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Search results for "Lee Se-jin"

[Chuseok Holiday Box Office] Yoo Hae-jin and Park Hae-il's 'Assassins' and 'Tazza 4' knock out 'The Odyssey,' draw 130,000 on opening day for No. 1

[Chuseok Holiday Box Office] Yoo Hae-jin and Park Hae-il's 'Assassins' and 'Tazza 4' knock out 'The Odyssey,' draw 130,000 on opening day for No. 1

'Tazza 4' closes in after topping 100,000 admissions, reaching a 31.6% advance-booking rate
'Tazza 4' closes in after topping 100,000 admissions, reaches a 31.6% advance-booking rate over the Chuseok holiday Shots fired in 1974 consume the box office 'Assassins', which probes the events behind the 1974 shooting of the first lady, seized the box-office crown with overwhelming momentum on...
| James choi
‘Day and Night, To Each Other’ Releases First Press Stills! Coffee-Scented, Distinctive Aesthetic

‘Day and Night, To Each Other’ Releases First Press Stills! Coffee-Scented, Distinctive Aesthetic

A playful, charming film capturing conversations between day and night as they pass through a cafe over the course of a single season.
Selected as the opening film of the 31st Busan International Film Festival, 〈Day and Night, To Each Other〉 sold out every seat at the opening ceremony as soon as advance ticket sales began. The film has now released its first press stills.
| Joo Seong-cheol
‘Scandal’ Production Stills Reveal Lavish Mise-en-Scène, Alluring Costumes and Spatial Design in Joseon-era Bukchon

‘Scandal’ Production Stills Reveal Lavish Mise-en-Scène, Alluring Costumes and Spatial Design in Joseon-era Bukchon

Blending period detail with a modern sensibility, the production moves beyond the conventions of traditional historical dramas to create a distinctive appeal all its own for 〈Scandal​〉.
The Netflix series 〈Scandal〉 has released production stills. The series follows Lady Jo, a woman of exceptional talent who is too gifted to spend her life confined by the roles assigned to women in the Joseon era; Jo Won, Joseon's greatest ladies' man; and Hee-yeon, a woman entangled in their...
| Joo Seong-cheol
'Squid Game' ranks No. 72 among NYT's best dramas of the 21st century; 'Beef' at No. 71, No. 1 to be revealed on the 25th

'Squid Game' ranks No. 72 among NYT's best dramas of the 21st century; 'Beef' at No. 71, No. 1 to be revealed on the 25th

Global vote by 500 actors and industry figures draws NYT praise for 'a bloody sport that annihilates humanity under capitalism'
A bloody sport exposing capitalism's true face proves a global masterpiece The power of Korean screen content has once again made its mark on a list of the 'best dramas of the 21st century' selected by the influential U. S. outlet 'The New York Times' .
| James choi
‘A Better Man’ sweeps Seoul Drama Awards with three wins for its misogynist’s transformation

‘A Better Man’ sweeps Seoul Drama Awards with three wins for its misogynist’s transformation

Short-form awards return after five years at ceremony set for Oct. 8 at KBS Hall in Yeouido
Nordic story takes global stage as K-content makes commanding gains Norway’s acclaimed ‘A Better Man’ won the Grand Prize in this year’s ‘Seoul Drama Awards’ International Competition. The organizing committee officially announced the final winners of the ‘Seoul Drama Awards 2026,’ including its...
| James choi
Chuseok Theater Spread: What Works—and What Doesn’t—in 〈The Intern〉, 〈Assassin(s)〉 and 〈Tazza: Belzebub’s Song〉

Chuseok Theater Spread: What Works—and What Doesn’t—in 〈The Intern〉, 〈Assassin(s)〉 and 〈Tazza: Belzebub’s Song〉

Chuseok has arrived, and with it comes a wave of Korean releases vying for holiday audiences over the long break. A variety of movies are opening now, each hoping to capture viewers during the holiday. CinePLAY reporters previewed three titles that have drawn the most attention and anticipation.
| Seongchan Eol
Yoo Yeon-seok and Seo Hyun-jin reunite after 10 years in 'Liar,' carrying opposite memories

Yoo Yeon-seok and Seo Hyun-jin reunite after 10 years in 'Liar,' carrying opposite memories

Premieres Oct. 30, pitting a single father against a school librarian in a battle of wits amid conflicting truths
Fragments of distorted memories fuel fierce battle over the truth Actors Yoo Yeon-seok and Seo Hyun-jin reunite after 10 years for the meticulously crafted 'psychological thriller' genre. MBC officially announced on the 22nd that it will premiere the new Friday-Saturday drama 'Liar', starring the...
| James choi
Jung Young-joo elected inaugural chair of Korea Musical Actors Association, backed by 80 actors

Jung Young-joo elected inaugural chair of Korea Musical Actors Association, backed by 80 actors

Association holds inaugural meeting on the 17th and names its first chair, launching legal support over unpaid appearance fees and other issues "When problems involving appearance fees and safety arise, we will provide legal support and push for institutional reforms"
Artists onstage, left in the blind spot, raise the anchor for rights protection The Korea Musical Actors Association has officially launched to safeguard the practical rights of musical theater actors, whose struggles have long been obscured by the spotlight.
| James choi
Jo Young-nam mourns C'est Si Bon's Lee Baek-chun, 'commander-in-chief of Korean folk,' who dies at 93

Jo Young-nam mourns C'est Si Bon's Lee Baek-chun, 'commander-in-chief of Korean folk,' who dies at 93

The former PD-turned-critic who led the acoustic-guitar movement in the 1960s and '70s died on the 21st, with his funeral procession set for the 23rd.
C'est Si Bon's Lee Baek-chun dies at 93; Jo Young-nam mourns 60 years of Ddolgang Former TBC PD pioneered Korea's acoustic-guitar movement in 1964; funeral procession set for 7 a.m. on the 23rd Lee Baek-chun, a popular-music critic who served as a mentor to Korean 'folk music' in the 1960s and '70s...
| James choi
Interview: Yoo Hae-jin on 30 Years of Acting: 'At Times I Feel I've Done Well, but I Also Think I Need to Work Harder'

Interview: Yoo Hae-jin on 30 Years of Acting: 'At Times I Feel I've Done Well, but I Also Think I Need to Work Harder'

This interview with 〈Assassins〉 actor Yoo Hae-jin continues from Part 1. One striking scene shows Cheol-gu trudging forward without saluting the flag as the national anthem plays. The sense of betrayal Cheol-gu must have felt — that emptiness — was the key thing.
| Seongchan Eol