total of 27 countries, released previously unreleased stills.
The Netflix series 〈The East Palace〉, a story about Gu Cheon (Nam Ju-hyuk), a man who can move between the world of spirits, and Saeng Gang (No Yoon-seo), a palace maid who guards a secret, as they receive a summons from the king (Cho Seung-woo) and dig into the curse that has taken hold in the...
'J-horror' master Kurosawa Kiyoshi’s 'The Path of the Serpent' gets a nationwide first theatrical release in Korea after 28 years—arrives in 4K on the 22nd

'J-horror' master Kurosawa Kiyoshi’s 'The Path of the Serpent' gets a nationwide first theatrical release in Korea after 28 years—arrives in 4K on the 22nd

A 4K remastered edition of the 1998 thriller… a devastating revenge drama by a father who lost his daughter
The hidden origin of a 'J-horror' legend comes back to the screen, breaking 28 years of silenceThe masterpiece 'The Path of the Serpent' (1998), directed by Japanese thriller icon 'Kurosawa Kiyoshi', lands in Korean theaters for the first time in 28 years.
Kurosawa Kiyoshi’s ‘Black Thunder Castle’ and Other Buzzed-About Titles at BIFAN 2026

Kurosawa Kiyoshi’s ‘Black Thunder Castle’ and Other Buzzed-About Titles at BIFAN 2026

Marking its 30th anniversary this year, the Bucheon International Fantastic Film Festival will be held from July 2 to July 12 around Bucheon City Hall. As South Korea’s only fantastic genre film festival, BIFAN again presents works armed with genre playfulness and a bold experimental spirit.
‘The Assassins’ Gets an Official Gala Presentation Invite for the 51st Toronto International Film Festival

‘The Assassins’ Gets an Official Gala Presentation Invite for the 51st Toronto International Film Festival

A story that traces the allegations and the forces behind the assassination attempt on the First Lady that rocked South Korea on Aug. 15, 1974.
The film 〈The Assassins〉 has received an official invitation to the gala presentation section of the 51st Toronto International Film Festival, drawing attention even before its release. The film 〈The Assassins〉 has been officially invited to the gala presentation section of the 51st Toronto...
Han Suk-kyu Thriller “Speaking Dead” Breaks Through Controversy and Is Released in the Second Half for the First Time in Five Years

Han Suk-kyu Thriller “Speaking Dead” Breaks Through Controversy and Is Released in the Second Half for the First Time in Five Years

“Speaking Dead,” the Han Suk-kyu-led project that was halted mid-production amid controversy over its source material, will finally be unveiled after a five-year wait following an eight-episode re-edit.
Master actor Han Suk-kyu transforms into a forensic pathologist in the mystery thriller drama Speaking Dead, finally breaking a long silence of no less than five years.An overwhelming comeback in an eight-episode format that cleared the wave of controversy—while the world is already paying...
Park Se-young Returns After 4 Years, With ‘Family Relationship Certificate’ Starting at 4.3% — Mother-Daughter Conflict With Han Goeun

Park Se-young Returns After 4 Years, With ‘Family Relationship Certificate’ Starting at 4.3% — Mother-Daughter Conflict With Han Goeun

The mother-daughter conflict with Han Goeun and the intertwined secrets of two families deliver a strong sense of immersion from Episode 1
A Bloody Prelude That Splits a Perfect Routine, Swallowing the Living-Room AudienceMBC’s new daily drama ‘Family Relationship Certificate’ has lifted the curtain, promising a major twist for viewers. According to Nielsen Korea, the ratings survey firm, the first broadcast the previous day scored ‘4.
NBC crime thriller ‘The Hunting Party’ ends in final failure to produce Season 3 as cast contract options expire

NBC crime thriller ‘The Hunting Party’ ends in final failure to produce Season 3 as cast contract options expire

Universal Television tried to move the show to a different platform, but it didn’t happen; fans who expected a dramatic structure like Netflix’s ‘Lucifer’ were crushed by the news of expired contracts Starring actors including Melissa Roxburgh are now free agents… as NBC’s fall lineup overhaul ushers the series into the past
After the network delivered a cancellation notice, NBC’s action crime investigation drama ‘The Hunting Party ’ bet on a dramatic bid for survival by probing a move to another platform—only to arrive at a complete end as the cast’s contract options expired for good.
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.